Tag: classical music

Leftovers II Out Now

The Portly Politico4 Comments

My third release of the year, Leftovers II, is out today.  It consists of two previously-released tracks; four new pieces “leftover” from other projects; and an eight-minute organ solo I played on a keyboard and recorded using a crummy computer microphone seventeen years ago.

I have two other releases in the pipeline, Four Mages (releasing 2 May 2024) and Advanced Funkification (releasing 7 June 2024).  Four Mages is a collection of fantasy-inspired pieces, and Advanced Funkification is a funk album.  Some of the tracks on Leftovers II were composed while I was working on these other two releases, but they didn’t fit the “vibe” of either, so I decided to put together this collection.

In addition to Bandcamp, you can listen to Leftovers II on most every streaming platform, except for Spotify.  I’ll have full links up this Friday for Bandcamp Friday‘s post (I’m writing this post before the album hits streaming platforms, so I don’t have full links yet), but here are links to the relevant pages; you can navigate to Leftovers II from there:

Again, I’ll have a more complete list of streaming links Friday.

In the meantime, happy listening!

—TPP

Open Mic Adventures LXXIII: “Blue Mage”

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On 2 May 2024—the day that is exactly twenty-six weeks, or halfway, to Halloween—I’ll be releasing Four Mages, a color-coded collection of fantasy-inspired instrumental music.  I’m really excited for this release (which consists of ten tracks, not just the four mages of the title), and I hope it will capture imaginations with its whimsical, mysterious, fantastical feel.

The first piece I composed for the album is today’s feature, “Blue Mage.”  I then immediately composed “Red Mage,” its companion piece, which I will feature next week.  Honestly, I like “Red Mage” better, but “Blue Mage” captures the more mystical, esoteric side of this album.  “Red Mage,” on the other hand, is more lively and whimsical.

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Open Mic Adventures LXXI: “Epistemology”

The Portly Politico2 Comments

Last Friday, 1 March 2024, I released Epistemology, my latest collection of original compositions.  I personally think it’s some of the best of my newer works.

You can listen to and/or purchase Epistemology through the following services (and more!):

This week, I thought I’d feature the title track of this epic release.

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An Actually Lazy Sunday: Composing Update

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Last Sunday I was exceptionally busy and had to phone in my already-phoned in Lazy Sunday post.  Today I’m doing the ultimate phoning in and taking yet another day away from the blog (as it were—gotsta keep that daily post counter mollified).  I’ll actually be doing a significant amount of writing this afternoon, so have no fear—we’ll back to the more-or-less regular schedule tomorrow.

As I noted in yesterday’s lazy post, I’ve been fairly swamped at work, and ended a long week with two very long days.  I spent most of Saturday lounging like Goethe, alternating between reading, napping, and eating.

I wasn’t completely useless.  I finished composing for my next major release, Four Mages.  It’s a collection of fantasy-inspired instrumental music, with nine of its ten tracks corresponding to different fantasy archetypes (each with their own color).  The titular mages are “Red Mage,” “Blue Mage,” “Black Mage,” and “White Mage.”  The other tracks (in no particular order) are as follows:

  • “Pink Princess”
  • “Purple Prince”
  • “Green Knight”
  • “Yellow Knight”
  • “Brown Friar”
  • “The Blind Prophet”

That album will hit Bandcamp and all streaming services (sans Spotify) on Thursday, 2 May 2024—exactly halfway to Halloween!  It seemed an appropriate time to release a fantasy album.

Of course, if you haven’t picked up Epistemology, please give it a listen.  You can purchase a digital download via Bandcamp for $5.

You can also listen to the full thing on YouTube for free:

You can listen to Epistemology on YouTube Music and Apple Music, too.  It’s even on Amazon Music—cool!

Thanks for your patience—and please give my tunes a listen.  Every stream helps!

Happy Sunday!

—TPP

March 2024 Bandcamp Friday; Epistemology Out Today!

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The future of Bandcamp Friday is a bit up in the air, but we’re living in the present here at The Portly Politico, and today is Bandcamp Friday!  That means Bandcamp waives their share of any purchases made on my Bandcamp page today (Friday, 1 March 2024), so it’s the best possible time to buy my music if you want to support yours portly.

Even better:  I have a new album out today!  You can pick up Epistemology for $5.  It’s ten tracks of original instrumental music.  Your digital purchase includes not just the music, but also full scores for every song; music videos for each piece; handwritten manuscripts for most of the pieces; and exclusive artwork (including artwork to accompany every piece on the album).

There’s a lot to dig into in this release.  The title track, “Epistemology,” is a multipart suite for clarinet, bass clarinet, and piano exploring various philosophical theories about how we know what we know.

If you’re feeling generous and want my entire catalog of fourteen releases, my entire discography is half-off.  That’s fifteen releases for $28.39, or $1.89 per release.

