close up of a pile of chopped wood

Border Towns

The new town where Dr. Wife and I reside is about twenty minutes from the border between North and South Carolina.  When I go up to visit her at her little apartment in North Carolina (she’s living there during the weeks as she finishes up her medical residency), I drive through some tiny South Carolina border towns, places with names like “Tatum” and “McColl.”  The comparatively larger Laurinburg is on the North Carolina side of the border.

These little towns have some interesting features.  On the South Carolina side of the border, they’re tiny.  Tatum is a few ramshackle buildings and a local manufacturer; I’m not sure there’s even a gas station there.  McColl has a bit more going on, but not much.  This section of northeastern South Carolina is very rural, and lies far enough from major Interstates and other population centers that they’re not receiving much beyond commuter traffic, which usually flows out of these communities.

There’s also the people that want to buy fireworks.  On the South Carolina side, there are more and more fireworks stands the closet one gets to the State line.  Even though we’re still two months away from Independence Day, I will see multiple cars parked at these places when I drive by, so there is apparently an appetite for colorful explosives year-round.

Fireworks are apparently lucrative.  On the outskirts of McColl, the last town before hitting the North Carolina border, there is a little floral shop.  It’s cute and sports a faded but fun shade of pink.  On its sign, it advertises flowers—and fireworks.

As one drives closer to the North Carolina border, there are a number of dilapidated—or even entirely missing—video arcades.  I have vague childhood recollections of driving past similar places along the SC-NC border and getting excited that there were video game establishments, but my parents explained they were not arcades like we knew from the mall, but places where people played video poker.  One of these establishments has a garish onion dome a la the Kremlin or the Taj Mahal.  It is completely vacant.

Video poker was legal in South Carolina at some point in the 1990s.  The convenience store next to my late maternal grandfather’s furniture store in Bath, South Carolina had a video poker cabinet (it may have been blackjack), and I remember thinking it was insane that it cost a whopping two dollars to play.  Of course, it was likely illegal for me to play it; even if it weren’t, it was too expensive.

Remember, these were the days when most arcade games cost a quarter to play.  A good game—something really premium—cost fifty cents.  A really awesome, cutting-edge game at, say, Myrtle Beach might cost a dollar.  Two bucks to play a hand of poker or blackjack was outrageous (and not very appealing to a kid, anyway), but I imagine many a workman blew his pay packet at these machines every Friday night hoping to escape their situations (yes, there were desperately poor people in the 1990s).

I briefly (and unfortunately) dated the daughter of one of the guys who invented the video poker machine; he became a drug addict, which is tragic but, like most tragedies, also poetic.  She was a hot mess (emphasis on the mess, not the hot), and was emblematic of what I call “nouveau riche rednecks.”  They’re a type that jump from poverty to wealth too quickly, retaining a great deal of the trashiness associated with riotous country folk.  Imagine the people who spend all their money on four-wheelers and jet skis and $80,000 pickup trucks.

To be clear, I’m just two generations removed from poverty on my father’s side.  But my paternal grandfather and grandmother weren’t that kind of “country” Southerner that seem to be either the best or worst of people.  They were something else, due in large part to their devotion to Christ.  Yes, my Papa worked in the textile mill and Mama was a custodian at the library.  When I was a little kid, and Papa was retired, I thought he was a scrap dealer:  he would drive around in his awesome 1980s Honda Civic hatchback and pick up items people had tossed on the side of the road, then host a huge yard sale every fall.  Papa would boast about how the Save-a-Lot brand canned spaghetti and meatballs had one more meatball per can than Chef Boyardee; it struck me as the wisest thing I’d ever heard.

But I digress.  The point is that we slowly emerged from that milieu.  We did not succumb to the video poker bubble; indeed, I imagine my parents and grandparents were glad to see it go.  Governor David Beasley famously lost his re-election bid in the 1998 South Carolina gubernatorial race to Democrat Jim Hodges in large part because Beasley opposed video poker and a State lottery.  It was an object lesson in how the people will clamor for their own destruction, which is itself proof that they shouldn’t be allowed to gamble.

Well, they can’t get their video poker fix in South Carolina, but crossing the border into North Carolina’s Scotland County immediately presents visitors with multiple cinderblock boxes with neon signs shouting “777” and “Skill Games.”  These hastily-constructed hotboxes host video and other forms of gambling.  South Carolinians itching to risk their paycheck on a pipedream can easily hop the border, just as North Carolinians eager to explode LEGO men in their backyard with bottle rockets and Roman Candles can scuttle on down to South Carolina.

