Lazy Sunday CXLIV: Four Mages, Part I

Last week I released Leftovers II, and in just a few weeks I’ll release my next album, Four Mages (2 May 2024).  If you’d like to hear my latest release, you can do so here:

Readers might have noticed some of the colorful mages popping up over the last few weeks on this blog.  I’ve posted three of the Four Mages so far (“Black Mage” is coming this Tuesday, 9 April 2024—stay tuned!), so I thought I’d share them with y’all this Lazy Sunday:

  • Open Mic Adventures LXXIII: ‘Blue Mage’” – “Blue Mage” is a duet for oboe and bassoon, built upon a mysterious whole tone scale. The piece is written in 5/8 time, further lending to the mystical feel of this magical journey.
  • Open Mic Adventures LXXIV: ‘Red Mage’” – “Red Mage” is a mischievous and playful duet for oboe and bassoon. It is the companion piece to “Blue Mage.” The piece has a playful, mischievous feel, and I love how it sounds very much like it’s from a fantasy JRPG soundtrack.
  • Open Mic Adventures LXXV: ‘White Mage’” – “White Mage” is a bright but flowing solo for flute with celesta accompaniment. A piano could be substituted in place of the celesta. It has a delightful Final Fantasy vibe.

Happy Sunday—and Happy Listening!

—TPP

Other Lazy Sunday Installments:

SubscribeStar Saturday: Four Mages

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I’ve been composing like a madman lately, so much so that my brother is calling me the “Stephen King of Composing,” not because my pieces are particularly horrifying, but because I am slamming them out with the speed and consistency of the great horror writer.

I’ve just released Firefly Dance, which is on every streaming service other than Spotify.  You can even find it on YouTube.  I have another release coming on 1 March 2024, Epistemology; subscribers can listen to the title track here.

I thought I’d take a short break from composing, but within a couple of days I was back in my music journal and Noteflight, composing new works.  In the process, I’ve stumbled upon my next project:  Four Mages.

I started with composing two pieces in my music journal, “Blue Mage” and “Red Mage,” which I then polished and altered in Noteflight.  That start got me the idea that I needed a “White Mage” and a “Black Mage” to accompany those pieces.

Here’s a video version of “White Mage,” which I think is my favorite so far:

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