Lazy Sunday CXCVI: Hono[u]rable Mentions

The long countdown of mine and Ponty’s favorite films ends tomorrow with Ponty’s pick.  What will it be?  Weekend at Bernie’s II (1993)?  Porky’s (1981)?  That video he and Tina made that no one else is supposed to know about?  In twenty-four short hours, we’ll know all.

In the meantime, here are our respective hono[u]rable mentions lists.  I did mine in one succinct, efficient package; Ponty spread his over three massive posts, full of lovingly rendered detail and pathos:

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

Monday Morning Movie Review: Portly’s Top Ten Best Films: Honorable Mentions

Before revealing our picks on our respective lists, Ponty and I are offering some honorable mentions.  These are films that, for various reasons, did not make our lists, but could have done so.

I think Ponty largely had his list worked out in advance, with tweaks and revisions along the way.  My approach was far less organized, and other than a few specific films and their slots, I largely came up with my picks week-to-week.  I stand by all of them, but I’d probably have put Krull (1983) in this honorable mentions post, if it showed up at all.  I really like the movie, but there are far better contenders out there.

Inevitably, I simply forgot about films that I sincerely love, but whose existences bafflingly slipped my mind.  I can only chalk it up to my own laziness and a lack of forethought and planning.

Of course, that is the peril of list-making of this sort:  I imagine if Ponty and I made these lists ten different times, we’d come up with wildly different selections and orders each time—at least, I think I would.  Sure, The Thing (1982) and Big Trouble in Little China (1986) would still be on the lists, as would some others, but who knows what might be floating through my mind a second, third, fourth, or tenth time around?

Have no fear, though—if the long list-making has been wearying t o you, Ponty and I have no plans to do more for awhile.  He’s hoping to spend some time working on his novel, and there are tons of movies—good, bad, and trashy—that I’ve been sitting on for several months now, and I’m eager to get back to reviewing whatever random garbage I consumed that week.

Perhaps one day we’ll take another stab at it—or maybe Audre Myers will grace us with her Top Ten picks.

But enough of my endless yammering and boring speculations.  On to the movies!

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Monday Morning Movie Review: Ponty’s Top Ten Best Films: #2: The Truman Show (1998)

Ponty picked an impressive film for his slot, one that I wish had made it onto my list (it may end up as an honorable mention!).  The Truman Show (1998) is a powerful, surprisingly dark comedy about materialism, consumerism, and mass media, exploring what happens when we take reality television to its logical extreme.  What’s fascinating is that this film largely predates reality television, outside of the trash that aired on MTV at the time.

I won’t spoil Ponty’s review (he considerately offers a spoiler alert, but if you haven’t managed to see this flick in the twenty-five years since its release, you’re way outside of the “no spoilers!” statute of limitations), but he touches upon many of the troubling implications of enslaving an unwitting human in an artificial world and broadcasting the results of this forbidden experiment to the world.  I, too, wonder how Truman would live outside of the show; a part of me suspects he might go back to the only world he’s ever known, though I hope he never did.

With that, here is Ponty’s review of 1998’s The Truman Show:

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Lazy Sunday CXC: Portly’s Best Films, Part III

Our lists of the best films are nearly done!  It’s a project months in the making, and Ponty and I both have honorable mention posts to get through before revealing our picks, but we’re tantalizing close!  Indeed, Ponty has promised (or threatened, depending on one’s perspective) two or even three honorable mention posts, so we could be at this list-making business for another month or so.  Gulp!

Regardless, I’ve finished my list through my #2 pick, so here are my higher-ups, filling in slots 4, 3, and 2:

picks are coming soon… ish.  Stay tuned!

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

Myersvision: Iceman (1984)

A great joy of writing is that sometimes, our scribbled thoughts create inspiration in others—or other writers can inspire us!  So it was that my delayed review of 1982’s The Thing provided a bit of inspirado for our dear Audre Myers.

I don’t think it was my purple prose that jolted her memory about this film; rather, the genius of The Thing reminded her of this flick, which is also set in a desolate Arctic wasteland, and which deals with some quite complex questions about humanity, biomedical ethics, and technology.

I’m adding it to my must-see list, and I suspect you should, too.

With that, here is Audre’s review of 1984’s Iceman:

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Monday Morning Movie Review: Portly’s Top Ten Best Films: #3: The Thing (1982)

As we get into the final three of our picks, I find myself thankful that Ponty and I are doing an “Hono[u]rable Mentions” post, because this point is where it gets hard.  How do you pick the best three films?  Ten is hard enough, but there’s some margin for error.

