TBT: Composing Humorous Miniatures

There’s something about these winter doldrums that always get my creative juices flowing, and I’ve embarked upon a new composing project, which I wrote about briefly last week.  Piano miniatures—and mine are mini-miniatures—are a fun way to attempt to express a musical idea in a very brief format, much like “flash fiction” or very short stories.

Last year I penned P​é​ch​é​s d​’​â​ge moyen and a short sequel, then my composing pen laid fallow for much of the rest of the year.  I’ve sketched out a few short pieces that will eventually (probably, maybe) make it into Pdam III, but nothing with the drive and focus of the original and its shorter follow-up.

Then I hit upon the idea of taking the small red tardy slips that students bring to class and composing short pieces on that very small physical medium.  I now have a small stack, and it makes for a fun way of composing first drafts.

With that mini-project in the works—it’s perfect because I can take five minutes even on a busy day to jot down a few bars of music—I thought it might be fun to look back to the origins of what would become P​é​ch​é​s d​’​â​ge moyen.  As my red tardy slips project suggests, there are frequently “arbitrary and absurd sources for inspiration.”

Well, at least for yours portly.

With that, here is 8 February 2022’s ” Composing Humorous Miniatures“:

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A Very Portly Valentine’s Day Celebration

It’s Valentine’s Day, a day for love and cuddling—or, perhaps, for sobbing gently while eating doughnuts over the kitchen sink.  In this day and age, there is no wrong answer.

Well, there is one wrong answer:  not picking up Electrock Retrospective, Volume II: Technological Romance—celebrating its tenth anniversary today—for the very romantic price of $2.14.

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Open Mic Adventures XX: “Sleepy Student’s Serenade”

Readers will know that I have been featuring pieces from my modern classical piano project, P​é​ch​é​s d​’​â​ge moyen, which I released on 4 March 2022.  I’ve finally begun a new, albeit amorphous, composing project, based on the kind of quirky premise you folks have come to expect from yours portly.

My school gives students little red tardy slips to bring to class, typically when they turn up late to the first period class.  My High School Music Ensemble meets in the morning, so it’s not unusual to have a few students—especially the ones that can drive—show up late.

I hit upon the idea of composing very short musical themes or motifs based on the tardy students’ personalities (at least loosely).

The very first such composition was all of two measures.  I’ve expanded them a bit since then, but they’re all fairly short—typically fewer than eight measures.  I love the piano miniature format (the flash fiction of music!), and it’s fun to jot these down, and then play them back to the amusement of the tardy student.

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Lazy Sunday CLXXXIII: P​é​ch​é​s d​’​â​ge moyen Picks

For the past three editions of Open Mic Adventures I’ve been featuring pieces from my modern classical piano project, P​é​ch​é​s d​’​â​ge moyen, which I released on 4 March 2022.  I’ve been unable to get out to open mic night since school and lessons have geared back up, so I figured I’d dip into the portly video archives to bring back some goodness.

I also really liked this composing project, and I think I came up with some good material  If you haven’t already, you can pick it up for a buck.  I’ve got another piano miniatures composing project in the works, but more on that another time.

Regardless, I thought I’d take a break from the movie review retrospectives and look back at those three recent editions of Open Mic Adventures, all dedicated to pianistic noodling:

Happy Sunday—and Happy Listening!

—TPP

Other Lazy Sunday Installments:

February 2023 Bandcamp Friday

It’s back!  It’s the first Bandcamp Friday of 2023!

The first Friday of a bunch of months this year—February, March, April, May, August, September, October, November, and December—will feature this pro-indie music observance, a day on which Bandcamp waives its usual 15% commission on sales.

In other words, when you buy my music, almost 100% of it goes to me, instead of almost 85%.

Currently, my entire discography of ten releases is $9.50, a savings of 45%, which is not bad for ten releases.  That’s $0.95 per release—not too shabby!  To purchase the full discography, click on any release, and you’ll see the option to purchase all of them.

I’m also selling all of my paintings for $10, with free shipping in the United States, regardless of how many you purchase.  They’re one of kind, so once a painting is purchased, it’s gone.

I haven’t done any new painting lately, but I do have two new doodles for just $5 each:  Robo Talk 23 No. 1 and No. 2.

