Monday Morning Movie Review: Ponty Praises: The Christmas Candle (2013)

Good old Ponty is always bailing me out when I need it most.  Actually, I now have ample time to loaf about and enjoy the fun of Christmas Break, but that’s precisely the time I don’t want to be dreaming up films to review.

Cue Pontifex Maximus with a chestnut roasting over an open fire.  That chestnut is a faith-based film based on a story by Max Lucado that is, apparently, good.  Finally, Christians are making some good art!

It sounds like a lovely film, and a good antidote to the endless array of cookie-cutter Hallmark films out there.

With that, here is Ponty’s review of 2013’s The Christmas Candle:

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Lazy Sunday CCI: Myersvision, Part III

I decided to keep the good times rolling with posts from our senior correspondentAudre Myers, who contributes her Myersvision pieces approximately every Wednesday.  This weekend’s selections are from that glorious Christmas season, which is reflected in the two films she reviewed:

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

Lazy Sunday CLXXVII: Review of A Christmas Carol (1951)

“You there!  Yes, you, boy, reading this post in your underwear before a long day of festivities.  What day is it?”

“Why, it’s Christmas Day, sir!”

“Here—take this blog post and go buy the biggest goose in town.”

“But it doesn’t work like th—”

“Never mind—-it’s Christmas!”

And—scene.

Yes, it’s Christmas, probably the one day a year no one is reading any blog posts.  But The Portly Politico marches on, Christmas or no.

To celebrate, I thought I’d look back at the three recent reviews from Ponty, Audre Myers, and myself about A Christmas Carol (1951).  They’re pretty good:

Well, time to get dressed—it’s Christmas Day!

Merry Christmas!

—TPP

Other Lazy Sunday Installments:

A Very Portly Christmas: Ponty’s Review: A Christmas Carol (1951)

Good old Ponty made a proposal (not an indecent one involving Tina and a million dollars, fortunately) that he, Audre Myers, and myself write reviews of two classic Christmas films, the 1951 adaption of A Christmas Carol and the 1946 classic It’s a Wonderful Life.  I’m dubbing this series A Very Portly Christmas.  Cue the French horns and the sweater vests.

While I imagine we’ll all have quite positive things to say about these time-honored Christmas classics, our hope is that we’ll each see and take something different from the films, and our shades of perspective will reveal to readers previously unseen hues and details.

Or we’ll end up with three remarkably similar reviews and it will make for dull, repetitive reading.  Such are the risks of blogging, eh?  But knowing these two characters, I doubt that will be the case.  All I know is I’ve got to get crackin’ on my homework—It’s a Wonderful Life is over two hours long!

But I digress.  Ponty is kicking us off this Christmas season, and, boy, what a great way to start!  I think you’ll find his review as insightful and engaging as I did.

With that, here is Ponty’s review of 1951’s A Christmas Carol:

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Midweek Movie Review: Fatman (2020)

Being Christmastime, it seems like the season for reviewing holiday classics. That said, I’ve never been one for Christmas movies in general, with the exception of off-beat films related to the holiday.

For example, I consider Die Hard (1988) a Christmas movie—perhaps the best Christmas movie—as well as Gremlins (1984).  But other than It’s a Wonderful Life (1946), of which I have fond memories of watching at my late grandfather’s house late one Christmas night as a child, I don’t tend to go for sappy Hallmark Channel Christmas movies (sorry, Dad).

There is now a new addition to that list:  2020’s Fatman, starring Mel Gibson as a jaded Santa Claus with business problems—and a price on his head.

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