That said, I know my and picks.  But was giving me a time, until Ponty mentioned this film in one of his comments.

John Carpenter is my favorite director, up there with Stanley Kubrick, Wes Anderson, and similar directors.  These are the guys that have a distinct style, even when making films in vastly different genres.  That uniqueness of directorial tone seems to be fading in Hollywood, in favor of homogenized, corporatized sameness.  That’s not an entirely fair assessment, but I have a sense that the phenomenon of the “director-as-artist” is fading.

What sets Carpenter apart for me is not just his uniqueness; his movies are fun.  They’re not dumb fun, either (for the most part)—his shots are deliberate, and make sense for whatever scene he is shooting.  He is a strong visual storyteller, in addition to being a great composer and musician.  There’s a reason his films will appear twice in my top three.

This picture is arguably his best, but for personal and sentimental reasons I’m putting another of his films higher.  That said, Carpenter’s 1982 remake of The Thing is a masterpiece of tension, horror, and suspense.

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Lazy Sunday CLXXXI: More Movies XXXIV: Portly’s Best Films, Part II

The countdown-cum-retrospective continues with my #7-#5 picks for the best films of all time.  I’m very satisfied with my picks for and , although I think I would reconsider #7 and add it to my honorable mentions list.  I do think Krull (1983) is a fun film, but putting it among the best films is, perhaps, giving it too much credit.

Happy Sunday—and Happy Viewing!

—TPP

Other Lazy Sunday Installments:

Monday Morning Movie Review: Ponty’s Top Ten Best Films: #4: Kill Bill: Volumes 1 & 2 (2003-2004)

Ponty always delivers some of the most thoughtful and poignant film reviews, and this week’s installment is no different.  He’s really nailed the essence of these films, which are properly understood as two parts of one larger film.

I’m also impressed with Ponty’s rigor in making his picks; he’s much more intentional about his choices than I am.  I’m impressed with the way he considers his picks carefully, and it’s apparent that he really struggled with what to put into this slot.

But, wow, what a pick!  When these flicks came out in 2003-2004 I was just starting college, and managed to largely miss them.  I always thought (and still somewhat do think) that the title is stupid, but it does say what the flicks are about.

There’s where any stupidity ends.  The Old West meets The Mystical East, all with Uma Thurman slicing and dicing through baddies.  It’s grindhouse and kung-fu and everything trashy and awesome thrown into one super-long flick.

With that, here is Ponty’s review of 2003-2004’s Kill Bill: Volumes 1 & 2:

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Monday Morning Movie Review: Portly’s Top Ten Best Films: #4: The Cable Guy (1996)

The 1990s were the golden age of comedy films, churning out one classic, genre-defining masterpiece after another.  It was also the moment of Jim Carrey’s rise to comedy superstardom.

For a kid in the 1990s, Jim Carrey was a demigod.  His films were hilarious, cartoonish, madcap, irreverent, ribald, raunchy—and all must-sees.  Jim Carrey could do no wrong.

Then, in 1996—when yours portly was at the ripe old age of eleven—Jim Carrey made his first career misstep with The Cable Guy.  It still had all the great Carrey-esque antics we’d come to love, but the film’s dark comedy threw audiences and critics alike a curveball, and they weren’t quite sure what to make of it.  The flick was panned at the time, and the consensus is that it was a potential career-killer for Carrey.  Even The Simpsons decried the film as the one that “nearly ruined Jim Carrey’s career”:

But as is often the case—like with wearing masks in elementary schools and forcing toddlers to take experimental gene therapy injections—the general consensus was deadly wrong.  The Cable Guy (1996) was the best film of Jim Carrey’s 1990s output, and it’s my pick for my best film.

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Lazy Sunday CLXXIX: More Movies XXXII: Portly’s Best Films, Part I

This cold, wintry season always makes me want to bundle up with a hot pizza and a cool flick.  What better way to kick back after a long day of mind-molding than with a classic gem (or a B-flick schlock-o-rama) and piping hot pie, drizzled in olive oil and dripping with cheese.  Oooooh, baby….

Erhem—but I digress.  That got me thinking that it’s time to start going back through the best films lists that Ponty and I now halfway through compiling.  Since I started off the list, I figured I’d look back at my #10, , and #8 picks first, then jump over to Ponty’s next week.

With that, here are the first three from my list:

Happy Sunday!

—TPP

Other Lazy Sunday Installments: