Tag: music education

Phone it in Friday XXVIII: Christmas Concert

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Today is the day of our big Christmas Concert at school.  It’s both my favorite and least favorite day of the year, because while the concert is incredibly fun, it’s also incredibly stressful.  It’s worth it, though, to see the kids singing and playing and having a good time.

As I’ve grown older, fatter, and achier, I’ve scaled back a bit of the theatricality and bombast of the Christmas Concert to something a bit more manageable.  Gone are the days of singing while standing on a piano (I did that once, years ago).  I also strive to make the concert focused on the kids (well, and Jesus).

Still, it’s a lot to pull together, with not only my two classes (the middle and high school ensembles) but also two choirs, three dance classes, and six Foreign Language classes.  I’ve completely eliminated solos (outside of soloists on songs within these classes) to streamline it as much as possible.

I’ll be doing a full write-up one Saturday (possibly tomorrow) covering it, but for today, just pray for yours portly.  I’m confident it will be a good concert, I just gotsta get through it!

Merry Christmas!

—TPP

TBT^4: Hand it to Handel

The Portly Politico3 Comments

Autumn is here, and it’s a time for music!  There is something about the fall that makes music even better.  Sure, summertime is for outdoor concerts and music festivals, but I find music sounds better in the fall.

There is some science behind this feeling:  sound waves travel farther in colder weather.  It has something to do with air particles being further apart in the cold, so sound waves can keep going.  I’m sure I’m explaining it incorrectly, and I’m too lazy to look it up, but just trust me on this one.

Unfortunately, I am no longer teaching the Pre-AP Music Appreciation course that saw me steeped in the best that medieval, Renaissance, Baroque, classical, Romantic, and modern composers had to offer.  That doesn’t mean I have to stop enjoying these composers, though!

One of my all-time faves—and a composer who is quintessentially English, even if he’s German—is George Frideric Handel.  His works are among the finest from the Baroque period.

With that, here is 18 November 2021’s “TBT: Hand it to Handel“:

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Lazy Sunday CLXIX: Even More Halloween Hijinks: The Musical

The Portly Politico2 Comments

Happy All Hallows’ Eve Eve!  It’s the day before Halloween, one of my favorite holidays of the year.

Naturally, I needed to highlight some spooky posts, but I did many of those back in “Lazy Sunday LXXXIV – Halloween Hijinks” and “Lazy Sunday CXXXVII – More Halloween Hijinks.”  So I decided to go with some Halloween posts with a more musical flair:

Happy Halloween!

—TPP

Other Lazy Sunday Installments:

Open Mic Adventures XI: Spooktacular Supergroup Covers “Monster Mash”

The Portly Politico13 Comments

The third front porch Spooktacular was a smashing success (at least according to my mom, my girlfriend, and me—a pretty unbiased group, yeah?), with many of my private music students taking the stage to share their talents.  Even a few former students, now off to bigger and grander things, stopped by to sing a song or two.

As is tradition at these events, I invited anyone with an instrument or a voice to join us on stage for a couple of songs.  By the time I offered up this invitation, most of my younger students and their families had left, but several were still around.

From those remaining—two bassists, a guitarist, two piano players, a singer, my niece, John (on acoustic guitar) and myself (on drums)—we formed an ad hoc supergroup.  One of my younger students—the young man who walks Murphy for me while I’m at work—took lead on the vocals, and really nailed it.  He sounds like a younger Bobby Pickett!

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TBT: Mahler’s Composing Shack

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We’re getting into the time of year when my personal creativity seems to spark.  I should be way more productive creatively in the summer, when I enjoy loads of unstructured time, but I find that I work better in the constrains and confines of a busy schedule.  For whatever reason, that extra pressure helps me to eke out, if not diamonds, then at least some lesser gems.

One well from which I have drawn some considerable inspiration the last couple of years was my Pre-AP Music Appreciation class.  It was a broad survey of Western music from the medieval period to the present, with a strong emphasis on the Baroque, Classical, and Romantic periods.  Due to a combination of scheduling difficulties and lower enrollment last year, the class did not run this year.

