Tag: classical music

May 2024 Bandcamp Friday

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Today is Bandcamp Friday!  That means Bandcamp waives their share of any purchases made on my Bandcamp page today (Friday, 3 May 2024), so it’s the best possible time to buy my music if you want to support yours portly.

Yesterday I released my seventeenth Bandcamp album, Four Mages.  It is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

Here are some platforms where you can listen:

Four Mages is just $5 on Bandcamp, and most of that goes to me today.

For those looking for the cheapest, easy way to listen, here’s a YouTube playlist:

Happy Listening!

—TPP

🧙‍♂️Four Mages🧙‍♂️ Out Today!

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Today is 2 May 2024, exactly twenty-six weeks to Halloween!  What better day to release my latest collection of compositions, Four Mages?

🧙‍♂️Four Mages🧙‍♂️ is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

It’s $5 on Bandcamp, and is also available on all major (and minor) streaming platforms except for Spotify.

I’m quite excited for this release; I hope you enjoy it as much as I enjoyed composing it.

Happy Listening!

—TPP

Open Mic Adventures LXXVI: “Black Mage”

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I’m still promoting my latest release, Leftovers II, but I’m also excited for my next album, Four Mages, which releases Thursday, 2 May 2024.  Of course, if you’d like to hear Leftovers II, you can do so at the following places (and probably more):

Today, however, I’d like to look at the fourth of the Four Mages, the dreaded “Black Mage.”

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Lazy Sunday CXLIV: Four Mages, Part I

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Last week I released Leftovers II, and in just a few weeks I’ll release my next album, Four Mages (2 May 2024).  If you’d like to hear my latest release, you can do so here:

Readers might have noticed some of the colorful mages popping up over the last few weeks on this blog.  I’ve posted three of the Four Mages so far (“Black Mage” is coming this Tuesday, 9 April 2024—stay tuned!), so I thought I’d share them with y’all this Lazy Sunday:

  • “Open Mic Adventures LXXIII: ‘Blue Mage’” – “Blue Mage” is a duet for oboe and bassoon, built upon a mysterious whole tone scale. The piece is written in 5/8 time, further lending to the mystical feel of this magical journey.
  • “Open Mic Adventures LXXIV: ‘Red Mage’” – “Red Mage” is a mischievous and playful duet for oboe and bassoon. It is the companion piece to “Blue Mage.” The piece has a playful, mischievous feel, and I love how it sounds very much like it’s from a fantasy JRPG soundtrack.
  • “Open Mic Adventures LXXV: ‘White Mage’” – “White Mage” is a bright but flowing solo for flute with celesta accompaniment. A piano could be substituted in place of the celesta. It has a delightful Final Fantasy vibe.

Happy Sunday—and Happy Listening!

—TPP

Other Lazy Sunday Installments:

April 2024 Bandcamp Friday

The Portly PoliticoLeave a comment

Today is Bandcamp Friday!  That means Bandcamp waives their share of any purchases made on my Bandcamp page today (Friday, 5 April 2024), so it’s the best possible time to buy my music if you want to support yours portly.

Earlier this week I released my sixteenth Bandcamp album, Leftovers II.  It consists of tracks leftover from other composing projects, as well as two older pieces (“Robobop” and “Pwrblld [Ballad II]“) and a lo-fi organ piece I recorded using an old computer microphone sometime in 2007.

You can listen to the full thing on Bandcamp for free a few times before Bandcamp locks out full track playback.  However, if funds are tight and you’d rather not pay $5 for the album (which you should totally do anyway—it’s just five bucks!), you can listen to the album through the following services:

Thanks for listening!  Even just streaming helps me out a great deal.

—TPP

Leftovers II Out Now

The Portly Politico4 Comments

My third release of the year, Leftovers II, is out today.  It consists of two previously-released tracks; four new pieces “leftover” from other projects; and an eight-minute organ solo I played on a keyboard and recorded using a crummy computer microphone seventeen years ago.

I have two other releases in the pipeline, Four Mages (releasing 2 May 2024) and Advanced Funkification (releasing 7 June 2024).  Four Mages is a collection of fantasy-inspired pieces, and Advanced Funkification is a funk album.  Some of the tracks on Leftovers II were composed while I was working on these other two releases, but they didn’t fit the “vibe” of either, so I decided to put together this collection.

In addition to Bandcamp, you can listen to Leftovers II on most every streaming platform, except for Spotify.  I’ll have full links up this Friday for Bandcamp Friday‘s post (I’m writing this post before the album hits streaming platforms, so I don’t have full links yet), but here are links to the relevant pages; you can navigate to Leftovers II from there:

Again, I’ll have a more complete list of streaming links Friday.

In the meantime, happy listening!

—TPP

Open Mic Adventures LXXIII: “Blue Mage”

The Portly PoliticoLeave a comment

On 2 May 2024—the day that is exactly twenty-six weeks, or halfway, to Halloween—I’ll be releasing Four Mages, a color-coded collection of fantasy-inspired instrumental music.  I’m really excited for this release (which consists of ten tracks, not just the four mages of the title), and I hope it will capture imaginations with its whimsical, mysterious, fantastical feel.

The first piece I composed for the album is today’s feature, “Blue Mage.”  I then immediately composed “Red Mage,” its companion piece, which I will feature next week.  Honestly, I like “Red Mage” better, but “Blue Mage” captures the more mystical, esoteric side of this album.  “Red Mage,” on the other hand, is more lively and whimsical.

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