Tight on cash?  No worries—you can listen to Epistemology on any streaming platform (except for Spotify), and all the tracks are on my YouTube page (you should subscribe to that, by the way—it’s free!).

I’m excited about this release, and I appreciate your support.

Happy Listening!

—TPP

TBT^2: Composing Humorous Miniatures

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I’ve been writing a lot about my composing lately, which might be wearing down my readers.  However, I have two updates on that front to sweeten the pot:

  1. My latest release, Epistemology, hits streaming platforms and Bandcamp tomorrow, Friday, 1 March 2024
  2. I have some tentative inquiries from at least two parties interested in commissioning original works from yours portly

I don’t have much more on at the moment, but one of those commission will be paid, and involves composing for various flutes.  The other commission will be for an online friend of mine.

As for , I’m quite excited for this release.  It features some bold tracks, particularly the lengthy title track, “Epistemology.”

My latest bout of composing started last August (2023), but it was predated by a round of piano compositions dating back to February 2022.  That resulted in P​é​ch​é​s d​’​â​ge moyen.  I’m still planning to put together Red Tardy Slip Compositions, but I’ve tabled it for the time being to focus on more electronic works.

Here’s to composing!

With that, here is “TBT: Composing Humorous Miniatures“:

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Lazy Sunday CXL: Firefly Dance Tracks, Part III

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On Friday, 2 February 2024 I released Firefly Dance, my latest collection of original digital compositions.  It’s a fun album, and I’m pleased with how it came out in the end.

You can purchase and/or stream Firefly Dance through the following services:

Of course, if you’ve been reading the blog regularly, I’ve been posting sneak peeks of the album since late November.  So for the next few Sundays, I’ll be featuring past installments of Open Mic Adventures that highlight the tracks:

Enjoy—and, if you do, maybe consider spending $5?

Happy Sunday—and Happy Listening!

—TPP

Other Lazy Sunday Installments:

Lazy Sunday CXXXIX: Firefly Dance Tracks, Part II

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On Friday, 2 February 2024 I released Firefly Dance, my latest collection of original digital compositions.  It’s a fun album, and I’m pleased with how it came out in the end.

You can purchase and/or stream Firefly Dance through the following services:

– Bandcamp ($5!): https://tjcookmusic.bandcamp.com/album/firefly-dance
– Apple 🍏 Music: https://music.apple.com/us/album/firefly-dance/1724130522
– YouTube 📺: https://youtube.com/playlist?list=OLAK5uy_k5xlOgwiUIFHGrMXpJ4bjmKHGGepfpCYM&si=U5tXOlFABVRwmA-E

Of course, if you’ve been reading the blog regularly, I’ve been posting sneak peeks of the album since late November.  So for the next few Sundays, I’ll be featuring past installments of Open Mic Adventures that highlight the tracks:

  • “Open Mic Adventures LIX: ‘Listless Chorale’“ – At the time of writing, this track has 366 views on YouTube, which is kind of ridiculous (but I’m not complaining).  An attempt at a chorale, which I called “listless” because it doesn’t seem to go anywhere (except back to the tonic, eventually).
  • “Open Mic Adventures LXIII: ‘FRANTIC!!’“ – And “FRANTIC!!” has 316 views, which is even more ridiculous.  Again, I’m not complaining.  In fact, I kind of want this track to reach an absurd degree virality—perhaps to become an instrumental “Rick Roll” for nerds.  The piece is written to be intentionally annoying and anxiety-inducing for both the listener and the musician.   I think I succeeded.
  • “Open Mic Adventures LXIV: ‘Snowfall’“ – This piece is actually good—but only has 43 views.  Not bad, but it could be better.  It’s an experiment with an Eb whole tone scale, and depicts a pleasant snowfall.

Enjoy—and, if you do, maybe consider spending $5?

Happy Sunday—and Happy Listening!

—TPP

Other Lazy Sunday Installments:

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SubscribeStar Saturday: Four Mages

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Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

I’ve been composing like a madman lately, so much so that my brother is calling me the “Stephen King of Composing,” not because my pieces are particularly horrifying, but because I am slamming them out with the speed and consistency of the great horror writer.

I’ve just released Firefly Dance, which is on every streaming service other than Spotify.  You can even find it on YouTube.  I have another release coming on 1 March 2024, Epistemology; subscribers can listen to the title track here.

I thought I’d take a short break from composing, but within a couple of days I was back in my music journal and Noteflight, composing new works.  In the process, I’ve stumbled upon my next project:  Four Mages.

I started with composing two pieces in my music journal, “Blue Mage” and “Red Mage,” which I then polished and altered in Noteflight.  That start got me the idea that I needed a “White Mage” and a “Black Mage” to accompany those pieces.

Here’s a video version of “White Mage,” which I think is my favorite so far:

To read the rest of this post, subscribe to my SubscribeStar page for $1 a month or more.