Lazy Sunday CXLII: Murphy Vids, Part I

I’ve been posting videos of Murphy to my YouTube channel, and they’ve been catching on quite nicely.  It seems that narrating my fat dog’s antics is an easy way to distract people from their bitter ennui for a few seconds—or, you know, people just like cute dogs.

Whatever the case, I’m never one to work harder than necessary, so I’ve been posting compilations of Murphy’s videos to this humble blog.  Now I’m sharing the first three of these posts here.

“Where are the links to the videos, Port?” I hear you cry.  Reposting them here defeats the point of Lazy Sunday.  So click on the original posts and find three succulent videos each—a total of nine toothsome morsels of canine cantankerousness:

Happy Sunday—and Happy Viewing!

—TPP

Other Lazy Sunday Installments:

TBT^16: Nehemiah and National Renewal

Ah, yes—Nehemiah.  One of my favorite books of the Bible.  What’s not to like?  A group of scrappy underdogs work together against the machinations of their enemies to build a wall.  They do it by trusting God.

When I first wrote this post way back in 2019, my most religious readers were quick to point out that, while I focused on Nehemiah building the wall, I skimped out on discussing God’s Role.  It was a fair, if slightly self-righteous, criticism.  Without God, there would have been no rebuilding of the wall.

That’s an important point:  without God, any “national renewal” would be fleeting, if it were possible at all.  Thank you to my slightly self-righteous readers for reminding me of that fact.

With that, here is 30 March 2023’s “TBT^4: Nehemiah and National Renewal“:

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Lazy Sunday CXLI: Days Off

Well, yours portly has been skipping a lot of Saturday and Sunday posts lately.  You see, dear readers, my usual schedule is to write a ton of posts for the week on Sundays, then get around to the lengthier, subscriber-only posts sometime during the week.

Lately, the problem has been two-fold:  I have not had much time on Sundays to write (or, alternatively, I have had a ton of other things to do on Sunday), and the weeks have been so slammed, I haven’t had the energy or time to write the weekend posts.  Ay yi yi!

So, what better way to resume Lazy Sunday than with a bunch of recent posts about blowing off my writing responsibilities?

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

Memorable Monday III: Monday Steakhouse Blues

Well, it seems that my resolve yesterday to get back to our regular schedule waivered, before breaking down completely.  Yours portly has been exceptionally busy lately—March and April are always difficult, but this February was also quite brutal—and what little creative energy I have has been laser-focused on composing.

I also haven’t really watched any flicks worth reviewing.  To be clear, I have reviewed plenty of bad movies.  Lately, though, nothing has leapt out at me as worth hammering out 600-1000 words.  Maybe Ponty will finally write that rebuttal to my award-winning, trenchant, insightful, powerful, persuasive review of Donnie Darko (1999).

So I thought I’d cast back to an old post about eating a steak alone on a Monday night while using my cellphone to write a blog post.  I wrote the post on the eve of the annual South Carolina Independent School Association (SCISA) Music Festival, which is one of the marquee events of our music program.  It’s a huge and chaotic undertaking, but super fun, and I love seeing my students get ready to perform.

I’m pretty on-the-ball this year, but that on-the-ballitude accounts, in part, for my poor posting—I’ve been working ahead on school and Music Festival stuff.

There probably won’t be any steak tonight, but there might be Thursday after I get back from the Festival.

Regardless, here’s 9 March 2020’s “Memorable Monday II: Monday Steakhouse Blues“:

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TBT^2: Composing Humorous Miniatures

I’ve been writing a lot about my composing lately, which might be wearing down my readers.  However, I have two updates on that front to sweeten the pot:

  1. My latest release, Epistemology, hits streaming platforms and Bandcamp tomorrow, Friday, 1 March 2024
  2. I have some tentative inquiries from at least two parties interested in commissioning original works from yours portly

I don’t have much more on at the moment, but one of those commission will be paid, and involves composing for various flutes.  The other commission will be for an online friend of mine.

