Live Music Public Service Announcement: Don’t Ask for a Recording

Yesterday I shared video of a live performance of my song “Hipster Girl Next Door” with an extended, absurd, frequently sloppy medley of songs tossed on at the end(s).  It was great fun, even though I mixed up the lyrics to my own song!

Before the gig, regular reader and contributor Ponty asked if I’d be recording the performance.  Ponty lives in Merry Olde England, so obviously could not make it to the performance here in these United States.  I was happy to oblige my Anglo-Saxon friend, but I must explain a somewhat unfortunate, visceral reaction I had initially upon reading the request (disclaimer:  Ponty, I am not upset at you.  —TPP).

hate it when people ask me “will the performance be recorded?” (with the exception of Ponty, who, again, lives in England, or Audre, neither of whom I would ever expect to travel to hear me play sloppy cover songs in a coffee shop).  I imagine if you ask most small-time indie musicians, they’ll confess to the same sentiment.  For me, it boils down to two things:

1.) You’re clearly indicating that you have no intention of even attempting to make it out to hear me play live.

2.) You’re asking me to perform extra work to record a video of a performance you have no interest in attending, and you’re probably not going to watch the video anyway.

Again, there are exceptions:  people who live abroad/far away (Ponty, Audre, readers of this blog more than thirty minutes away), parents of school children for school performances (parents want recordings for grandparents and family members who live far away, or because work won’t allow them to attend a performance), and the like.

But it kills me when locals ask for a recording.

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Open Mic Adventures XLIX: Sloppy “Hipster Girl Next Door” Medley

This past Friday, 22 September 2023, I played a gig at a local coffee shop with my buddy John.  I was recovering from a sinus infection, but through a combination of cough drops, water, and tea, I soldiered through and managed to hit quite a few high notes—woooooot!  It also helped having John there to carry lead vocals on several tunes.

It was a sloppy performance on my end—I mixed up the lyrics to a song I have been singing for eleven years!—but I’m chalking that up to the sinus congestion and my slowly diminishing mental faculties.  The result, regardless, was an absurd, self-indulgent, over-the-top, ridiculous, long closing number to a very fun show.

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Gig Day VIII: Tickling the Ivories

Tonight, for the first time in awhile, I’ll be playing a solo gig at a local coffee shop in Darlington, South Carolina.  I’m looking forward to stretching out these stubby fingers and doing some soft rockin’.

Well, it won’t be entirely solo:  my buddy John will be joining me on a number of songs.  His gorgeous twelve-string guitar and his capable backing vocals add a great deal of depth and texture to my tunes, so I’m glad he’ll be joining me.

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Open Mic Adventures XLVIII: “Skeleton Dance No. 2”

I’m hosting a FREE online listening party for Spooky Season on Sunday, 1 October 2023, at 7 PM Eastern Standard Time.  You can RSVP here.

After the unusual success of “Skeleton Dance No. 1” on YouTube, I knew it was time to compose “Skeleton Dance No. 2.”  As is often the case with sequels, “Skeleton Dance No. 2” is far more developed and fleshed-out (no pun intended) than its predecessor.

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Lazy Sunday CXX: Skeletons

Spooky Season is upon us, and yours portly can’t get enough of it.  Pumpkins.  Ghosts.  Skeletons!

So this Sunday, I thought I’d look back at the scant skeleton posts on this humble blog:

Happy Sunday—and Happy Listening!

—TPP

Other Lazy Sunday Installments:

Open Mic Adventures XLVII: “Bavarian Bop”

I’ve been composing like a madman while I still have a free demo subscription to Noteflight.  I’ve already composed Spooky Season, and have a sequel composed and set to release on 6 October 2023 on Bandcamp, then to all other streaming platforms on 13 October 2023.  The sequel, Spooky Season II: Rise of the Cryptids, is ten tracks, and will be loaded with bonus features, including the videos featured in today’s post.

One of my favorite pieces from Spooky Season is “Bavarian Bop,” a short piece for small instrumental ensemble that I also rearranged for solo piano.  It’s a little Oktoberfest-inspired bit of musical whimsy.

