Day Off

Yours portly is taking the day off from blogging.  I’m enjoying time with my girl (the human one, not Murphy; Murphy is enjoying time with my neighbors).

I was hoping to run Ponty’s response to my masterpiece review of Donnie Darko (2001) today.  You’ll hear from Ponty on a different topic later this week, but I can only assume his extended tardiness in sending along a detailed critique is a tacit indication that he has come around to my viewpoint.  Indeed, readers will readily agree that the only reasonable reason he hasn’t sent his review—surely it’s not due to busyness, or illness, or spending time with Tina—is that dear Ponty has realized I was right all along, and there’s no point in challenging me further on the issue.

So with that note of brotherly reconciliation and rhetorical dominance, I bid everyone a wonderful Monday.  I’ll be enjoying a relaxing day with my girl, basking in the knowledge that I’ve once again swayed public opinion about twenty-plus-year-old movies in a positive direction.

Cheers!

—TPP

Lazy Sunday CXL: Firefly Dance Tracks, Part III

On Friday, 2 February 2024 I released Firefly Dance, my latest collection of original digital compositions.  It’s a fun album, and I’m pleased with how it came out in the end.

You can purchase and/or stream Firefly Dance through the following services:

Of course, if you’ve been reading the blog regularly, I’ve been posting sneak peeks of the album since late November.  So for the next few Sundays, I’ll be featuring past installments of Open Mic Adventures that highlight the tracks:

Enjoy—and, if you do, maybe consider spending $5?

Happy Sunday—and Happy Listening!

—TPP

Other Lazy Sunday Installments:

Phone it in Friday LII: YouTube Roundup VIII

My YouTube channel continues to grow, albeit a bit more slowly.  At the time of writing, I have seventy-seven (77) subscribers.

Regardless of the rate of growth, I am having a blast with the format.  There’s still so much I need to learn, but it’s fun putting these videos together.  It’s also been a great outlet for my composing, and I’ve gotten into something of a schedule:  LEGO- and LEGO-adjacent build videos on Mondays, and compositions on Tuesdays and Wednesdays.

I have three good ones this week, featuring Moses, Napoleon, and steampunk.

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TBT^2: Alone

It’s funny how time heals all wounds (except the conflicts between Israelis and Arabs; Sunnis and Shiites; Russians and Ukrainians; English and Irish; humans and robots; dogs and cats; etc., etc.).  What’s more notable is that dating someone who respects you and treats you well really puts a new perspective on life and love and relationships—all that mushy stuff we love to emote about around Valentine’s Day.

Yours portly has pretty much seen it all in the admittedly limited realm of heterosexual monogamous dating, the kind without any weird perversions or lurid peccadilloes attached.  It’s a tough playing field out there for men.  As you get to my age (I’m a supple thirty-nine now), it gets a bit more challenging.

One thing I’ve learned is that single Christian women over thirty are nuts.  There’s more pressure on them—mostly soft and, I suspect, self-inflicted pressure, but pressure nonetheless—than worldly floozies to get a husband.  Since most of their peers did so between the ages of eighteen and twenty-five, they can’t help but think something is wrong with themselves.  Women being particularly prone to solipsistic rationalization, they invent various reasons to cover up this gnawing sensation:  “I’m dedicated to my career”; “The Lord Has me in a season of singleness”; etc.  The Truth is probably too hard to confront.

Lest readers think I am dumping on the ladies, I acknowledge that these critiques apply partially to me, too.  The difference, I think, is that it is historically- and economically-established that men often don’t marry until later in life, as we take a bit longer to mature.  We also have the deeply instinctual provider role, and while the world insists we don’t have to do that and that women don’t want it, that impulse is still very real.  No woman wants to date a deadbeat, and we’re pretty much all deadbeats in our early twenties.  It takes us awhile to build up an empire.

Of course, that’s probably the key difference between men and women economically:  most women have the luxury of dropping out of the workforce when a suitably stable and secure man comes along, if they’re willing to make mild sacrifices.  It’s well-documented that men risk far more in relationships than women, and bear far greater search and support costs.

But I digress.  My experience has been that single Christian women past thirty are former party girls who have reconnected with their faith (good if true), or perpetual daddy’s girls who never left home.  Either way, they suddenly have ludicrously high standards that apply to the “good guys”—standards they once (and likely still would) throw out the window for the right bad boy.  Alternatively, they’re so starved for male affection, they’ll throw all standards out the window (missionaries, I’ve noticed, are the worst when it comes to this tendency).  Whatever the case, they’re not exactly strong “living witnesses” for the Lord.

Fear not, dear readers:  despite the previous diatribe, I am not bitter (the likely reaction to reading a veritable carpet bombing of taboo Truth Bombs).  I am dating a wonderful woman.  She is over thirty.  She is a Christian, albeit not in an intensely devout way.  Indeed, she kind of defaults to the mild progressivism of most twenty-first-century American women.  I don’t think she thinks about politics or social issues much beyond whatever comes up on in the mainstream.

And she’s the kindest, most well-adjusted woman I’ve ever dated.  She’s so kind and supportive, it’s made me chill out—and I’m probably as batty as some of the women I’ve described here.  For probably the first time in my lengthy dating career, I’m not worried about a relationship.  I don’t have the gnawing sense that she doesn’t like me for some unknown reason.

It’s pretty liberating.

Also, she brings me Biscoff cookies.  That’s love.