As for , I’m quite excited for this release.  It features some bold tracks, particularly the lengthy title track, “Epistemology.”

My latest bout of composing started last August (2023), but it was predated by a round of piano compositions dating back to February 2022.  That resulted in P​é​ch​é​s d​’​â​ge moyen.  I’m still planning to put together Red Tardy Slip Compositions, but I’ve tabled it for the time being to focus on more electronic works.

Here’s to composing!

With that, here is “TBT: Composing Humorous Miniatures“:

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TBT^2: Little Paintings

During The Age of The Virus I took up painting as a little hobby, and came to enjoy it.  Let me emphasize the word “hobby“—I am not a skilled painter, and while I have sold a few of my works (mostly to family members), it’s been an overall money-losing excursion.

I attempted to sell paintings at the South Carolina Bigfoot Festival last October, and managed to unload a single painting.  Of course, the little girl who purchased that painting loved it; it was a strange, whale-like creature that she took to be the Loch Ness Monster, and she adored it.  It’s one of the few paintings I failed to photograph, so I can’t show it here, but that’s immaterial—it was sweet seeing that little girl’s face light up.

Of course, the brightening of little girl’s faces doesn’t put cornflakes on the table, so I’m officially proclaiming my foray into painting as a possible commercial endeavor a failure.  As a hobby, though, it’s something I still enjoy doing, and I’ll do some light sales on the side for anyone interested.  Otherwise, I’m not going to push it aggressively as a possible revenue stream.

For those that are interested, I use these little canvasses for my paintings (note—that link is an Amazon Affiliate link; I receive a small portion of any purchase made through that link, at no additional cost to you).  Like everything, they’ve gone up in price, but they’re a pretty good deal for small (5″x7″), thin canvasses, and they’re easy to use.  There’s also an adorable 3″x5″ variety, which I am excited to try.  I like the idea of index card-sized paintings.

With that, here is 23 February 2023’s “TBT: Little Paintings“:

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Lazy Sunday CXL: Firefly Dance Tracks, Part III

On Friday, 2 February 2024 I released Firefly Dance, my latest collection of original digital compositions.  It’s a fun album, and I’m pleased with how it came out in the end.

You can purchase and/or stream Firefly Dance through the following services:

Of course, if you’ve been reading the blog regularly, I’ve been posting sneak peeks of the album since late November.  So for the next few Sundays, I’ll be featuring past installments of Open Mic Adventures that highlight the tracks:

Enjoy—and, if you do, maybe consider spending $5?

Happy Sunday—and Happy Listening!

—TPP

Other Lazy Sunday Installments:

TBT^2: Alone

It’s funny how time heals all wounds (except the conflicts between Israelis and Arabs; Sunnis and Shiites; Russians and Ukrainians; English and Irish; humans and robots; dogs and cats; etc., etc.).  What’s more notable is that dating someone who respects you and treats you well really puts a new perspective on life and love and relationships—all that mushy stuff we love to emote about around Valentine’s Day.

Yours portly has pretty much seen it all in the admittedly limited realm of heterosexual monogamous dating, the kind without any weird perversions or lurid peccadilloes attached.  It’s a tough playing field out there for men.  As you get to my age (I’m a supple thirty-nine now), it gets a bit more challenging.

One thing I’ve learned is that single Christian women over thirty are nuts.  There’s more pressure on them—mostly soft and, I suspect, self-inflicted pressure, but pressure nonetheless—than worldly floozies to get a husband.  Since most of their peers did so between the ages of eighteen and twenty-five, they can’t help but think something is wrong with themselves.  Women being particularly prone to solipsistic rationalization, they invent various reasons to cover up this gnawing sensation:  “I’m dedicated to my career”; “The Lord Has me in a season of singleness”; etc.  The Truth is probably too hard to confront.