On the one hand, I’m thankful—it’s given me more time to focus on other endeavors.  On the other, I do miss the almost-daily baptism in the works of some of the greatest composers in the Western canon.

One element of the course that was particularly intriguing was learning about the lives and creative processes of the composers.  Many of them lived quite tragic lives; others (rarer, it seems, among composers) lived quite contentedly.

Gustav Mahler seemed to have developed a nice little work routine, as detailed in this post from October 2021.  I like the idea of having a stripped-down cottage by the sea, with a healthy breakfast brought to me as I work.  Sounds like the good life!

With that, here is 13 October 2021’s “Mahler’s Composing Shack“:

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Homecoming Week Grind

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Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

The end of The Age of The Virus has brought about a return of “normalcy,” as then-candidate Warren G. Harding famously said during the 1920 presidential election.  Normalcy is good, and I welcome it.

Granted, the world of today is not the same as the world of The Before Times, in the Long, Long Ago.  Widespread lunacy seems to constitute “normalcy,” and the sane among us must do our best to endure it.

But if the The Virus fundamentally transformed the assumptions of our civilization—fear trumps freedom; coercion trumps liberty—the outward trappings of “the good old days” still stretch a thin facade of fun over the face of a conquered people.

So it was that my school celebrated its annual Homecoming this past week.  It was fun, but fun can be a grind!

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Phone it in Friday XXVII: Virtual Learning Hurricane Holiday

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Hurricane Ian has been battering Florida, and South Carolina should be experiencing the effects of said battering today, albeit to a vastly diminished degree.  The weather is calling for high winds and lots of rain, but nothing that seems (to me, anyway) particularly dangerous.  I just wouldn’t recommend hanging out underneath any old trees.

Naturally, the slightest degree of inclemency prompts the shuttering of all operations for those of us in the cushier fields like education.  Fear of the “L Word”—Liability—means my administration has opted to close the school today, lest some witless teen driver find himself, wheels spinning, in a watery ditch.

Of course, in this post-The Virus era—here in The Days After The Age of The Virus—there are no longer inclement weather “holidays,” as there were in The Before Times, in the Long, Long Ago.  Now we can hop seamlessly online, teaching and learning from the comfort of our couches.

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Hustlin’ with Private Lessons

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The school year is back in full swing, and with the brief respite of Labor Day behind me, it’s a long stretch of mind-molding from here until Thanksgiving.

Fortunately, the school year means music lessons, and music lessons—as one former colleague, now retired, frequently reminds me—mean money.

I don’t love money, but I certainly need it.  And I love teaching music lessons, so it’s a happy way to bring in some extra bacon while also teaching kids (and adults!) to make music.  There are few things I enjoy  more than nurturing a love of music; if I make a few quid in the process, well, all the better!

The Lord has blessed me with an abundance—perhaps an over-abundance—of lessons.  At the time of this writing, I am sitting at twenty-six lessons a week across twenty-four students.  Scheduling has been a bit of a nightmare, but I think I have it largely figured out (of course, whenever I think that, some conflict arises and I have to play scheduling roulette—ha!).

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Phone it in Friday XXIII: School’s Back!

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School’s back, baby!  We resumed classes Wednesday, 17 August 2022, a full sixteen days after the poor unfortunates in my county’s public schools resumed (they started back on Monday, 1 August 2022; while the school district has transitioned to a “semi-year-round schedule,” as they call it, it still seems borderline criminal to start school that early).

Just like last Friday’s post, I’m actually filing this one early; indeed, I’m writing it the day before school resumes.  As such, I can’t comment on how this first, abbreviated week has gone, but I can give some insights into what we’re planning on doing, and how I’ve prepared for the start of this year.

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SubscribeStar Saturday: Summer Camps 2022 Reviews

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Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.

I spent the first three weeks of summer break running camps:  two sessions of the popular Minecraft Camp, and one session of the far-less-popular Rock ‘n’ Roll Camp.  These camps make up a substantial portion of my summertime earnings, and so are an important revenue stream for yours portly during the otherwise lean summer months.

In this post, I’ll discuss each camp briefly, then break down the financials, and how I netted (after expenses, but before taxes) $1965.64 across roughly forty-eight working hours.

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