Finally, my book The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot is $10 in paperback, and just $5 on Kindle.

Thanks again for your support!

Happy Friday!

—TPP

SubscribeStar Saturday: Yulestravaganza 2022 Review

Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

It’s Christmas Eve, the most mystical and magical night of the year.  Last Saturday was the annual Yulestravaganza, the most bonkers night of the year.

The Yulestravaganza, for those wondering, is not a consonant-ridden Welsh holiday.  It’s the little Christmas show my buddies John and Steve O and I put on each December.

Well, not quite each December.  During the long years of The Age of The Virus, the Yulestravaganza was a no-go, and we have been unable to get it together in other years due to scheduling conflicts.

But we managed to slap it together this year—very nearly at the last minute—and had a grand old time.

The Yulestravaganza is a “songwriter-in-the-round” format.  Each of us plays a solo selection (usually with one or both of the others hopping in here and there for harmonies or additional accompaniment), then we play a group selection.  Rinse and repeat until the gig is done.

It’s a very fun, very loose way of putting together a show.  We don’t have a set list, just a mental or jotted list of songs we’d like to get in before the evening ends.

So, how did the Yulestravaganza 2022 go?

To read the rest of this post, subscribe to my SubscribeStar page for $1 a month or more.

Memorable Monday: Cyber Monday Musings

It’s Cyber Monday here in the United States, yet another day to hawk my wares to my unwitting—uh, I mean “loyal”—readers.

Here’s the big one:  the Kindle edition of my book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot, is on sale for just $0.99 through midnight (EST) this Thursday, 2 December 2022!

And the paperback version is the perfect gift!  Why give someone a boring, predictable gift, when you can give them a collection of unsolvable, absurdist noir detective stories to read around the yule log?  Enjoy egg nog-enriched guffaws as your friends read mystifying tales of hyper-sleuthing.

Give the Gift of Weird this Christmas—like crudely painted primitivist artwork!

While you’re at it, why not head over to my SubscribeStar page and subscribe for $1/month to unlock all of my SubscribeStar Saturday posts.  For $5/month, you get fresh doodles every Sunday, as well as other random bonuses.

Well, you get the idea.  Support yours portly on this feast of savings!

With that, here is 2 December 2019’s “Cyber Monday Musings“:

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November 2022 Bandcamp Friday

The cozy season of autumn has arrived, with its warm fuzziness.  What better time to observe the monthly tradition of Bandcamp Friday?

The first Fridays of November and December 2022 will see the return of this pro-indie music observance, a day on which Bandcamp waives its usual 15% commission on sales.

In other words, when you buy my music, almost 100% of it goes to me, instead of almost 85%.

While I haven’t released any new music lately, I managed to release two short collections of music in AprilPéchés d’âge moyen II: One Week in March and The Lo-Fi Hymnal II.  All of my releases are just a buck each, though you’re welcome to pay more if you’d like to help out yours portly.

Currently, my entire discography of ten releases is $6.50, a savings of 35%, which is not bad for ten releases.  That’s $0.65 per release—not too shabby!  To purchase the full discography, click on any release, and you’ll see the option to purchase all of them.

I’m also selling all of my paintings for $10, with free shipping in the United States, regardless of how many you purchase.  They’re one of kind, so once a painting is purchased, it’s gone.

Finally, my book The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot is $10 in paperback, and just $5 on Kindle.

Well, that’s it for this month’s sales pitch.  Thanks again for your support!

Happy Friday!

—TPP

Open Mic Adventures XI: Spooktacular Supergroup Covers “Monster Mash”

The third front porch Spooktacular was a smashing success (at least according to my mom, my girlfriend, and me—a pretty unbiased group, yeah?), with many of my private music students taking the stage to share their talents.  Even a few former students, now off to bigger and grander things, stopped by to sing a song or two.

As is tradition at these events, I invited anyone with an instrument or a voice to join us on stage for a couple of songs.  By the time I offered up this invitation, most of my younger students and their families had left, but several were still around.

From those remaining—two bassists, a guitarist, two piano players, a singer, my niece, John (on acoustic guitar) and myself (on drums)—we formed an ad hoc supergroup.  One of my younger students—the young man who walks Murphy for me while I’m at work—took lead on the vocals, and really nailed it.  He sounds like a younger Bobby Pickett!

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