Tag: electronic music

White Boy Summer Out Today!

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Yours portly keeps churning out the hits, and I’m pleased to announce my seventh album this year, White Boy Summer.

White Boy Summer is a collection of ten summertime jams spanning multiple genres of instrumental music.  The title track is a driving retro rocker reminiscent of Super Nintendo side-scrollers, and is perfect for jamming to on the open road.  I also rewrote it as a chorale for the album’s finale, “White Boy Summa (Theologica),” a piece for brass trio.

This album heavily favors trombone, and the three major trombone pieces emphasize the chill nature of summertime:  “Mellow,” “Lazy River,” and “Summer Vibes.”

“The Sea Crab” is the most experimental piece; it’s a musical interpretation of an unpublished poem of the same name by Liza Libes.

And, despite the title, White Boy Summer is for all people of all races—and both genders.

You can pick it up on Bandcamp for $7.  I’ll be posting links to the album on other streaming platforms in the comments.

Rock on!

—TPP

P.S.—Here are a couple of the tracks that have already been uploaded to YouTube:

Open Mic Adventures LXXXIX: “White Boy Summer”

The Portly Politico2 Comments

Yours portly released a new album recently, Heptadic Structure.  It’s an exploration of pieces in 7/4, 7/8, and 7/16 time.  Each piece is twenty-one written measures, for a total of 149 measures across the seven pieces.  Math is fun!

You can listen to and/or purchase the album at the following links:

However, I’m deviating my plan to feature the tracks from that album for (at least) one week, because I am super excited about another album I have coming on Friday, 2 August 2024.  It’s called White Boy Summer, and while there are quite a few of my more experimental and modern classical pieces on the release, the title track is a straight-up banger—so much so that I wanted to feature it in today’s edition of Open Mic Adventures.

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Open Mic Adventures LXXXVII: “Heptadic Structure”

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My latest album, Heptadic Structure, is out now.  I’m writing this post before the album’s publication date (Sunday, 7 July 2024), so I don’t have all of the links to the album on various streaming platforms, but it’s available on all of them except Spotify.  You can also purchase it for $7 on Bandcamp.

Apple Music listeners can listen here.

For the next few weeks I’ll be featuring YouTube videos of the seven tracks from the album.  Today we’re starting with the title track, “Heptadic Structure“:

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Heptadic Structure Out Today!

The Portly Politico6 Comments

My latest release, Heptadic Structure, is out today on Bandcamp!

It’s one of my more unusual releases.  It’s  an experimental electronic album consisting of seven pieces written in variations of 7/X time signatures (7/4, 7/8, and/or 7/16). Each piece consists of 21 measures, for a total of 147 measures of written music. 14 + 7 = 21, and 21/7 = 3. 3 represents the Holy Trinity, and 7 represents God’s Divine Number.

If that made your head hurt, no worries—you can just listen to the music and enjoy! Ranging from classical (“Angularity“) to weirdly experimental (“Akhenaten“) to melodious (“Balladic Processional“) and beyond, Heptadic Structure is a mathematically musical journey through time and space.

The title derives from the somewhat dubious field of Biblical numerology.  When I conceived of an album built upon the number 7, I cast about for a good name.  I searched online for “Heptadic Stucture” and came up with the numerological concept.

I would caution believing Christians not to dive too deeply into Biblical numerology.  While I do think it’s fascinating that there appears to be some kind of underlying mathematical structure to God’s Word, it’s too easy to fall into Gnostic heresy.  As Christians, we should rely on God’s Word, not an alleged pattern of numbers that may or may not be woven into it.

Regardless, it makes for a cool concept for an album!

You can purchase the album for $7 (ha!) on Bandcamp.

It’s also streaming on all the major platforms (except Spotify):

Happy Listening!

—TPP

Get 🎸Advanced Funkification🎸!

The Portly Politico6 Comments

As I wrote this morning, my latest album, 🎸Advanced Funkification🎸, is out now on Bandcamp and various streaming platforms. I figured it would be worthwhile to compile the various links into one list for your convenience. I’m really proud of this release, and I think it deserves to be heard—and I think y’all will enjoy it!

