I’ve been composing quite a few trios lately, as I’ve been playing around with blending three of the same sounds. This week, I’m featuring a particularly flamboyant effort.
I’ve been composing quite a few trios lately, as I’ve been playing around with blending three of the same sounds. This week, I’m featuring a particularly flamboyant effort.
Earlier this week I posted one of my recent compositions, “Clarinetti” (the Italian plural for “clarinet”), and I’ve composed quite a bit for the instrument over the last year; as such, I thought I’d cast a glance back at some pieces that feature, or at least use, clarinet:
Squidward would be pleased.
Happy Sunday!
—TPP
Other Lazy Sunday Installments:
I recently uncovered a bunch of old music I wrote during a period spanning from roughly 1999 through probably 2012. Today’s piece is not one of those pieces, but I’ll soon be highlighting some of my super deep cuts here. If you want to hear one piece—recorded with me playing real instruments, not computer ones!—check out this past Saturday’s post.
Today’s piece is another digital piece, composed in Noteflight. I’ve been writing a lot of trios lately, and have been experimenting with getting three of the same instruments to blend without sounding too boring. I’m not sure if I have succeeded, but this week’s piece is a stab at it.
Pickup my newest release, Leftovers IV! Get 80% off with promo code ham. That’s 80% off ANYTHING and EVERYTHING on my Bandcamp page, including the album, full discography purchases, merch, etc.!
Want to play the sax? Read my ultimate guide to getting started for under $350.
Wanna be utterly perplexed while laughing uproariously? Grab a copy of my first book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot (that’s an Amazon Affiliate link, so I’ll receive a portion of any purchase made through that link, at no additional cost to you—plus I’ll get the book royalties).
My latest EP, Leftovers IV, released a couple of weeks ago. It’s $5, but with promo code ham it’s only $1. My full discography typically goes for $72.14, but with promo code ham it’s $14.23, or roughly $0.55 per release. Twenty-six albums, constituting over eight hours of music, for $0.55 per release is ludicrous.
But it’s even better—if you purchase anything from Bandcamp today (Friday, 2 May 2025), Bandcamp does not take their 15% cut. I get more money, and you get insane amounts of music for pennies on the dollar. That’s the beauty of Bandcamp Friday!
As I detailed a few weeks ago, yours portly needs your financial support. Purchasing my music is one way you can help—and enjoy some enigmatic tunes in the process!
Happy Friday!
—TPP
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Pickup my newest release, Leftovers IV! Get 80% off with promo code ham. That’s 80% off ANYTHING and EVERYTHING on my Bandcamp page, including the album, full discography purchases, merch, etc.!
Want to play the sax? Read my ultimate guide to getting started for under $350.
Wanna be utterly perplexed while laughing uproariously? Grab a copy of my first book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot (that’s an Amazon Affiliate link, so I’ll receive a portion of any purchase made through that link, at no additional cost to you—plus I’ll get the book royalties).
I’m still brainstorming what my next music composition project will be, but I’ve been noodling around with a few ideas. Even when I am not sure of a thematic direction, I keep composing.
Composing is one of those things that scratches a very deep itch for me. I like to tinker with sets of music theory rules—some of my own creation—to see what kinds of sounds and ideas I can develop within fixed limits. The challenge of “solving” the problems these limitations create is part of the fun for me, as I tease out melodies and harmonies within whatever confines—arbitrary or otherwise—I’m set for myself.
One thing I’ve been interested in lately is writing trios consisting of three of the same instruments, or three very closely related instruments. It limits the palette of sound fonts I have to work with, but that also creates unique opportunities for music expression.
The piece this week is one of the first such attempts, a piece that explores the airy, high woodwinds.
Last year I issued to my readers The TJC Challenge, a challenge to listen to all of my music on either Apple Music or YouTube/YouTube Music. At the time, The TJC Challenge took about three hours to complete, appropriate for a morning of shirking responsibilities at the office.
The entire challenge now takes approximately seven hours and eleven minutes. If you just listened to the albums (some of which are, ironically, shorter in playtime than the EPs), it would take five hours and fifty-eight minutes—just shy of six hours.
Actually, it’s a bit longer: when I initially did the above calculations, I forgot to include my latest release, Leftovers IV, which clocks in at nineteen minutes, thirty-nine seconds. That brings the total playtime up to 7.5 hours and change.
