New Music Tuesday XIII: “Loach”

Finally—some new music for New Music Tuesday! I’m still working on “Japanese Trapdoor Snails,” but I took a quick aside yesterday to jot down a quick little piece.

You see, dear readers, the pond hobby creates an insatiable appetite for more aquatic critters. My next planned addition to the pond is a trio of weather (or “dojo”) loaches. These are cold-hardy bottom-dwellers that look like an eel and a catfish had a baby, but the baby is somehow cute and not a hideous monster.

Naturally, I had to write a trio depicting these odd but adorable (oddorable?) creatures, three of which I hope to add to the koi pond soon.

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ceramic object on display

Wabi-Sabi

Yours portly is brainstorming some book ideas. Right now, there are two in the hopper: the long-anticipated poetry collection Offensive Poems: With Pictures, which will include a collection of haiku with hot takes on the dystopian nightmare of modernity; and a collection of my writings about fast food.

Somewhere amid all the boxes rests my sketchbook, full of detailed doodles that will make it into Offensive Poems. Much of the poetry is written on the backs of those pictures. Once I find that bad boy, I’m firing up the scanner and getting those pictures uploaded.

In the meantime, I’ve been tinkering with some haiku here and there. I’m drawn to the form because, in my midwittery, it’s the easiest poetic form to remember: three lines in a five-seven-five syllabic pattern. No keeping track of iambic pentameter or the like (I was never good with the stress-unstressed thing, even though as a musician I possess a good sense of rhythm) or the like.

Of course, haiku, like all poetic forms of any quality, is more than just following a syllabic pattern. The form in its purest sense also calls for subject matter that reflects its naturalistic feel. The haiku in Offensive Poems won’t really follow the spirit of the form, but today’s little poem hopefully will.

The poem, “Wabi-Sabi,” is based on the Japanese concept of the same name. The concept broadly refers to an imperfect beauty; imperfections are, like a beauty spot on a woman, what paradoxically make something beautiful even more so.

In the poem below, I frame the concept of wabi-sabi in contrast to the Platonic theory of Forms, in which Plato proposed that all things aspire to be the ideal “Form” of what they are. A tree, for example, strives to be like the Platonic Form of a “tree,” which only exists on a higher plane of existence (or, for Christians or Neo-Platonists [not the same thing], exists only in Heaven and/or God’s Mind). Another way to think of Forms is the inability of the artist to capture perfectly what is in his mind’s eye (which, as an unskilled, untrained doodler, I experience frequently.

I’m also fascinated by the Japanese process in ceramics of kintsugi, in which cracks or breaks are repaired with gold, creating a (very wabi-sabi) piece that is even more beautiful because it’s been broken and repaired. There is something beautiful and even profoundly Christian about that concept: God Fills our cracks and Heals our brokenness through the Blood of His Son and the indwelling of the Holy Spirit; an idea to develop further, perhaps, another time.

Well, I’ve done what bad artists always do: written an essay to explain a work that should be able to speak for itself. So, with that, here is “Wabi-Sabi”:

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Lazy Sunday CCCLXXXVII: Against Darwinism

The topic of Darwinian evolution and its staggering inaccuracies and inconsistences has been on yours portly mind of late. As such, it seemed appropriate to look back this Lord’s Day to some posts about (or at least related to tangentially) Darwinian evolution:

Happy Sunday!

—TPP

SubscribeStar Saturday: The Renaissance

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To finish out the school year, I put together a three-day mini-unit for my World History students to familiarize them with some of the major movements in Europe between circa 1300-1600.  The idea is to bridge the gap between the High Middle Ages (specifically, the end of The Hundred Years’ War and the Ottoman conquest of Constantinople in 1453) and the Age of Exploration.  That will allow them to start United States History in August with a broad, albeit brief, sense of the context for European colonization of the New World, which is where the US History course begins (along with some history about pre-Columbian native tribes and civilizations).

My “three-day mini-unit” really worked out to be about three-and-a-half days, as I’m attempting to cover some huge changes in European society and faith.  The mini-unit covers the Renaissance, the Protestant Reformation (and the Catholic Counterreformation), and European exploration and colonization (the last  of which is a very cursory introduction).

