Supporting Friends Friday: Grover Windham

I’ve been featuring quite a few writers lately on Support Friends Friday, but the series featured a lot of musicians early in its run.  As such, it seemed like a good time to get back to some musician buddies.

Today’s SFF feature is a real yeoman singer-songwriter, churning out song after blues-drenched song.  His name is Grover Windham, and he’s one heckuva musician.

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TBT: Music Among the Stars

It’s been a musical week here at The Portly Politico, so I figured, “why stop now?”

I’ve dedicated more and more space on the blog to musical and cultural matters, especially in the last year.  Among the posts I most enjoy writing—and of which I am most proud—are those I write about music.

This week’s TBT feature, “Music Among the Stars,” is one I really enjoy, and I think (humbly) it’s one of my better posts.  It’s about the golden records aboard the Voyager I space probe, and about the true purpose of music—to worship God.

I’ll let the essay speak for itself.  Here is 8 September 2021’s “Music Among the Stars“:

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The Inexorable Forward March of Bandcamp Friday

Yes, poor readers, here it is again: another Bandcamp Friday.  Other than one of the earliest times I posted about this glorious monthly holiday—during which Bandcamp waives its usual commission on sales through its site—I don’t know that I’ve ever made a sale hawking my musical wares via the blog.

Well, if at first you do not succeed, pester, pester again (alternatively, doing the same thing and expecting different results is the definition of insanity, but all musicians are a bit crazy… right?).  Also, with my lovely new readers from the British Isles, it’s never been a better time to bilk them out of their hard-earned pounds sterling.

Fortunately for them—and you, my fellow countrymen!—my entire discography (seven albums!) is just $19.98, a whopping 35% discount (just £14.50 as of 1 September 2021, according to Bing).  That’s $2.85 (£2.07) per release, the kind of deal you only get on cassette tapes at the gas station (or from yours portly!).

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The Return of Bandcamp Friday

After taking off during the long summer months, Bandcamp is bringing back Bandcamp Friday today, and continuing it the first Friday of every month through the end of 2021.

For those that have forgotten—or steadfastly ignored my many, many, many, manymany posts about it—Bandcamp Friday is when Bandcamp waives the 15% commission they usually take on sales through the site.  So, if you buy, say, Electrock EP: The Four Unicorns of the Apocalypse for $4, I get almost the full $4 (PayPal takes a small cut still), instead of $4 minus $0.60 to Bandcamp.

Another, more dramatic example:  if you buy my full discography at $19.98, Bandcamp doesn’t take their $3 cut, so most of that goes directly to me (again, minus the transaction fee PayPal assesses).

Bandcamp began doing Bandcamp Fridays during The Age of The Virus, when most musicians (myself included) witnessed a catastrophic drop in their revenue.  Venues closed or stopped live music; parents withdrew students from one-on-one lessons; and private parties were cancelled, meaning fewer of those lucrative gigs.  Also, fewer live performances meant fewer royalties for songwriters.

Fortunately, that situation is improving, and people are eager to get out and hear live music again.  Still, pitching in a few bucks helps immensely—and you get some good music in the process, too!

So, on with the sales pitch!  Here are my seven releases, in chronological order:

  • Electrock Music (2006, $5) – Twelve tracks from my senior year of college, all instrumental MIDI tunes.  I gave physical copies to my Fiction Writing Workshop class; I wonder if they still have those little homemade copies.
  • Electrock II: Space Rock (2007, $7) – I’m obsessed with the idea of the sci-fi rock opera (I actually tried to write one for piano and vocals back in 2012-2013, but never finished it)—it’s the most decadent, self-indulgent form of musical expression.  That was the driving spirit behind this rockin’ collection of out-of-this-world jams.
  • Electrock EP: The Four Unicorns of the Apocalypse (2012, $4) – My younger brother introduced me to a song call “Biomachinery” by some melodic death metal band, and the rhythm of that word inspired the lead-off track of this four-song cycle, “Cyborg Unicorn.”  Of course, the instrumental chorus of that track is basically Joan Jett’s “I Love Rock ‘n’ Roll,” so it’s true what they say:  composers swipe from each other all the time.
  • Electrock Retrospective, Volume I: Dance Party (2013, $3.60) – I had a number of tracks stored up for a never-completed Electrock III, so I thought I would begin dribbling them out as part of repackaged “retrospectives.”  This first one, Dance Party, features “Robobop,” which is also a perk for $5 subscribers to my SubscribeStar page.
  • Electrock Retrospective, Volume II: Technological Romance (2013, $2.14) – Technological Romance features “Pwrblld (Ballad II)“—with apologies to Chicago’s “You’re the Inspiration.”
  • Contest Winner EP (2015, $5) – This album is my tour de force.  I recorded it in a real-life studio, overdubbing my vocals with my piano part.  It was an amazing experience, and these tunes are staples of my live shows (especially fan favorites “Hipster Girl Next Door” and “Greek Fair“).
  • The Lo-Fi Hymnal (2020, $4) – I started playing piano at my little Free Will Baptist Church a couple of years ago, and I began taking little recordings of offertory, invitational, etc.  I compiled the four very lo-fi recordings into a short compilation.  I’m hoping to record a second volume at some point.

