Bull Terrier Tuesday II: Back to the Vet

Sweet Murphy Girl and I are heading back to the vet’s office this afternoon to get her skin examined.  She had some really painful looking welts and pimples on her underside that required an antibiotic and some special medicated shampoo to clear up.  Fortunately, her painfully long nails were trimmed (under sedation) during her last vet visit, and that has dramatically improved her quality of life.

When I got Murphy, she also had a bit of a flea problem.  The shampoo, along with a strong dose of flea and tick medicine, took care of that no problem.  I also nuked the house with a bug bomb while we went away for a long weekend, so any lingering critters should have been gassed out of existence.  So far, I haven’t seen any new unwanted visitors.

As far as I can tell, the antibiotic has done the trick, and she is looking much better.  Hopefully the skilled eye of the veterinarian will confirm what I hope I am seeing.  I’m not sure what caused the welts on her underbelly, but I suspect the fleas played a role.

If Murphy receives a clean bill of health from the vet today, then I will able to adopt her from The Bull Terrier Rescue Mission.

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Monday Morning Movie Review: Jakob’s Wife (2021)

I am a great lover of vampire movies and stories, and am always interested to see how filmmakers and storytellers approach the well-worn vampire mythology.  Every vampire story must take time to establish the “rules” of that particular vampiric universe, so the (sub?)genre lends itself to world-building.  Some vampires can survive in sunlight, though uncomfortably; others can endure limited exposure; still others burst instantly into flames.  Some vampires fear the sign of the Cross; others laugh at it mockingly; still others fear the faith in what the symbol represents, but the symbol is rendered powerless without that faith.

Vampire stories also offer the opportunity to explore interesting themes.  Immortality is a common one:  what happens when you have forever to live on Earth?  Anne Rice’s novel Interview with the Vampire (1976) explores that idea in great detail, specifically the ennui and nihilism that come with earthly eternal “life.”  The initial thrill of vampiric power and endless nights of bloody reverie gradually turn to centuries of self-indulgent, murderous moping, as the vampire passively watches the world he loved transform around him into something unrecognizable.

This month, Shudder released a new exclusive, Jakob’s Wife (2021), a feminist-inflected vampire story starring 80s scream queen Barbara Crampton.  While the feminist themes were a bit heavy-handed at points, the film handled the subject matter with a surprising degree of nuance.  Suffice it to say that, like tell-tale two-pronged mark of the vampire’s bite, this film has stuck with me.

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Lazy Sunday CXXVIII: Civilization

Civilization seems to be taking it on the chin lately, with anti-civilizational forces in various forms scoring victories against the civilized world.  The Taliban’s rapid reconquista of Afghanistan following America’s hasty, disorganized withdrawal suggests that a group of motivated cavemen can topple a well-trained, well-equipped, but artificial regime in a brisk weekend.

Within the gates of the civilized world, we’re going in a decidedly Babylonian route, indulging in wildly hedonistic displays of decadence, while ignoring the fundamentals that keep civilization going.  Even the gates are largely symbolic, as we’re allowing in every paleontological throwback, handing them government bennies and free housing in the process.

All that said, I think civilization is worth preserving.  I’ll write about that in a future post.  For now, here are some of my past scribblings on the topic for this mildly gloomy edition of Lazy Sunday:

  • Civilization is Worth It” – Here is my initial case for civilization.  I think this line sums it up best:  “Ultimately, I’d much rather live in a world that produced J.S. Bach than a Stone Age pit full of atonal grunting.  It says something about the state of our civilization that the atonal grunts are back in vogue.”
  • What is Civilization” – This post was based on a discussion between Milo Yiannopoulos and “groypers” Steven Franssen and Vincent James.  The groypers argued that folks should abandon the cities and head to the country.  Milo argued that cities are the heart of civilization, and should be defended.  Both sides make compelling points, though I tend to side with Franssen and James on this one.
  • Rebuilding Civilization: The Hunter-Gatherer” – This post was inspired by an essay by Stuart Wavell entitled “The next civilisation.”  Wavell suggests that in the event of a cataclysmic, apocalyptic-level event, the isolated hunter-gatherers would be the ones to carry on the torch of humanity.