Readers should be able to access the slides here.  They primarily pull information from McDougal Littell’s World History: Patterns of Interaction (2005; that’s an Amazon Affiliate link; I receive a portion of any purchases made through that link, at no additional cost to you), supplemented in my lectures with my own insights, pulled from various sources.  I add quite a bit about the Reformation, for example, in my lectures, and we look at a good bit more Renaissance art than appears in the slides.

Indeed, the Renaissance constitutes over one-third of the slides, because it’s such a transformative movement in its own right.  Literally meaning “rebirth,” the Renaissance represented a fundamental shift in the medieval mind.  Rather than creating art and literature primarily for the glorification of God, the humanism of the Renaissance sought to better understand and to celebrate humanity itself.  The movement’s interest in classical Greece and Rome sought to move beyond mining insights into Christian theology from those pre-Christian sources, but to understand the values of the ancient Greeks and Romans on their own terms.  That represented a shift away from the Aquinian scholastic project of reconciling pre-Christian (and pagan) Greco-Roman philosophy with Christian theology and the revealed Truth of the Bible towards a more historical approach.

That said, the Renaissance was not dominated by atheists.  Indeed, Renaissance humanism was very Christian in nature.  While the emphasis of art shifted to the human, it was in a context of the human as a reflection of God; after all, we are made in His Image.  Michelangelo’s famous painting “The Creation of Adam” on the ceiling of the Sistine Chapel demonstrates that God Is firmly Sovereign.  Adam reclines, his hand extended somewhat limply, while God, surrounded by a heavenly host of angels, extends forward, His Finger extended in the act of creation:

“The Creation of Adam”; Image Source: https://www.pickpik.com/sistine-chapel-vatican-michelangelo-museum-rome-143433, accessed 8 May 2026 (image is in the public domain)

Indeed, God’s entire Body is in action, almost Moving towards His Creation.  While Adam’s form is certainly idealized, he is clearly the recipient of the creative act, not the initiator.

The Catholic Church was a major sponsor of the Renaissance, sometimes to its detriment:  one source of complaints from the Protestant reformers was the extreme luxury and decadence of the popes and cardinals.  Many popes embraced the earthier sides of the Renaissance, with its celebration of good food along with good art, and engaged in all manner of sinful activities.  But God Uses even wicked men to His Ends, and in its corruption and venality the Catholic Church of the Renaissance patronized the creation of numerous devotional works of exquisite quality.  In music, for example, a Reformation-chastened papacy would shift away from the garish theatricality of late medieval sacred music and re-embrace the ethereal beauty of composers like Palestrina, whose Pope Marcellus mass is a masterpiece of choral writing.

The humanist genie was out of its bottle, however, and did much to fertilize the soil from which the Reformation would spring.

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Phone it in Friday CXXIX: YouTube Roundup CLXXXIX: Video Absurdism

Yours portly possesses an abiding love for absurdity.  Chalk it up to years of watching [adult swim] in the early 2000s and growing up watching The Simpsons, but my artistic output visually—which consists almost entirely of unskilled doodling—leans heavily into the cartoonish and absurd and weird.  Indeed, I wrote an entire book based on that premise (that’s an Amazon Affiliate link; I receive a portion of all purchases made through that link, at no additional cost to you).

YouTube provides an outlet to unlock that visual and aural absurdism, and today’s Shorts are indicative of the kind of ridiculous, sometimes contextless, silliness that I like to tart up and present as some kind of philosophically abstract absurdism, when it’s really just me being a goofball.

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TBT^256: SimEarth

Yesterday I wrote about how bogus Darwinian evolution is as a theory.  It’s one of those concepts that sounds both so radical and logical that it must be groundbreaking and true.

Then you start to examine it more closely and realize it requires a lot of suspension of disbelief.  There’s an entire Facebook page that just shows weird animals with hyper-specific “adaptations” that are so outlandish, there’s no conceivable way they could have gradually “evolved” to that state.  Any median point in the process would have made the creature unfit for the conditions.  Sometimes, the animals have some odd characteristic that doesn’t even do anything in particular.

