What happens when you take a timeless classic, toss in a bunch of lesbians, and make the main antagonistic a knife-wielding killer? Well, besides describing most modern Disney films, you get It’s a Wonderful Knife (2023).
What happens when you take a timeless classic, toss in a bunch of lesbians, and make the main antagonistic a knife-wielding killer? Well, besides describing most modern Disney films, you get It’s a Wonderful Knife (2023).
Sometimes I fill in for our chaplain at school, which I always treat as a humbling opportunity to share some bit of biblical wisdom with our students. I can only pray these seeds fall onto fertile soil and bear fruit:
Happy Sunday!
—TPP
Other Lazy Sunday Installments:
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Has anyone else noticed how boring politics has become? I don’t mean to imply that nothing is happening—I mean, we had a Speaker of the House fired for the first time in American history a couple of months ago—but it all seems so… dull.
If everything was hunky-dory, it would be fine for politics to be boring. Indeed, it would be great—we want to live in a world where the issues that face us are so miniscule, we can elect boring people to administer boring, predictable law and order.
But the opposite is the case. Everything sucks. Our government is wildly oppressive. Our institutions can’t pave the roads adequately, much less govern the country. People aren’t allowed to say anything reasonable in public without losing their jobs. Inflation is through the roof. Wages are stagnant. China owns everything. Our leaders want to drag us into wars in Eastern Europe and the Middle East that involve ancient clans battling over ancient grievances. Peaceful protestors—actual ones, not progressives robbing their local Wendy’s—are in federal prison without trial because they were invited to walk through the Capitol Building.
In spite of all of that, politics is boring. I think I know why.
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Today is the day of our big Christmas Concert at school. It’s incredibly fun and incredibly stressful, but if everything has gone according to plan, it should go smoothly. It’s worth it to see the kids singing and playing and having a good time.
As I’ve grown older and, arguably, more professional (and almost certainly more ornery and ill-tempered), I’ve scaled back a bit of the theatricality and bombast of the Christmas Concert to something a bit more manageable. Gone are the days of singing while standing on a piano (I did that once, years ago). I also strive to make the concert focused on the kids and Jesus.
One big change this year is that our Dance and Choral students won’t be performing, because they had their performances as part of the Middle School Play last Friday. The Foreign Language Students will still get up there and belt out Christmas tunes in various languages.
I’ll be doing a full write-up one Saturday (possibly tomorrow) covering it, but for today, just pray for yours portly. I’m confident it will be a good concert, I just gotsta get through it!
As a preview, here’s what my students are performing:
Merry Christmas!
—TPP
My students have their big Christmas concert tomorrow, and while we’re not performing “O Little Town of Bethlehem” on this year’s program, there’s quite a bit of pressure to get everything sounding and looking good! Like most folks, I don’t like stress, but it’s amazing how it forces us to get stuff done—and to make it even better!
The story of “O Little Town of Bethlehem” is relatable to songwriters, but I think speaks to all of us who have had to create or complete something with a ticking clock and high expectations. “It takes pressure to create diamonds,” they say, and the frantic, last-minute composition of “O Little Town of Bethlehem” is a testament to that principle.
With that, here is 15 December 2022’s “TBT^4: O Little Town of Bethlehem and the Pressures of Songwriting“:
Good old Ponty has graced us with some Christmas cheer this year with an uproarious and penchant sendup of one of my favorite Christmas movies—and, yes, it is a Christmas movie.
I can’t reveal much more in this intro, so I’ll hand it over to Ponty, who reviews a film that would make Kathleen Kennedy week in the knees:
Amid last week’s chaos I managed to squeeze in a little composing one night. I was messing around with yet another waltz in my music journal, which I then edited quite a bit once I got into Noteflight and started putting in the notes.
I did not start out with German potato salad (the meaning of “Kartofelsalat”) as what I hoped to portray musically. I was just scribbling around, and when it came time to assign my little piece a title, “Kartofelsalat” popped into my head. It perhaps makes sense: it sounds funny, it’s vaguely German (this waltz has a bit of a German flare to it), and it’s a mix of various musical ingredients, much like the delicious side dish.
Hollywood is in a weird place right now. All of the major franchises and studios are bombing at the theaters. The Marvel Cinematic Universe used to be a money-printing machine; now, it’s dropping like Iron Man in Avengers: Endgame (2019). Disney is sinking faster than The Little Mermaid‘s hometown. Star Wars is exploding as if a couple of proton torpedoes hit its reactor core.
At the same time, there have been some major prestige films that have done well with critics and audiences alike. Oppenheimer (2023) became a cultural phenomenon due to its release alongside Barbie (2023). Martin Scorsese’s Killers of the Flower Moon (2023) is earning accolades.
Now there’s another nearly-three-hour-long flick charging cinemas, and it’s quite good: Ridley Scott’s Napoleon (2023).
Yours portly is in the midst of his busy Christmas performance season, and wistfully dreams of blowing hours of his life conquering the world as various historical leaders. I haven’t had much time for world conquering, but I’ve certainly written about the legendary Civilization games for years now. Here are my posts about this beloved franchise:
Happy Sunday!
—TPP
Other Lazy Sunday Installments:
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It’s the busy Christmas season for yours portly, and last night I made it over the first of two major humps before Christmas break: the Middle School Christmas Play. The next hump is the Christmas Concert for my own students, which is this Friday, 8 December 2023, in the morning.
There is a tremendous amount of work that goes into the play, as our school particularly loves to stage light-hearted musical comedies. You wouldn’t think that a musical would involve substantially more tech setup than a typical play, but it makes the work exponentially more challenging.
The Drama teacher this year did a fabulous job, and created one of the most tech-heavy productions I’ve been involved with so far. It was a multimedia extravaganza: songs, choreography, videos, backing tracks, lights, around twenty-five microphones (stationary/hanging mics, floor mics, individual headset mics, wireless handhelds, etc.), and more.
Here is a panoramic view of my sound booth about ninety minutes before the play:

The astute observer will note two sound boards/mixing consoles, plus a lighting controller, as well as my $80 refurbished laptop, which does fine if I’m just cuing backing tracks, but otherwise runs like a potato powering a lightbulb. There’s also the spotlight, two lighting trees with around ten lights each, and a projector screen. During the production my student assistant and I had to move a projector into place, along with a auxiliary cord running to a DI box, which fed via XLR (microphone) cable to a “snake” onstage, which ran all the way back to us at our booth. We also had to move a baby grand piano (don’t worry—it was on wheels)!
Setting all of this stuff up is stressful, because it’s usually done in fifty-minute snippets of planning periods. But the finished product is worth it.
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