Also, you can now attempt the challenge on Spotify as well. I gave up my doomed boycott of releasing to Spotify. I don’t really make any money from streams there, sadly, thanks to their thieving streaming policy, but I realized that the vast majority of music listeners (including my older brother and Dr. Girlfriend) use the service, so I might as well let the people I love have the ability to listen to my music easily.
The point is, it now takes about an entire workday to listen to all of this music. I don’t expect most people to do it, but I will send a free hat to the first person who listens to all of my releases on the streaming platform of their choice. All you have to do is listen to every release, then send me a 100-word blurb about which albums/EPs/songs/pieces you liked—and which you did not—and tell me why. And, no, I’m not going to count every word; you can write more or less. Years of teaching have taught me that people crave a word count or page requirement, so there you go!
Do you have the guts to take on The TJC Challenge? Or the free time, for that matter?
With that, here is 10 April 2024’s “The TJC Challenge“:
Pickup my newest release, Leftovers IV! Get 80% off with promo code ham. That’s 80% off ANYTHING and EVERYTHING on my Bandcamp page, including the album, full discography purchases, merch, etc.!
Grab the release that today’s Open Mic Adventures piece comes from, The Galactic Menagerie!
Want to play the sax? Read my ultimate guide to getting started for under $350.
Wanna be utterly perplexed while laughing uproariously? Grab a copy of my first book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot (that’s an Amazon Affiliate link, so I’ll receive a portion of any purchase made through that link, at no additional cost to you—plus I’ll get the book royalties).
Today’s piece is one of the first I wrote for The Galactic Menagerie, but somehow I neglected to upload it to YouTube until last week. So here we are today with this whimsical piece about the largest non-mammalian sea creature (I think that’s true; please correct me in the comment section, my beloved trolls, if I am wrong):
Pickup my newest release, Leftovers IV! Get 80% off with promo code ham. That’s 80% off ANYTHING and EVERYTHING on my Bandcamp page, including the album, full discography purchases, merch, etc.!
Want to play the sax? Read my ultimate guide to getting started for under $350.
Wanna be utterly perplexed while laughing uproariously? Grab a copy of my first book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot (that’s an Amazon Affiliate link, so I’ll receive a portion of any purchase made through that link, at no additional cost to you—plus I’ll get the book royalties).
My latest EP, Leftovers IV, is out today! It should be on all streaming platforms, but as of the time of writing, my distributor, CD Baby, has yet to review the EP for release. It’s $5, but with promo code ham it’s only $1. My full discography typically goes for $72.14, but with promo code ham it’s $14.23, or roughly $0.55 per release. Twenty-six albums, constituting over eight hours of music, for $0.55 per release is ludicrous. But I need the money—desperately. <–That’s not a joke, either.
Pickup my newest release: The Galactic Menagerie!
Want to play the sax? Read my ultimate guide to getting started for under $350.
Wanna be utterly perplexed while laughing uproariously? Grab a copy of my first book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot (that’s an Amazon Affiliate link, so I’ll receive a portion of any purchase made through that link, at no additional cost to you—plus I’ll get the book royalties).
This week I’m featuring one of the more unusual tracks from The Galactic Menagerie. It’s not as unorthodox as some of my compositions, but it’s a bit of an odd fit for an album ostensibly about animals.
I came up with the idea for the piece—“Morning Moon Sliver”—after snapping this picture one morning while walking Murphy:

That inspired this folksy little piece; when I listen to it, I hear the lyrics “Morning Moon Sliver/Shine down on me!” in my head.
Pickup my newest release: The Galactic Menagerie!
Want to play the sax? Read my ultimate guide to getting started for under $350.
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My students had their big Spring Concert back on Friday, 4 April 2025, at 6 PM EST. The Spring Concert is the major performance event of the Spring Semester, and represents the culminations of months of practice. Some of the songs on the programs the kids have worked on since August 2024. Some we added in the two or three weeks before the concert. Either way, it takes a tremendous amount of work and practice to get polished for the concert.
This year my school revived our annual Fine Arts Festival. Essentially, all that means is that we have the school musical and the Spring Concert in the same week, and the visual arts students display their artwork in the gym (which doubles as our auditorium). It makes sense from a marketing standpoint, but it does make my life a bit more difficult, as I have minimal time to turn around from the school play to get setup for the concert. As soon as the play wrapped that Thursday evening, I began resetting the stage for the concert.
Yours portly is still recuperating physically and mentally from the toll of the Fine Arts Festival, but I’ll be fine. What of the concert itself?
Well, it was, perhaps, the best in school history.
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