Here is the current list of websites/platforms/services where you can listen to the release:

For YouTube users, here’s the full playlist:

Get funky!

—TPP

Open Mic Adventures LXXVIII: “Robobop”

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For this week’s edition of Open Mic Adventures I’d like to feature the opening track of Leftovers II, which you can find it at the following sites:

If you like 1950s rock ‘n’ roll and robots, you’re going to love “Robobop“:

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April 2024 Bandcamp Friday

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Today is Bandcamp Friday!  That means Bandcamp waives their share of any purchases made on my Bandcamp page today (Friday, 5 April 2024), so it’s the best possible time to buy my music if you want to support yours portly.

Earlier this week I released my sixteenth Bandcamp album, Leftovers II.  It consists of tracks leftover from other composing projects, as well as two older pieces (“Robobop” and “Pwrblld [Ballad II]“) and a lo-fi organ piece I recorded using an old computer microphone sometime in 2007.

You can listen to the full thing on Bandcamp for free a few times before Bandcamp locks out full track playback.  However, if funds are tight and you’d rather not pay $5 for the album (which you should totally do anyway—it’s just five bucks!), you can listen to the album through the following services:

Thanks for listening!  Even just streaming helps me out a great deal.

—TPP

December 2023 Bandcamp Friday

The Portly Politico1 Comment

Here we are again—another Bandcamp Friday.  There’s never been a better time to buy my music.

I released a new EP on Black Friday (24 November 2023), Leftovers.  It’s a short EP of four tracks leftover from my recent composing projects, including an epic-length, eight-minute-plus track from the never-completed Electrock III called “Futura (Magnum Opus III).”  Here’s the delicious album cover:

Leftovers

Tangy!

The first Friday of a bunch of months in 2023—February, March, April, May, August, September, October, November, and December—will feature this pro-indie music observance, a day on which Bandcamp waives its usual 15% commission on sales.

In other words, when you buy my music, almost 100% of it goes to me, instead of almost 85%.

Currently, my entire discography of thirteen releases is $23.39, a savings of 50%, which is not bad for thirteen releases.  That’s $1.80 per release—not too shabby!  To purchase the full discography, click on any release, and you’ll see the option to purchase all of them.

You can also listen to a ton of my tunes on YouTube (and it’s free to subscribe!).

My first book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot, is $10 in paperback, and just $5 on Kindle.

My second and newest book, Arizonan Sojourn, South Carolinian Dreams: And Other Adventures, is $20 in paperback and $10 on Kindle.

Finally, after I finish Offensive Poems: With Pictures, my planned third book, I’ll be uploading those doodles to Society6 as well.  I have high hopes (perhaps naïvely) for this book, but we shall see.  The doodles are some of my best work—and in glorious color—and without notebook paper lines!

Thanks again for your support!

Happy Friday!

—TPP

Lazy Sunday CXXVIII: 2023 Releases

The Portly PoliticoLeave a comment

It’s been a prolific year for short-form electronic composing for yours portly.  I’ve released three albums and/or EPs in the past three months:  Spooky Season, Spooky Season II: Rise of the Cryptids, and Leftovers.  They’re all available on Bandcamp, but also on Apple Music, Spotify, YouTube, etc.

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

New Release Out Today: “Leftovers”

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My latest release, the EP Leftovers, is out today!  You can pick it up on my Bandcamp page for $5, or you can stream it on Apple Music, Spotify, YouTube, and pretty much every other streaming service out there.

My favorite track on the release is “Futura (Magnum Opus III)“; it’s the longest electronic instrumental piece I’ve ever composed, and it’s languished on a hard drive for ten years.  Now it’s finally seeing the light of day.

The other three tracks are pieces I composed and/or arranged while working on Spooky Season and Spooky Season II: Rise of the Cryptids, but which didn’t fit the themes of those albums—thus this EP’s title!.  They include “Augmented Fifthality” (an experiment in augmented fifths); “Carousel” (a bouncy bit of classical composing); and “Chorale for a Sleepy Wednesday Afternoon” (a laid-back little instrumental chorale).

I’d be honored if you gave these Leftovers a listen.