An easy (and free) way to support me is to “follow” my Bandcamp page and my Amazon author page.  I post updates about new merchandise, new music, and other interesting offers about once a month to the Bandcamp page, and new books will pop up on my Amazon page as they’re published.  It’s a good way to keep up with the latest news on my musical adventures.

Another free way to support me is to turn off your ad-blocker.  The site delivers several thousand ad impressions monthly, but most of those are blocked, which means they don’t pay out.  You can usually find the ad-blocker as a little widget or icon in the upper-right-hand side of your browser; click on it and it will usually give you the option to “pause” or stop the blocker from running on this site.  I know ads are annoying, but seeing a few DuckDuckGo ads helps out in an incremental way.

Even if none of that entices you, no worries!  I’m just glad to have you here, reading my self-indulgent garbage and my lengthy advertisement posts.

Happy Friday!

—TPP

Lazy Sunday CXIX: Summer Camps

Well, my two summer camps for the season are all wrapped up, so the rest of summer vacation is a combination of private music lessons, blogging, gardening, and loafing around the house.  I’ll also get in some family time, and will help schlep my girlfriend’s stuff to Athens.  I hope to get a little fiction writing done in there, too.

With my camps done for the summer, I thought I’d dedicate this Sunday to looking back at some posts about my various summertime endeavors:

That’s it for this Lazy Sunday!  Take a moment to leave a comment about your favorite summer camp.

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

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SubscribeStar Saturday: Rock ‘n’ Roll Camp Review

Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

This past week I hosted the first of two summer camps I’m putting on in June.  Next week is the ubiquitous, ever-popular Minecraft Camp, but this week saw the first inaugural Rock ‘n’ Roll Camp at my little school.

I’m not sure why I didn’t conceive of this idea sooner.  It’s not an original one, as rock ‘n’ roll fantasy camps have been around for awhile.  I’m not Ted Nugent teaching middle-aged yuppies how to play “Stranglehold” in the woods, but porting that concept to rockin’ out with kids is not difficult to do.

But last summer my headmaster kept forwarding me e-mails from a local country club, which was itself hosting a summer rock camp.  He did not include any commentary or suggestions along the lines of “you should do this camp,” but I got the message.  So when it came time to put together our summer camp catalogue, I tossed Rock ‘n’ Roll Camp into the mix.

My headmaster’s implied suggestion was a good one:  the camp was really wonderful.  Indeed, it exceeded my expectations, in large part because of the small but talented group of campers who attended.  We only had three kids sign up this year, but I’ve had semester-long ensemble classes with that few students, so I knew we could make some musical magic even with a small group.  Indeed, we had the perfect number for a classic garage rock band:  four (including myself).

Here’s some of the details about the camp—how long it lasted, a breakdown of our days, and the songs we played.  Hopefully it will provide a useful blueprint for other music educators looking to host their own camps.

To read the rest of this post, subscribe to my SubscribeStar page for $1 a month or more.

Supporting Friends Friday: The Music of Frederick Ingram

Last Friday’s very first Supporting Friends Friday, which featured the release of Jeremy Miles‘s (read his blog) latest book of poetryHindsight: Poetry in 2020, was quite fun, and at the very least brought delight to Jeremy, and at the most hopefully helped sell a couple of copies of his book.

In that spirit, I wanted to dedicate this second installment to the music of my musician buddy Frederick Ingram.  Frederick is a gifted and skilled guitarist, vocalist, and songwriter, and we have played together or on the same bill on a number of occasions.  Frederick also recently made a surprise appearance to the inaugural TJC Spring Jam, and treated us to a three-song set.

Recently, Frederick released the “Funky Margarita Mix” of his ode to open mic nights, “Fish Bowl.”  Frederik wrote “Fish Bowl” some years ago, inspired by a (I believe) now-defunct open mic night once hosted at a groovy little joint in Columbia, South Carolina.  The story, as I recall, is that the venue’s stage had an aquarium as a backdrop, which surely made for any intriguing performance experience.

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Summertime Schedule Begins

After a long school year and a whirlwind trip to Universal Studios, I am finally settling into my summertime schedule.  My History of Conservative Thought course did not “make” this summer, as I only had one student enroll (the course really needs a minimum of three students to work well), but my dance card is full enough with lessons and other obligations and engagements.

Next week I’ll be running my first ever “Rock and Roll Camp” at my little school.  It will essentially be a condensed version of the Music Ensemble class I run throughout the school year, squeezed into four three-hour days.  The plan is to end the final day with a short concert.  I’m waiting to hear back on who is enrolled and what kind of instrumentation we have, as that will determine the song selections, but I think it will should be a fun camp.

After that it’s the return of Minecraft Camp, a perennial favorite.  At last count I have either ten or eleven campers signed up for that camp, which is quite good.  Minecraft Camp is the most lucrative camp of the summer, and accounts for a good chunk of my supplemental income this time of year.  I missed out on it last year, as I was very sick, so here’s hoping I’m good to go this summer.

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Gig Day V: TJC Spring Jam

After seven long months, it’s time for another front porch concert!  Following the success of Spooktacular II, I decided I should try the format twice a year:  the classic Halloween event, and a springtime one.  Thus, the TJC Spring Jam is born!

Halloween is easy, because it comes packaged with all sorts of fun activities:  Halloween songs, costume contests, spooky décor, etc.  A generic springtime theme is a bit more vague, and with it already feeling like summer here in South Carolina, the theme presented some initial problems.

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