Tag: 39 Pontiac Dreamer

Monday Morning Movie Review: Ponty’s Top Ten Best Films: Hono[u]rable Mentions, Part I

The Portly Politico15 Comments

Ponty’s detailed and impassioned reviews of movies routinely put mine to shame.  By comparison, his are erudite, thorough, and nuanced—and almost always include some great clips.

His honorable mention list is no different.  Indeed, it’s lists, plural, as we’ll be treated to the second half next week.  Rather than running down a bunch of films as I did, Ponty breaks them down into specific categories, featuring foreign films and sci-fi/horror this week.  I completely missed foreign films on my lists and my honorable mentions, which is a major oversight.  I might be a full-throated closed-borders nationalist on some issues, but when it comes to movies, music, and art, I’m an open borders extremist.  Let a thousand Korean flowers bloom!

He also mentions (honorably) quite a few flicks that nearly made my list—several of which would make it on a second go around.

With that, here is the first part of Ponty’s honourable mentions:

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Lazy Sunday CXCI: Ponty’s Best Films, Part III

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We’re nearly there!  Tomorrow I’ll be featuring my Honorable Mention flicks, and Ponty’s Honourable Mentions after that (in a pared down two-parter, according to Ponty, as opposed to the possible three-parter he originally envisioned).  Then it’s on to our picks.  What will they be?

Until we find out, here are Ponty’s picks for slots 4, 3, and 2, and they’re all quite good:

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

Monday Morning Movie Review: Ponty’s Top Ten Best Films: #2: The Truman Show (1998)

The Portly Politico4 Comments

Ponty picked an impressive film for his slot, one that I wish had made it onto my list (it may end up as an honorable mention!).  The Truman Show (1998) is a powerful, surprisingly dark comedy about materialism, consumerism, and mass media, exploring what happens when we take reality television to its logical extreme.  What’s fascinating is that this film largely predates reality television, outside of the trash that aired on MTV at the time.

I won’t spoil Ponty’s review (he considerately offers a spoiler alert, but if you haven’t managed to see this flick in the twenty-five years since its release, you’re way outside of the “no spoilers!” statute of limitations), but he touches upon many of the troubling implications of enslaving an unwitting human in an artificial world and broadcasting the results of this forbidden experiment to the world.  I, too, wonder how Truman would live outside of the show; a part of me suspects he might go back to the only world he’s ever known, though I hope he never did.

With that, here is Ponty’s review of 1998’s The Truman Show:

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Ponty’s Pen: Stranger Things Series Review

The Portly Politico20 Comments

We’re pro-spooky stuff here at The Portly Politico, and perhaps the greatest example of syncretic spookiness is the Netflix series Stranger Things, an amalgamation of 1980s nostalgia, John Carpenter, Stephen King, and every other significant sci-fi horror franchise of that glorious decade (and beyond).

Talk about a lightning-in-a-bottle cultural phenomenon.  The series is the kind that is profoundly a product of the age of streaming, yet it hearkens back to the horror miniseries of the 1980s and 1990s—rich, multi-episode arcs; tight story construction; and satisfying pay-offs that reward loyal viewing.  I also appreciate that the show doesn’t overstay its welcome with bloated seasons.  The Duffer Brothers tell the story they want to tell without stretching their material thin.

Ponty sent me this epic review of the first four seasons of the show (the fifth and, it seems, final season is coming soon), and it’s surely his reviewing magnum opus.  Audre Myers wrote her own review of the series last year, which overlaps somewhat with Ponty’s, but they both bring different insights into the show.

I don’t have much left to add that Ponty hasn’t said better.  With that, here is Ponty’s series review of Stranger Things:

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Monday Morning Movie Review: Ponty’s Top Ten Best Films: #3: Cube (1997)

The Portly Politico10 Comments

Ponty never ceases to surprise me with his thoughtful picks, and I was not expecting a relatively obscure sci-fi horror thriller in his top three.  After reading the review, though, it makes sense—and it really makes me want to see this flick.

Sci-fi and horror tend to be the genres that, when done well, explore stories and concepts that stick in one’s mind for weeks, months, and years after viewing.  Cramming six volatile personalities into a mysterious death cube sounds a bit hokey, but the opportunity to explore the frailty and the triumph of the human condition makes it an exquisite, albeit devilish, setup.

How would we behave and react in bizarre, lethal situations?  Would we keep our cool?  Or—more likely—would be panic, virtually guaranteeing our destruction?  Ponty’s pick dives into these uncomfortable questions.

