There are a lot zombie movies. There are quite a few zombie comedy movies.
Slicing that down further—like a machete slicing through the neck of an undead corpse—is the zombie romantic comedy subgenre. Perhaps the best example of this extremely specific subgenre is 2013’s Warm Bodies, which I believe Helen Liptak recommended I review at some point (I probably should be reviewing that today instead!). That is, indeed, an excellent, heartwarming (pun intended) film.
Instead, I’m reviewing 2019’s Eat Brains Love (also stylized as Eat, Brains, Love), a far inferior film that, despite some poor acting and writing, is not without its own shuffling charm.
Subscribers to my SubscribeStar page have enjoyed (I hope!) a series of retrospectives about the songs from my debut EP, Contest Winner EP. I’ve dubbed this series Behind the Songs. Today, I’m dedicating the second of two editions of Lazy Sunday to look back at this series.
“SubscribeStar Saturday: Behind the Songs: ‘Contest Winner’” – “Contest Winner” is probably the first track I wrote for the EP, long before I ever conceived of releasing an album or EP of my own. I wrote the song for my very first songwriting contest, figuring that I might as well as be confident. It did not win the contest, but it did win the People’s Choice Award, and it launched an era of fervent songwriting, ultimately resulting in Contest Winner EP.
This weekend’s edition of SubscribeStar Saturday will be a bit of a video and document dump, as I’m giving subscribers a sneak peek of my collection of piano miniatures, Péchés d’âge moyen. I’m hoping to have the whole collection available by this Friday, 4 March 2022 on Bandcamp, but there are some technical considerations I need to work out first—namely, how to get a good quality recording of each piece, rather than videos taken on my phone at school while kids shoot hoops outside of the Music Room (which, sadly, opens onto the gym).
Of course, I may just end up extracting the audio from the attached MP4s and call it a day—ha!
Regardless, today I’m uploading every video I’ve recorded so far, as well as every manuscript of the pieces I’ve put together so far. I’ll also briefly discuss my composing method, and how it’s changed slightly over the course of the project.
As I’m working on Péchés d’âge moyen, my collection of short piano miniatures, I’d be remiss if I didn’t recognize the influence of Telegram user Goth Kilts. She has been a huge source of encouragement as I begin dabbling in composing again, and a friendly sounding board for some of my musical ideas.
Kilts is herself quite a prolific commentator through her excellent Telegram page, The Sandwhich Press (and, yes, it’s spelled with the extra “h,” although the URL for her page spells “sandwich” the normal way). It boasts over 500 subscribers, all of them richly deserved.
As such, I wanted to dedicate today’s edition of Supporting Friends Friday to The Sandwhich Press, and the insightful, humorous, and Goth-inflected TradCath [she’s actually Coptic Christian—oops!] commentary of Goth Kilts.
Son of Sonnet is back with another bit of light-hearted fare, which I think is particularly appropriate for February, the month of both Valentine’s Day and Mardi Gras.
Today’s poem, “Laughter,” is quite fun, and it’s about something we could all do with a bit more.
Also, The Gemini Sonnets are complete; I recommend you read them if you haven’t already: #1, #2, #3, #4, #5, and #6.
Your generous subscriptions to my SubscribeStar page have made it possible to patronize Son’s work. As a community of artists, readers, and pundits, we should work together as much as possible to cultivate and support one another’s talents. I can’t pay Son much—yet—but I’m able to offer him something for his talents because of your generosity.
Every artist as dedicated to his craft as Son deserves both recognition and support. I would encourage you to consider a subscription to Son of Sonnet’s SubscribeStar page as a way to encourage the growth and development of an eloquent voice on our side of this long culture war. Conservatives often complain about not holding any ground culturally; now is the time to support the culture that is being created.
I’ve also always been a lover of bric-a-brac—little tiny figurines and collectibles and the like—and am drawn to them in part because of their tiny size. I have a random assortment of such bric-a-brac on my desk at this very moment—an R2-D2 figurine; a little pumpkin finger puppet; a LEGO Han Solo; a little ghost—and have other little figurines in various places in my home.
Not surprisingly, I’ve also come to really enjoy small paintings.
Regular reader and contributor Pontiac Dream 39—now going by the more cumbersome, but still endearing, “Always a Kid for Today”—surprised me last week with this excellent movie review submission. It’s a review of the 2004 romantic comedy Wimbledon (2004), starring Kirsten Dunst and Paul Bettany. As a Dunstophile, I very much appreciated this review.
It also saved me having to write a review of my own, so that’s always a plus, too. One less post to fret over—woooooot! I’ve left the substance of the review unchanged from what Ponty sent me, other than adding hyperlinks to the films he references, and italicizing their titles.
But enough of my rambling. Here’s Ponty’s/AaKfT’s/Mike’s review of Wimbledon (2004):