That said, the concept of evolution is fun in video games and science fiction.  Sure, maybe that’s just pro-Darwinist propaganda embedded into popular culture, but evolution works well in the context of a video game, where progression is encouraged through rewards.  I’ve always liked games with a grand scope that require incremental improvements over time.

Of course, even those games prove intelligence:  the development of a species, or a civilization, or someone’s neighborhood in The Sims, is itself a process of intentional, ordered choices.  Granted, players aren’t God, but they get to guide development over many turns or rounds or what not.

That’s all to say that I loved playing SimEarth back in the day.

With that, here is 8 May 2025’s “TBT^16: SimEarth“:

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Human Teeth and Evolution

What did people do in prehistoric times if something was lodged in their teeth?  Surely animal sinews and husks of grains ended up crammed in between hominid teeth, tightly packed and relatively flat as they are.

My love for popcorn sparked this thought on the drive to work.  Anyone who loves popcorn knows that it comes with a downside:  getting tiny bits of kernel husk caught between the pearly whites (or the coffeed yellows, as the case might be).  When brushing after eating popcorn, I’m a bit ashamed by the amount of kernels loosed from their cozy, gummy embedding.

It got me thinking further:  humans are really poorly adapted to live in wilderness conditions.  Yes, the Darwinists would argue that our big brains make up for our lack of power jaws, razor-sharp teeth, venomous chin sacks, natural swim fins, quick gazelle legs, and the like.  As with many things, the Darwinists are half-right:  our big brains do give humans a massive advantage over all other forms of life.  Where the Darwinists are wrong is in how we got here.

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No New Music Tuesday

Happy Tuesday, dear readers!

No New Music Tuesday today, I’m afraid.  With the school year winding down, several aspects of the job are winding up as we enter into exam review season.  I’m attempting to squeeze in one last mini-unit covering the Renaissance, the Protestant Reformation, and European exploration in the span of three lessons, so my unstructured time has been spent putting together slides for  those quite vast topics.  We’ll see if I can speed run the biggest events of 1300-1600!

The point is not an in-depth analysis of these major movements, but to keep the students a taste before they head into United States History next year.  The first part of United States History examines the political, social, and religious context of late medieval/early modern Europe, as that context is significant in the exploration and colonization of the Americas.  I’d like the students to finish the “story” of World History in such a way that it dovetails with the “story” of United States History.

I’ve tinkered with my latest composition, “Japanese Trapdoor Snails,” slightly, but have hit a bit of a block with it.  As with writer’s block, the solution is simply to write—in this case, music.  To do that, though, I need to have a bit more unstructured time, and what I’ve had has been dedicated to more pressing matters.

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close up of a pile of chopped wood

Border Towns

The new town where Dr. Wife and I reside is about twenty minutes from the border between North and South Carolina.  When I go up to visit her at her little apartment in North Carolina (she’s living there during the weeks as she finishes up her medical residency), I drive through some tiny South Carolina border towns, places with names like “Tatum” and “McColl.”  The comparatively larger Laurinburg is on the North Carolina side of the border.

These little towns have some interesting features.  On the South Carolina side of the border, they’re tiny.  Tatum is a few ramshackle buildings and a local manufacturer; I’m not sure there’s even a gas station there.  McColl has a bit more going on, but not much.  This section of northeastern South Carolina is very rural, and lies far enough from major Interstates and other population centers that they’re not receiving much beyond commuter traffic, which usually flows out of these communities.

There’s also the people that want to buy fireworks.  On the South Carolina side, there are more and more fireworks stands the closet one gets to the State line.  Even though we’re still two months away from Independence Day, I will see multiple cars parked at these places when I drive by, so there is apparently an appetite for colorful explosives year-round.

Fireworks are apparently lucrative.  On the outskirts of McColl, the last town before hitting the North Carolina border, there is a little floral shop.  It’s cute and sports a faded but fun shade of pink.  On its sign, it advertises flowers—and fireworks.