With that, here is 9 February 2023’s “TBT: Alone“:

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Myersvision: Bigfoot Attack

Our dear Audre Myers is back after a medical hiatus.  I won’t go into details—that’s for Audre to do, if she decides to do so—but she’s endured some harrowing experiences with those parts of the medical system that operate outside of the good hospitals and doctors.  It’s a shame that there are so many incompetent fools given charge over our elderly.  There’s a special place in Hell for them.

Regardless, she made it out alive, as did the young man in this video.  The title of this post is my own sensationalist invention—gotta get those clicks!—but I’m sure it felt like an attack to the man recording it.

I’m always skeptical of Bigfoot talk.  As I’ve written many times before, I want Bigfoot to be real, but the alleged “evidence” is frequently suspect, and I think there’s a high degree of seeing what we want to see in Bigfoot footage.  It doesn’t help that the “field” of cryptozoology is full of charlatans and conmen.

I trust and respect Audre, however.  She’s not trying to con anyone.  That said, her language in this post suggests the strong desire for Bigfoot to be real.  I don’t doubt that we can “know [things] in a special kind of way,” as Audre writes, but that doesn’t necessarily hold up to scientific scrutiny.

For what it’s worth, I think the footage is intriguing.  I also think it’s a bear.

Watch for yourself and let me know what you think.

With that, here’s Audre:

Read More »

Open Mic Adventures LXVIII: “Cook’s Brief Bourrée in E minor”

On Friday, 2 February 2024 I released Firefly Dance, my latest collection of original digital compositions.  It’s a fun album, and I’m pleased with how it came out in the end.

You can purchase and/or stream Firefly Dance through the following services:

Most of the tracks are fairly short, and several of them started life as small sightreading exercises for my various music students.  Such is the case with “Cook’s Brief Bourrée in E minor”—an exercise for bass players to learn the bass clef, and for pianists to sharpen their left-hand playing.

Read More »

Monday Morning Movie Review: Dario Argento’s Dracula (2012)

Dario Argento is one of my favorite giallo directors.  The man’s name is synonymous with Italian horror, and he is probably the best known giallo director of all time, at least here in the States.

So when I saw he directed a film based on Dracula, I got excited.  I figured it would be a masterpiece of giallo styling against the classic story.

Instead, Dario Argento’s Dracula (also known as Dracula 3D; 2012) is a hideous abuse of CGI—and, I suspect, of Argento’s name to sell some tickets to a crappy movie.

Read More »

Lazy Sunday CXXXIX: Firefly Dance Tracks, Part II

On Friday, 2 February 2024 I released Firefly Dance, my latest collection of original digital compositions.  It’s a fun album, and I’m pleased with how it came out in the end.

You can purchase and/or stream Firefly Dance through the following services:

– Bandcamp ($5!): https://tjcookmusic.bandcamp.com/album/firefly-dance
– Apple 🍏 Music: https://music.apple.com/us/album/firefly-dance/1724130522
– YouTube 📺https://youtube.com/playlist?list=OLAK5uy_k5xlOgwiUIFHGrMXpJ4bjmKHGGepfpCYM&si=U5tXOlFABVRwmA-E

Of course, if you’ve been reading the blog regularly, I’ve been posting sneak peeks of the album since late November.  So for the next few Sundays, I’ll be featuring past installments of Open Mic Adventures that highlight the tracks:

  • Open Mic Adventures LIX: ‘Listless Chorale’“ – At the time of writing, this track has 366 views on YouTube, which is kind of ridiculous (but I’m not complaining).  An attempt at a chorale, which I called “listless” because it doesn’t seem to go anywhere (except back to the tonic, eventually).
  • Open Mic Adventures LXIII: ‘FRANTIC!!’“ – And “FRANTIC!!” has 316 views, which is even more ridiculous.  Again, I’m not complaining.  In fact, I kind of want this track to reach an absurd degree virality—perhaps to become an instrumental “Rick Roll” for nerds.  The piece is written to be intentionally annoying and anxiety-inducing for both the listener and the musician.   I think I succeeded.
  • Open Mic Adventures LXIV: ‘Snowfall’“ – This piece is actually good—but only has 43 views.  Not bad, but it could be better.  It’s an experiment with an Eb whole tone scale, and depicts a pleasant snowfall.

Enjoy—and, if you do, maybe consider spending $5?

Happy Sunday—and Happy Listening!

—TPP

Other Lazy Sunday Installments:

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SubscribeStar Saturday: Four Mages

Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

I’ve been composing like a madman lately, so much so that my brother is calling me the “Stephen King of Composing,” not because my pieces are particularly horrifying, but because I am slamming them out with the speed and consistency of the great horror writer.

I’ve just released Firefly Dance, which is on every streaming service other than Spotify.  You can even find it on YouTube.  I have another release coming on 1 March 2024, Epistemology; subscribers can listen to the title track here.

I thought I’d take a short break from composing, but within a couple of days I was back in my music journal and Noteflight, composing new works.  In the process, I’ve stumbled upon my next project:  Four Mages.

I started with composing two pieces in my music journal, “Blue Mage” and “Red Mage,” which I then polished and altered in Noteflight.  That start got me the idea that I needed a “White Mage” and a “Black Mage” to accompany those pieces.

Here’s a video version of “White Mage,” which I think is my favorite so far:

To read the rest of this post, subscribe to my SubscribeStar page for $1 a month or more.