With that, here is Ponty’s review of 1997’s Cube:

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Lazy Sunday CLXXXII: More Movies XXXV: Ponty’s Best Films, Part II

The Portly Politico5 Comments

I’m back from my trip safe and sound, but I’m still a bit behind with posts.  I’ll be running my #3 pick for the best films of all time tomorrow—a week late!  That’s given good ol’ Ponty a bit of breathing room for his next review.

Of course, I must apologize to Ponts:  this retrospective of his #7-5 picks is going up fairly late in the day for a Sunday.  I like to have posts up by 6:30 AM, as it seems to help with my English readership (which is growing all the time thanks in no small part to Ponty’s promotional efforts).  Here’s hoping this short list of his picks will gain some traction regardless.

Without further ado, here are Ponty’s top picks in the lower five:

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

Monday Morning Movie Review: Ponty’s Top Ten Best Films: #4: Kill Bill: Volumes 1 & 2 (2003-2004)

The Portly Politico15 Comments

Ponty always delivers some of the most thoughtful and poignant film reviews, and this week’s installment is no different.  He’s really nailed the essence of these films, which are properly understood as two parts of one larger film.

I’m also impressed with Ponty’s rigor in making his picks; he’s much more intentional about his choices than I am.  I’m impressed with the way he considers his picks carefully, and it’s apparent that he really struggled with what to put into this slot.

But, wow, what a pick!  When these flicks came out in 2003-2004 I was just starting college, and managed to largely miss them.  I always thought (and still somewhat do think) that the title is stupid, but it does say what the flicks are about.

There’s where any stupidity ends.  The Old West meets The Mystical East, all with Uma Thurman slicing and dicing through baddies.  It’s grindhouse and kung-fu and everything trashy and awesome thrown into one super-long flick.

With that, here is Ponty’s review of 2003-2004’s Kill Bill: Volumes 1 & 2:

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Lazy Sunday CLXXX: More Movies XXXIII: Ponty’s Best Films, Part I

The Portly Politico4 Comments

Last Sunday we looked at my #10, #9, and #8 picks for the best films.  Now we’re looking at Ponty’s choices for the same.  So far, I think Ponty has the better list, although I stand by (most of) my picks.

His first three are all in the horror genre, but all vastly different films.  They’re also exemplars of the genre, and are must-see films:

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

Ponty’s Pen: Road Trips in the USA

The Portly Politico10 Comments

Every now and then we get something for Christmas that really sparks our imaginations, allowing them to run—or, in this case, drive—wildly to other lands.  For a young Portly, it was receiving a copy of Sid Meier’s Civilization II from my aunt one Christmas.  That game opened up vast new worlds and incredible historical “what-ifs,” and was partially responsible for my decision to study and teach history for a living.

For Ponty, it’s an annual copy of Fodor’s Best Road Trips in the USA.

Travel guides have always been one of my favorite genres, too.  Sure, travelogues are more engaging and adventurous, but travel guides let us learn about places without a great deal of authorial embellishment.  We get the basics about an area, and then can put ourselves immediately into those places, imagining visiting the great sites and destinations—or the backwater burgs and forgotten byways—of the world.

Ponty captures that spirit of adventure and fun in this touching, personal, and engaging little piece about his imaginary—and, let us hope, someday real!—travels around the United States.

With that, here’s Ponty with some reflections on Christmas and road trips:

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Monday Morning Movie Review: Ponty’s Top Ten Best Films: #5: Rear Window (1954)

The Portly Politico4 Comments

It’s hard to believe that it’s been nearly two months since Ponty’s #6 pick in our countdown of the Top Ten Best Films.  A combination of Thanksgiving, Cyber Monday, and Ponty struggling through a gnarly sinus infection pushed back our foray into the halfway mark of his reviews until now.  We also went into reviews of two classic Christmas films across three different authors, but now we’re back!

I grew up in a house full of Alfred Hitchcock.  My mom has always been a big fan of the portly director, and issues of Alfred Hitchcock’s Mystery Magazine still clutter bookshelves and spare crannies all over my parents’ Queen Anne-style home (built in 1901!).

It’s a tad remarkable, then, that I have not (yet) considered any of the director’s films in my own list.  That is a massive oversight on my part.  Thanks for Ponty for expanding beyond my 1980s myopia with a classic Hitchcock gem.

As always, he delivers.  Just reading his review reminds me of how intense this thriller is—and makes me eager to watch it again.

With that, here is Ponty’s review of 1954’s Rear Window:

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