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Open Mic Adventures XLVI: “Canon Event”

As I’ve delved deeper into YouTube, I’ve discovered the platform has a little blog for creators that points out the major Internet trends of the moment.  The Internet is constantly evolving, with new trends and memes coming and going the shifting tides—but faster!  Apparently, Gen Zers are running around calling charisma “rizz.”  We have always been at war with Eurasia!

One meme doing the rounds is the “canon event” meme.  The meme comes from Spider-Man: Across the Spider-Verse (2023), where multiple Peter Parkers (or their equivalents) from multiple universes all experience certain “canon events,” which are (allegedly) unalterable:  the bite from the radioactive spider; the death of a beloved family member; the loss of the love interest; etc.  In meme form, YouTubers and TikTok(k?)ers will feature milestone or rite-of-passage events as “canon events,” often remarking, “I cannot interfere.”  These events are typically something cringe-inducing or silly, like picking a weird name for PlayStation online.

I find the concept of “canon events”—what we used to call a “rite of passage”—interesting, and thought I’d hop on the Internet bandwagon with a little piano piece called “Canon Event.”

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September 2023 Bandcamp Friday; NEW RELEASE!

Ah, yes, Bandcamp Friday has returned, which means I hope you will consider pitching in a few bucks to buy my music—or my second book!  After a long hiatus over the summer months, this celebration of indie musicians is back.

The first Friday of a bunch of months in 2023—February, March, April, May, August, September, October, November, and December—will feature this pro-indie music observance, a day on which Bandcamp waives its usual 15% commission on sales.

In other words, when you buy my music, almost 100% of it goes to me, instead of almost 85%.

To celebrate, I have a brand new release:  Spooky Season!  Spooky Season is a collection of seven new compositions with a spooky, autumnal vibe, perfect for pumpkin-spiced living and ghostly vibes.  These tracks won’t hit streaming platforms until October, but you can purchase them now via Bandcamp!

Spooky Season is just $5, and includes full scores and individual parts for every track—a $28 value!—plus a bonus track.  It’s also crammed with videos, handwritten manuscripts, and other goodies.

Currently, my entire discography of eleven releases is $18.39a savings of 50%, which is not bad for eleven releases.  That’s $1.67 per release—not too shabby!  To purchase the full discography, click on any release, and you’ll see the option to purchase all of them.

You can also listen to a ton of my tunes on YouTube (and it’s free to subscribe!).

I’m also selling all of my paintings for $10, with free shipping in the United States, regardless of how many you purchase.  They’re one of kind, so once a painting is purchased, it’s gone.

I’ve also joined Society6, a website that lets artists upload their designs, which can they be printed onto all manner of products (like this throw pillow, or this duvet cover).  Why not get a bookbag with a mouthy droid on it?

I only get 10% of the sales made there, but some of the stuff looks really good—I really want these notebooks with my “Desert View” painting on it (now SOLD!).  Some of them are straight-up goofy, like this church doodle I made celebrating the presidential pardon of Roger Stone (the description for the piece is “Anger your friends with this doodle commemorating the presidential pardon of America’s most dapper political operative“).

I have a few new paintings in the works, and hope to be attending the South Carolina Bigfoot Festival to try to hawk some of my works.  We’ll see how that goes!

My first book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot, is $10 in paperback, and just $5 on Kindle.

My second and newest book, Arizonan Sojourn, South Carolinian Dreams: And Other Adventures, is $20 in paperback and $10 on Kindle.

Finally, after I finish Offensive Poems: With Pictures, my planned third book, I’ll be uploading those doodles to Society6 as well.  I have high hopes (perhaps naïvely) for this book, but we shall see.  The doodles are some of my best work—and in glorious color—and without notebook paper lines!

Thanks again for your support!

Happy Friday!

—TPP

Open Mic Adventures XLIV: “Skeleton Dance No. 1”

Ah, yes—another Tuesday, another edition of Open Mic Adventures in which I thwart Ponty’s dreams and feature a super short, experimental piano miniature instead of a gutsy, flabby live performance.

No worries—there will (probably) be more sweaty, robust live performances soon.  But as we endure the heat and misery of August, I’m already looking ahead to the coolness and fun of Halloween.

So, what better way to get in the spooky mood than with a little skeletal gyrating?

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