Well, there’s your dose of civilizational analysis for this weekend.  Let’s all do our part to maintain the things that make civilization worth the effort.

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

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SubscribeStar Saturday: Festivals in The Age of The Virus

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Just when we thought life was returning to normal—or, perhaps, when we thought life was being allowed to return to normal—a wacky new variant of The Virus has reared its viral head.  We’re told it’s hyper-contagious, though the fact that it’s even milder than the original recipe is seldom mentioned.  Just as New Coke wasn’t as good as Coca-Cola Classic, so the Delta Variant is a poor imitation of The Wuhan Original.

Well, the sequel is never as good as the original.  Unfortunately, our public health overlords at the Centers for Disease Control and Prevention don’t see it that way.  They and their lackeys in the media are going full-scale alarmist, now recommending even vaccinated individuals to wear masks.

But, wait, didn’t The Vaccine purchase our freedom from masks?  Aren’t masks of dubious effectiveness, anyway?  Well, never mind.  The Cult of COVID holds sway among our ruling class, and they’re never wrong, and certainly never the architects of unmitigated disasters.  Let’s all chant the necessary rites—“Two Weeks to Flatten the Curve!”—“Socially Distance!”—“Wear a Mask!”—and surely St. Fauci will make the necessary sacrifices of civil liberties to appease the angry god COVID.

Among the many casualties of our adherence to this death cult is the many public events, those places where we used to gather to celebrate our shared history, heritage, and culture, and simply have some fun.  As the weather slowly hints towards crisp autumnality, it’s worth considering the fate of our beloved festivals.

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Supporting Friends Friday: Audre Myers

I’ve been on a roll featuring blogger buddies on Supporting Friends Friday as of late, notably with my feature of photog last week.  If photog is my avuncular ally in the world of under-the-radar right-wing blogging, then today’s featured friend, Audre Myers of Nebraska Energy Observer, is probably the doting aunt who “likes” every post and almost always leaves some kind of feedback and encouragement on the blog.

She’s also brought new readers to my blog, such as 39 Pontiac Dreamer, whose comments this past week have really enlivened the blog (and inspired Wednesday’s post).  I’ve also noticed that since bringing 39PD to the blog’s comment sections, my page views have skyrocketed, thanks to the raucous back-and-forth between Audre, 39PD, Neo, and myself (feel free to join in, dear readers, and enjoy the fun!).

Audre’s encouragement and recommendations have shaped my own blog profoundly.  Many of the film reviews on the site over the past two months have been from Shudder, and Audre is to thank—she and a colleague both recommended the service heartily, and it’s become pretty much the only streaming content I consume besides YouTube videos.  Indeed, my review of The Man Who Killed Hitler and then the Bigfoot (2018) is a direct consequence of Audre mentioning the film!

More importantly, Audre is a skilled writer and thinker in her own right, though, not just a cheerleader and booster of my rambling scribblings.  She brings a warm, almost motherly perspective to the issues of the day, without descending into hyper-feminized sentimentality (something I am probably more likely to do than her, truth be told).  She employs literary and filmic allusions to highlight her points, making them easier to understand, without falling into the trap of the Harry Potter kids who use the popular book series as their entire frame of reference for understanding the world.

In short, Audre’s writing is fun, entertaining, and lively, while still retaining a sense of seriousness about the issues facing the world today.

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TBT: Benjamin Britten’s “The Young Person’s Guide to the Orchestra”

The new year school year is back into full swing, with this week being the first full week of classes.  Needless to say, yours portly is tired, but very much enjoying the academic year so far.

I’m teaching Pre-AP Music Appreciation again this year, so I’m excited to dive back into some of the works we discussed last year—and some new ones!  Of course, we’ve kicked the year off with a listening to “The Young Person’s Guide to the Orchestra,” a favorite for introducing orchestral instruments.

My Pre-AP Music class this year is quite small—just five students—which makes for a more relaxed classroom environment.  We’re able to explore tangents as they arise (and, based on my frequent use of em dashes and parentheses, you can imagine I go off on them frequently), and generally take the time to enjoy the music, which the students seem to be doing.

I don’t have much more to add that I didn’t write a year ago.  Britten ingeniously weaves a whopping thirteen variations on a Henry Purcell theme, featuring nearly every instrument in the orchestra—including the percussion section!—in solo or soli.  Even the neglected double basses get some love with a melody of their own.