There’s something about that liminal space (to use a favorite buzzword of Internet essayists everywhere) in border regions that brings out the unsavoriness of human nature.  In a zone where legal and cultural and political identities melt into one another, unimagined possibilities gain life.  There are always merchants of vice willing to imagine those possibilities for their desperate customers—for a price.

At least in South Carolina the vice we sell is fireworks, which are more of a fun novelty than a depraved invitation to dark deeds.  I’d rather light up the sky with explosives than descend into the darkness of a vape-filled, cinderblocked gambling dungeon.

Lazy Sunday CCCLXXXVI: Spring Concert 2026 Posts

A quick Lazy Sunday today, dear readers, looking back at the recent Spring Concert.  I’m looking forward to (God Willing) a relatively normal week of work!

Rock on—and Happy Sunday!

—TPP

SubscribeStar Saturday: Spring Concert 2026 Postmortem

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The 2026 Spring Concert is in the books!  It was my “swan song,” featuring  a total of twenty-six (26) pieces:  ten selections from the Middle School Music Ensemble; three solo pieces; one small group performance; and twelve tunes from the High School Music Ensemble.

Before the concert, I estimated a total runtime of about two hours.  It was slightly more, clocking in a bit closer to two hours, ten minutes.  That was a bit longer than I prefer, but it was worthwhile to get in all of the performances.  Yes, I could have shaved at least one tune from each Ensemble (and I know the ones I would have cut), but the sets ended up being very nicely balanced.

My High School Music Ensemble in particular had a good mix between the various singers in class.  It’s a blessing to have several singers, and it allows for the blending of voices in fun ways, but I like to make sure every singer who wants to sing lead gets a roughly equal proportion, with heavier weight towards seniors.  I think I achieved that, with every singer getting at least two songs.  For the Middle School Music Ensemble, I had one young lady who took lead on most tunes, but I had quite a few boys sing solos or with one another.  Another young lady sang our concert opener, “Eye of the Tiger.”

Overall, the concert went very well.  Even with the length, students and parents were thrilled.  Several parents expressed dismay post-concert that it would be my last.  The kids maintained an impressive degree of stamina throughout the experience.  There were naturally a few flubs, but even those the students handled like pros.

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Bandcamp Friday Returns for May 2026!

Everything on my Bandcamp page is 90% off with promo code succulent.  That means my entire discography is $9.21.

That means an individual album, like the popular Spooky Season IV, is just $1.

That’s thirty (30) releases for about $0.31 each.

Again, use promo code succulent to get anything and everything for 90% off.

Today (Friday, 6 March 2026) is Bandcamp Friday, so Bandcamp waives their usual sales commission on any purchases.

Sure, streaming is great.  But we all know that what’s on a streaming platform today could disappear tomorrow.

Short of physical media, the best option is a lossless digital download that you own forever.

Also, most of my releases come packed with bonus material:  videos, original artwork, handwritten scores, finished scores, and more.

Those scores have real value:  a copy of the score for “Eight Chorales: Semicircles of Fourths” sold last month for $4.99.  It’s included free when you purchase Math: And Other Delights (just $0.70 with promo code succulent).

If you’re interested in supporting independent musicians and original composers, consider supporting my work with your Bandcamp purchase.

And don’t forget to use promo code succulent for 90% off!

Happy Bandcamp Friday!

—TPP

TBT: The Post-Boomer Collapse

Lately I’ve been reading more pieces about the approaching succession crisis that will be the long-delayed hand-off of power from the seemingly eternal Boomers to the rapidly aging Gen Xers and Millennials.  That will release a massive bottleneck of jobs and wealth that should—if AI doesn’t put us all out of work—lift those generations to higher levels in the corporate and academic worlds, while also allowing the unfortunates of Gen Z a chance to get a job.

Writer Aaron Renn has covered the topic:  https://www.aaronrenn.com/p/the-boomer-paradox-jeff-giesea

He also helpfully linked to a trilogy of essays by Jeff Giesea detailing the ramifications of what I call the “Post-Boomer Collapse“:

Each of these essays gives a sense of what will come as the Boomers continue to grow older and, ultimately, die off.

For all the vitriol poured on this generation (and I’m guilty of it as well), their passing will bring with it major shockwaves.

It’s why I advocated a year ago that the Boomers still lingering in leadership positions should go ahead and step down.  If they do so thoughtfully over the course of the next few years, they could groom successors and assure a smoother transition.  If they stubbornly cling to their roles (“I just love to work!”), I fear that we’ll experience a competency vacuum on an unprecedented scale.

We all know stories of post-colonial African nations in which, having ousted the colonizers, the local people don’t know how to maintain the advanced infrastructure left to them.  Maybe a few folks know how to keep existing systems running, but as they retire or die off, no one is proficient enough to keep things running.  The power plant coasts for a few weeks with whatever coal was shoveled in last (I don’t know in detail how power plants work, so don’t crucify me over this illustration), then people wonder why their lamps don’t work anymore.

Heck, if all the nuclear engineers disappeared today, I wouldn’t know how to run a nuclear power plant (see the prior paragraph, which used a coal-burning plant, but you get the idea).

Similarly, if we lose huge amounts of institutional knowledge over the span of ten years without trained successors, we’re doomed.  Thankfully, many organizations have engaged in succession management, but I suspect we’re in for a world of pain—or, at the very least, some unpleasant ruptures.

All the more reason for the Boomers to loosen their grip and let the next generations have a turn at the wheel.

With that, here is 26 April 2025’s “The Post-Boomer Collapse?” (original on SubscribeStar):

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Midweek Recuperation

My students had their big Spring Concert last night and it was incredible.  It was the longest concert I’ve ever conducted, with over two hours of music.  As it was my “swan song” of sorts, I wanted to go out with a bang.

I’ll have a full rundown of the concert—a “postmortem,” as I call it—this Saturday for paid subscribers.  Suffice it to say that the evening went quite well and I am utterly exhausted.  I did indulge in some late-night, post-concert Taco Bell, the greatest of budget fast food joints in the modern era (somehow, Taco Bell has avoided the “enshittification” of other establishments, even if the results of consuming it result in a different from of enshittification) before the long drive home.

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Monday Morning Musical Theatre Review: Disney’s Descendants

My school is giving its annual Spring Musical tonight.  They’re doing a stage musical adaptation of Disney’s Descendants, which follows the lives of the children of the various Disney villains and heroes.  It’s a cute little musical and it’s always cool seeing what our Drama teacher manages to put together.

The plot of the play itself, however, is classic modern Disney propaganda.  It essentially presents a naïve view that evil is not a real threat; instead, it just needs to be neutralized with tolerance and a proper environment.

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Lazy Sunday CCCLXXXV: Production Week

This past week was slammed with preparation for the Spring Fine Arts Festival, which commences tomorrow and culminates in my students’ Spring Concert on Tuesday.  As such, I thought I’d look back at this past week:

Happy Sunday!

—TPP

SubscribeStar Saturday: Spring Concert 2026 Preview

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The last Spring Concert of yours portly career (at least in its current iteration) is coming up this Tuesday, 28 April 2026.  It’s my swan song as the music teacher at my little school, so I’m going out big.

This concert will be the biggest, most stacked concert I’ve ever programmed.  It will feature a total of twenty-six (26) pieces (appropriate, since it’s 2026, but I did not plan it that way; I just realized the connection while typing this post)—ten selections from the Middle School Music Ensemble; three solo pieces; one small group performance; and twelve tunes from the High School Music Ensemble.

The Middle School Music Ensemble’s set takes about forty minutes from top to bottom, and they’ve played it all the way through every day this past week.  The High School Set is a bit longer, and we have not been able to play the entire program in a single class period.  A class period at my school is about fifty-six minutes; by the time we get through attendance and tuning, we have maybe fifty minutes remaining.  Our best run yet was getting through ten of the twelve pieces.

As such, I’m estimating that the total performance time of the concert will be about two hours—100 minutes between the two Ensembles, and about twenty minutes for the solo and small group pieces.  That’s about the upper limit of where I (and, I imagine, my administration) would like to go. Factor in some shuffling between pieces and what not, as well as transitioning students on and off the stage, and we’re probably looking at around two hours and fifteen minutes.

There’s always this weird pressure to rush on through these concerts.  My point (and the one I’ll make to my admin if they object to the length) is that we routinely have sporting events that last three or more hours.  Baseball frequently has double-headers on school nights, which can easily run until 9 or even 10 PM.  Us wrapping up around 8:15 or 8:30 PM is not going to ruin anyone’s ability to come to school the next day.  Frankly, if the admin doesn’t want to stick around (understandable—they have to make an appearance at a lot of events), I don’t mind.  I can lock up the building myself (as I have done many times before)!

Ahem—but I digress.  No need to get defensive on the front end.  That said, it’s going to be a pretty awesome concert.  It’s not just two hours of lame filler.  We’re going to rock—and pop, and soft rock, and so on—and it’s going to be a fitting display of my students’ talents.

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