Lest readers think I am dumping on the ladies, I acknowledge that these critiques apply partially to me, too.  The difference, I think, is that it is historically- and economically-established that men often don’t marry until later in life, as we take a bit longer to mature.  We also have the deeply instinctual provider role, and while the world insists we don’t have to do that and that women don’t want it, that impulse is still very real.  No woman wants to date a deadbeat, and we’re pretty much all deadbeats in our early twenties.  It takes us awhile to build up an empire.

Of course, that’s probably the key difference between men and women economically:  most women have the luxury of dropping out of the workforce when a suitably stable and secure man comes along, if they’re willing to make mild sacrifices.  It’s well-documented that men risk far more in relationships than women, and bear far greater search and support costs.

But I digress.  My experience has been that single Christian women past thirty are former party girls who have reconnected with their faith (good if true), or perpetual daddy’s girls who never left home.  Either way, they suddenly have ludicrously high standards that apply to the “good guys”—standards they once (and likely still would) throw out the window for the right bad boy.  Alternatively, they’re so starved for male affection, they’ll throw all standards out the window (missionaries, I’ve noticed, are the worst when it comes to this tendency).  Whatever the case, they’re not exactly strong “living witnesses” for the Lord.

Fear not, dear readers:  despite the previous diatribe, I am not bitter (the likely reaction to reading a veritable carpet bombing of taboo Truth Bombs).  I am dating a wonderful woman.  She is over thirty.  She is a Christian, albeit not in an intensely devout way.  Indeed, she kind of defaults to the mild progressivism of most twenty-first-century American women.  I don’t think she thinks about politics or social issues much beyond whatever comes up on in the mainstream.

And she’s the kindest, most well-adjusted woman I’ve ever dated.  She’s so kind and supportive, it’s made me chill out—and I’m probably as batty as some of the women I’ve described here.  For probably the first time in my lengthy dating career, I’m not worried about a relationship.  I don’t have the gnawing sense that she doesn’t like me for some unknown reason.

It’s pretty liberating.

Also, she brings me Biscoff cookies.  That’s love.

With that, here is 9 February 2023’s “TBT: Alone“:

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Lazy Sunday CXXXIX: Firefly Dance Tracks, Part II

On Friday, 2 February 2024 I released Firefly Dance, my latest collection of original digital compositions.  It’s a fun album, and I’m pleased with how it came out in the end.

You can purchase and/or stream Firefly Dance through the following services:

– Bandcamp ($5!): https://tjcookmusic.bandcamp.com/album/firefly-dance
– Apple 🍏 Music: https://music.apple.com/us/album/firefly-dance/1724130522
– YouTube 📺https://youtube.com/playlist?list=OLAK5uy_k5xlOgwiUIFHGrMXpJ4bjmKHGGepfpCYM&si=U5tXOlFABVRwmA-E

Of course, if you’ve been reading the blog regularly, I’ve been posting sneak peeks of the album since late November.  So for the next few Sundays, I’ll be featuring past installments of Open Mic Adventures that highlight the tracks:

  • Open Mic Adventures LIX: ‘Listless Chorale’“ – At the time of writing, this track has 366 views on YouTube, which is kind of ridiculous (but I’m not complaining).  An attempt at a chorale, which I called “listless” because it doesn’t seem to go anywhere (except back to the tonic, eventually).
  • Open Mic Adventures LXIII: ‘FRANTIC!!’“ – And “FRANTIC!!” has 316 views, which is even more ridiculous.  Again, I’m not complaining.  In fact, I kind of want this track to reach an absurd degree virality—perhaps to become an instrumental “Rick Roll” for nerds.  The piece is written to be intentionally annoying and anxiety-inducing for both the listener and the musician.   I think I succeeded.
  • Open Mic Adventures LXIV: ‘Snowfall’“ – This piece is actually good—but only has 43 views.  Not bad, but it could be better.  It’s an experiment with an Eb whole tone scale, and depicts a pleasant snowfall.

Enjoy—and, if you do, maybe consider spending $5?

Happy Sunday—and Happy Listening!

—TPP

Other Lazy Sunday Installments:

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