With that, here is 31 August 2020’s “Benjamin Britten’s ‘The Young Person’s Guide to the Orchestra’“:

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Rebuilding Civilization: The Hunter-Gatherer

Thanks to Audre Myers of Nebraska Energy Observer I have a new commenter on the blog, 39 Pontiac Dream, a proper English gent of the old school (or so I gather).  He very kindly shared some links with me from The Conservative Woman (or TWC as it is styled on its website), a site both Audre and Neo have recommended to me many times.  One of those links was to an intriguing piece by Stuart Wavell, “The next civilisation.”

Our culture has an obsession with apocalyptic scenarios:  massive plagues (a bit too relevant at the moment); zombie uprisings (always a popular one); massive meteor impacts (a bit retro—a favorite of the 1990s).  Perhaps it’s a sign of a moribund and decadent culture that we fantasize about most of human life ending and starting the whole thing over from scratch.

When we indulge in these celluloid and literary fantasies, I suspect the inherent assumption is similar to those who want to restore absolute monarchies:  we assume that we will survive the collapse, just as the would-be monarchists assume they will be king (or at least some important member of the nobility).

Chances are, most of us (yours portly included) would die quite quickly, either from the cataclysm itself, or from the bands of marauding raiders that would inevitably rise up in the wake of such a collapse.  If those didn’t get us, it would be starvation, disease, or our own inability to assess danger that would do us in.

Wavell makes a similar point, with an interesting caveat:  while those of us softened and doughy by the abundance of civilization would find ourselves in the pickle brine, the isolated, self-sufficient hunter-gatherers of the world—and they are still out there!—would be just fine, as they have been for millennia.

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Preserving Old Varieties

My local paper, the Darlington New & Press, features a number of editorial writers typical of the kind that get gigs writing human interest pieces for tiny small town papers:  local pastors writing brief devotionals; a guy griping about the things we all gripe about; an astronomer.  They all write in a similar, mildly folksy manner, which I’m sure appeals to the more advanced age of the paper’s readership.

One of their writers, Tom Poland, wrote a fascinating piece last week about rare heirloom vegetables, “Long-lost treasures and heirloom seeds.”  The piece tracks down the Bradford Watermelon, a watermelon variety thought to be extinct, but which survived on the land Nat Bradford inherited from his family.  The watermelon variety dwindled in popularity in spite of its sweet, superior flavor because the rind was too thin to survive bulk shipping.

After years of research into arcane newspaper clippings and agricultural history, Bradford discovered that the melons growing on his ancestral farm are, indeed, the legendary Bradford Watermelons.

To quote Poland quoting Bradford:

In Nat’s words, “The greatest watermelon to have come from the great age of watermelon breeding fell out of cultivation. Lost to the world, the melon lived on in the Bradford family farm fields. The last seeds on the planet of this wonderful melon were in a couple of mason jars.”

What a remarkable legacy—and a fortuitous one.  Heirloom varieties of many plants are enjoying increased interest lately as part of the current homesteading movement, as these varieties are often tastier than their supermarket, genetically-modified alternatives.

I suspect, too, that there is a certain joy in knowing that by planting these forgotten seeds, you are directly contributing to the survival of a variety.  There is a link to the past, and the agricultural experiments of our forebears.

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Monday Morning Movie Review: Hell Comes to Frogtown (1988)

Binge-watching The Last Drive-In with Joe Bob Briggs has introduced me to some obscure and forgotten flicks.  Several of the films the freedom-loving Texan screens are deservedly forgotten, and even hard to watch, with only Joe Bob’s off-the-cuff rants and film history knowledge keeping me going.  Others, however, are real gems—rough-cut and a little sooty, but gems nonetheless.

One such film is Hell Comes to Frogtown (1988), a post-apocalyptic sci-fi action-comedy starring wrestler “Rowdy” Roddy Piper.  Piper is better known for his role in They Live (1988), the John Carpenter classic in which Piper’s character discovers a pair of sunglasses that show the world for how it truly is.  They Live—with its infamous six-minute fistfight—is the better film, but Hell Comes to Frogtown is really delightful.

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