As one drives closer to the North Carolina border, there are a number of dilapidated—or even entirely missing—video arcades.  I have vague childhood recollections of driving past similar places along the SC-NC border and getting excited that there were video game establishments, but my parents explained they were not arcades like we knew from the mall, but places where people played video poker.  One of these establishments has a garish onion dome a la the Kremlin or the Taj Mahal.  It is completely vacant.

Video poker was legal in South Carolina at some point in the 1990s.  The convenience store next to my late maternal grandfather’s furniture store in Bath, South Carolina had a video poker cabinet (it may have been blackjack), and I remember thinking it was insane that it cost a whopping two dollars to play.  Of course, it was likely illegal for me to play it; even if it weren’t, it was too expensive.

Remember, these were the days when most arcade games cost a quarter to play.  A good game—something really premium—cost fifty cents.  A really awesome, cutting-edge game at, say, Myrtle Beach might cost a dollar.  Two bucks to play a hand of poker or blackjack was outrageous (and not very appealing to a kid, anyway), but I imagine many a workman blew his pay packet at these machines every Friday night hoping to escape their situations (yes, there were desperately poor people in the 1990s).

I briefly (and unfortunately) dated the daughter of one of the guys who invented the video poker machine; he became a drug addict, which is tragic but, like most tragedies, also poetic.  She was a hot mess (emphasis on the mess, not the hot), and was emblematic of what I call “nouveau riche rednecks.”  They’re a type that jump from poverty to wealth too quickly, retaining a great deal of the trashiness associated with riotous country folk.  Imagine the people who spend all their money on four-wheelers and jet skis and $80,000 pickup trucks.

To be clear, I’m just two generations removed from poverty on my father’s side.  But my paternal grandfather and grandmother weren’t that kind of “country” Southerner that seem to be either the best or worst of people.  They were something else, due in large part to their devotion to Christ.  Yes, my Papa worked in the textile mill and Mama was a custodian at the library.  When I was a little kid, and Papa was retired, I thought he was a scrap dealer:  he would drive around in his awesome 1980s Honda Civic hatchback and pick up items people had tossed on the side of the road, then host a huge yard sale every fall.  Papa would boast about how the Save-a-Lot brand canned spaghetti and meatballs had one more meatball per can than Chef Boyardee; it struck me as the wisest thing I’d ever heard.

But I digress.  The point is that we slowly emerged from that milieu.  We did not succumb to the video poker bubble; indeed, I imagine my parents and grandparents were glad to see it go.  Governor David Beasley famously lost his re-election bid in the 1998 South Carolina gubernatorial race to Democrat Jim Hodges in large part because Beasley opposed video poker and a State lottery.  It was an object lesson in how the people will clamor for their own destruction, which is itself proof that they shouldn’t be allowed to gamble.

Well, they can’t get their video poker fix in South Carolina, but crossing the border into North Carolina’s Scotland County immediately presents visitors with multiple cinderblock boxes with neon signs shouting “777” and “Skill Games.”  These hastily-constructed hotboxes host video and other forms of gambling.  South Carolinians itching to risk their paycheck on a pipedream can easily hop the border, just as North Carolinians eager to explode LEGO men in their backyard with bottle rockets and Roman Candles can scuttle on down to South Carolina.

There’s something about that liminal space (to use a favorite buzzword of Internet essayists everywhere) in border regions that brings out the unsavoriness of human nature.  In a zone where legal and cultural and political identities melt into one another, unimagined possibilities gain life.  There are always merchants of vice willing to imagine those possibilities for their desperate customers—for a price.

At least in South Carolina the vice we sell is fireworks, which are more of a fun novelty than a depraved invitation to dark deeds.  I’d rather light up the sky with explosives than descend into the darkness of a vape-filled, cinderblocked gambling dungeon.

Lazy Sunday CCCLXXXVI: Spring Concert 2026 Posts

A quick Lazy Sunday today, dear readers, looking back at the recent Spring Concert.  I’m looking forward to (God Willing) a relatively normal week of work!

Rock on—and Happy Sunday!

—TPP