My composing has slowed to a crawl lately and my live performances are pretty much nonexistent, but I managed to squeeze out a fresh composition last week, a little bit of fugue-like brassiness for your fantastical enjoyment.
My composing has slowed to a crawl lately and my live performances are pretty much nonexistent, but I managed to squeeze out a fresh composition last week, a little bit of fugue-like brassiness for your fantastical enjoyment.
Spooky Season IV is coming out later this month, and I finally finished it last week. The first track I wrote for the album, “Blue Ghost,” is the feature of today’s Open Mic Adventures.
This piece is the companion piece to “Red Ghost,” which I featured last week. I like the contrasts between them.
Yours portly has three albums releasing on 1 September 2025. I’ve been sharing some of the pieces from one of those upcoming releases, Ringtone Circus, the past few weeks. This week’s composition is the last one I wrote for that album.
The piece is a fanfare, and I wanted to see what “fanfare” would be in Latin. The first result was “Ambitione,” but as a I dug deeper, it seems that one possible way to write it is “Tubae Sonitus,” literally “trumpet song.” Apparently, our word “tuba” was the Latin word for trumpet.
Regardless, I like the title and I like the piece. I hope you do, too!
Fifteen years ago today, on 4 July 2010, my old brass band, Brass to the Future, played an outdoor concert in a park in my hometown of Aiken, South Carolina. It was a bit of a “guerrilla” concert, in that we did not ask permission, but just showed up in the park and started playing for our fans.
In the spirit of Independence Day, I’m featuring rare footage from that concert today.
Well, here it is: the last piece from Leftovers IV that needs to be featured on this humble blog. I’m going to have to start writing new music again—or actually go back to open mic night!
After a massive output last year and earlier this year, I’ve been relaxing a bit. Part of it is that the inspirado hasn’t been hitting as frequently, but I also tend to slow down when summertime hits. My workflow is such that, when I have a ton of stuff to do, I actually get more creative work done, because I’m pretty revved up and running all the time. I work like a diesel engine: I can run a long time if I just keep running, but once I shut off, it takes me awhile to get back to peak efficiency.
I do have a couple of collections of older work waiting in the wings, I’m just tinkering with when and how I want to release them. When I say “older,” I mean really old—stuff that dates back to 2004 and earlier. Some of the pieces probably go back to the last century, even if they were only recorded years later. I also have several new pieces that need videos, a release, etc. Again, I’m contemplating how and when I want to compile those pieces.
But I digress. Here is the last track from that short EP, Leftovers IV. It’s weird piece and, quite honestly, I’m not entirely pleased with the results.
Years ago, yours portly was in a brass ensemble called Brass to the Future. Yes, I play saxophone, which is a woodwind instrument, but the guys let me join—ha! Our gimmick was playing instrumental arrangements of classic hair metal tunes and some modern pop. I did most of the arrangements for the group.
Needless to say, I love the warmth and fullness of brass instruments. It’s not surprising, then, that I’ve been composing more lately with brass instruments, especially the trombone (which my younger brother played in BttF for many years).
As such, here are some recent editions of Open Mic Adventures featuring some of my (digital) brass compositions:
Happy Sunday—and Happy Listening!
—TPP
Other Lazy Sunday Installments: