Monday Morning Movie Review: Ponty’s Top Ten Best Films: Hono[u]rable Mentions, Part III

A quick blurb before getting to Ponty’s incredible post:  I’ve released my second book, Arizonan Sojourn, South Carolinian Dreams: And Other Adventures.  It’s a collection of travel essays I’ve accumulated over the last four years, and it’s available now on Amazon.

Here’s where you can pick it up:

Pick up a copy today!  Even sharing the above links is a huge help.

Thank you for your support!

—TPP

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Ponty wraps up his extended honorable mentions with this third part, and it’s the biggest one yet.

In reading through his lists, I’m struck by how many incredible films have come out in my lifetime.  The 1980s through the early 2000s were surely a golden age for engaging storytelling on the big screen.  Even crummier films from those decades are far more enjoyable (and significantly less “woke”) than much of the garbage coming out now.  I’m not suggesting there are no good films these days—quite the contrary—but those years were sprinkled with fairy dust.

Ponty leaves no cinematic stone unturned.  He told me he had spent four hours writing this list—and at that point, he wasn’t even finished!  I don’t think I’ve ever spent four hours on a blog post.  Kudos to him:  this list is a true labor of love, and we’re all the beneficiaries of his pen.

With that, here is Ponty’s third and final installment of honorable mentions:

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Monday Morning Movie Review: Ponty’s Top Ten Best Films: Hono[u]rable Mentions, Part I

Ponty’s detailed and impassioned reviews of movies routinely put mine to shame.  By comparison, his are erudite, thorough, and nuanced—and almost always include some great clips.

His honorable mention list is no different.  Indeed, it’s lists, plural, as we’ll be treated to the second half next week.  Rather than running down a bunch of films as I did, Ponty breaks them down into specific categories, featuring foreign films and sci-fi/horror this week.  I completely missed foreign films on my lists and my honorable mentions, which is a major oversight.  I might be a full-throated closed-borders nationalist on some issues, but when it comes to movies, music, and art, I’m an open borders extremist.  Let a thousand Korean flowers bloom!

He also mentions (honorably) quite a few flicks that nearly made my list—several of which would make it on a second go around.

With that, here is the first part of Ponty’s honourable mentions:

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Monday Morning Movie Review: Portly’s Top Ten Best Films: Honorable Mentions

Before revealing our #1 picks on our respective lists, Ponty and I are offering some honorable mentions.  These are films that, for various reasons, did not make our lists, but could have done so.

I think Ponty largely had his list worked out in advance, with tweaks and revisions along the way.  My approach was far less organized, and other than a few specific films and their slots, I largely came up with my picks week-to-week.  I stand by all of them, but I’d probably have put Krull (1983) in this honorable mentions post, if it showed up at all.  I really like the movie, but there are far better contenders out there.

Inevitably, I simply forgot about films that I sincerely love, but whose existences bafflingly slipped my mind.  I can only chalk it up to my own laziness and a lack of forethought and planning.

Of course, that is the peril of list-making of this sort:  I imagine if Ponty and I made these lists ten different times, we’d come up with wildly different selections and orders each time—at least, I think I would.  Sure, The Thing (1982) and Big Trouble in Little China (1986) would still be on the lists, as would some others, but who knows what might be floating through my mind a second, third, fourth, or tenth time around?

Have no fear, though—if the long list-making has been wearying t o you, Ponty and I have no plans to do more for awhile.  He’s hoping to spend some time working on his novel, and there are tons of movies—good, bad, and trashy—that I’ve been sitting on for several months now, and I’m eager to get back to reviewing whatever random garbage I consumed that week.

Perhaps one day we’ll take another stab at it—or maybe Audre Myers will grace us with her Top Ten picks.

But enough of my endless yammering and boring speculations.  On to the movies!

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Lazy Sunday CXCI: Ponty’s Best Films, Part III

We’re nearly there!  Tomorrow I’ll be featuring my Honorable Mention flicks, and Ponty’s Honourable Mentions after that (in a pared down two-parter, according to Ponty, as opposed to the possible three-parter he originally envisioned).  Then it’s on to our #1 picks.  What will they be?

Until we find out, here are Ponty’s picks for slots 4, 3, and 2, and they’re all quite good:

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

Lazy Sunday CXC: Portly’s Best Films, Part III

Our lists of the best films are nearly done!  It’s a project months in the making, and Ponty and I both have honorable mention posts to get through before revealing our #1 picks, but we’re tantalizing close!  Indeed, Ponty has promised (or threatened, depending on one’s perspective) two or even three honorable mention posts, so we could be at this list-making business for another month or so.  Gulp!

Regardless, I’ve finished my list through my #2 pick, so here are my higher-ups, filling in slots 4, 3, and 2:

#1 picks are coming soon… ish.  Stay tuned!

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

Monday Morning Movie Review: Portly’s Top Ten Best Films: #2: Big Trouble in Little China (1986)

My Number 2 pick is going to come as a surprise to Ponty, at the very least; it’s certainly a bit of a surprise to me.  It’s not because I don’t love this film—indeed, it may be my favorite film of all time—but because it’s not firmly at Number 1.

My original intent was to place John Carpenter‘s lightning-in-a-bottle classic Big Trouble in Little China (1996) in the top spot, but I realized there is a film that is objectively better (probably many such films exist, but the one I have in mind is, perhaps, the greatest film ever made, and not just because a chubby Internet personality says so).

I’m also thankful that we’ll be both be posting “Hono[u]rable Mention” (HM) pieces before we reveal our Number 1s.  I am realizing that I missed quite a few classics—Ghostbusters (1984) and Blade Runner (1982), for example—and I am increasingly regretting placing Krull (1983) on the list, even at Number 7.  I think it’s a great movie, but in hindsight, it should have been an HM pick.

But enough whinging.  There’ll be plenty of time for that on the HM post.  What about the second greatest film of all time?

Well, as that gigantic balloon reminded us, “China is here, Mr. Burton.”

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Lazy Sunday CLXXXI: More Movies XXXIV: Portly’s Best Films, Part II

The countdown-cum-retrospective continues with my #7-#5 picks for the best films of all time.  I’m very satisfied with my picks for #6 and #5, although I think I would reconsider #7 and add it to my honorable mentions list.  I do think Krull (1983) is a fun film, but putting it among the best films is, perhaps, giving it too much credit.

Happy Sunday—and Happy Viewing!

—TPP

Other Lazy Sunday Installments:

Monday Morning Movie Review: Ponty’s Top Ten Best Films: #4: Kill Bill: Volumes 1 & 2 (2003-2004)

Ponty always delivers some of the most thoughtful and poignant film reviews, and this week’s installment is no different.  He’s really nailed the essence of these films, which are properly understood as two parts of one larger film.

I’m also impressed with Ponty’s rigor in making his picks; he’s much more intentional about his choices than I am.  I’m impressed with the way he considers his picks carefully, and it’s apparent that he really struggled with what to put into this #4 slot.

But, wow, what a pick!  When these flicks came out in 2003-2004 I was just starting college, and managed to largely miss them.  I always thought (and still somewhat do think) that the title is stupid, but it does say what the flicks are about.

There’s where any stupidity ends.  The Old West meets The Mystical East, all with Uma Thurman slicing and dicing through baddies.  It’s grindhouse and kung-fu and everything trashy and awesome thrown into one super-long flick.

With that, here is Ponty’s review of 2003-2004’s Kill Bill: Volumes 1 & 2:

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Monday Morning Movie Review: Portly’s Top Ten Best Films: #4: The Cable Guy (1996)

The 1990s were the golden age of comedy films, churning out one classic, genre-defining masterpiece after another.  It was also the moment of Jim Carrey’s rise to comedy superstardom.

For a kid in the 1990s, Jim Carrey was a demigod.  His films were hilarious, cartoonish, madcap, irreverent, ribald, raunchy—and all must-sees.  Jim Carrey could do no wrong.

Then, in 1996—when yours portly was at the ripe old age of eleven—Jim Carrey made his first career misstep with The Cable Guy.  It still had all the great Carrey-esque antics we’d come to love, but the film’s dark comedy threw audiences and critics alike a curveball, and they weren’t quite sure what to make of it.  The flick was panned at the time, and the consensus is that it was a potential career-killer for Carrey.  Even The Simpsons decried the film as the one that “nearly ruined Jim Carrey’s career”:

But as is often the case—like with wearing masks in elementary schools and forcing toddlers to take experimental gene therapy injections—the general consensus was deadly wrong.  The Cable Guy (1996) was the best film of Jim Carrey’s 1990s output, and it’s my pick for my #4 best film.

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