Gnostic Mysteries

There is something appealing about possessing some bit of secret knowledge or trivia that is unknown to everyone, save a select few “initiates” fortunate enough to partake in the mysteries.  The seductive allure of secret knowledge—or of just being “in-the-know” about some microniche subculture—seems to be a part of human nature.

We’d like to think in our modern age that we’re not superstitious sorts, but we are haunted everywhere.  Scientists have elevated themselves to the level of priests in a cult of scientism, worshipping the emptiness of nihilistic materialism just as the pagans worshipped lifeless idols.  Both are made of stuff—hard, material, unfeeling, insensate stuff—and both are equally empty.

But we here on the Right can fall prey to Gnostic fantasies as well.  The Libertarian dreams of a utopia in which everyone engages in frictionless free exchanges and all uncomfortable disputes are settled with cash and self-interest.  He’s as materialist and deluded as the mask-wearing mandatory vaxxer preaching loudly from the Church of Scientism.  The hyper-nationalist dreams of some impossible ethnostate that never really existed in the first place.  And so on.

Still, it’s seductive, the idea that we can possess the knowledge of good and evil, of true Reality.  After all, that’s the original sin, isn’t, it?  Eve, then Adam, could not resist the allure of being—so they were told, dishonestly—like God.  But even—perhaps, especially–Christians can fall into this trap.

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Monday Morning Movie Review: Portly’s Top Ten Best Films: #9: Uncle Buck (1989)

This week’s film is going in my slot, but I think it deserves to be much higher.  I’ve been busy, though, and have not painstakingly plotted out my top ten, as I’m sure Ponty has done.  Instead, I’m going week-by-week with my favorites, including those that are top-of-mind for me.

That said, I love this film, and once this list is finished, I might have to edit the order to the “real” one.

Regardless, it’s my distinct pleasure to review one of the best family comedies ever written, John Hughes’s incomparable Uncle Buck (1989):

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Lazy Sunday CLXIII: More Movies, Part XXVII: Ponty’s Worst Films, Part III

We’re nearing the end of this long retrospective of mine and Ponty’s lists of the ten worst films, and back to Ponty this week.  His excoriation of Elf (2003) nearly landed me in hot water with my girlfriend’s family, who thought I wrote the review!  Here is what I did write about Elf:

Elf is one of those movies I’ve never seen in its entirety, but I know about all-too-well [sic].  It seems that every girl I’ve ever met loves this movie, but not just with some yuletide enthusiasm; they act like it’s the greatest Christmas film ever made.

Well, it turns out I was right; my girlfriend, her sisters, and her mom were none-too-pleased (is “none-too-pleased” another [sic]-able abuse of hyphens?)!  They acted as though I’d blasphemed Jesus (or that Ponty did).

Well, blogging is all about churning up some controversy, right?  I imagine they’d be a bit more amenable to Ponty’s next three picks (although Titanic might bring about more howls of female outrage—I’ll report back in a week, if I’m still alive after they read this preamble!):

We’ll look at my -#2 picks next Sunday, then close out with our picks in the final Lazy Sunday post in the series.

Stay tuned—and Happy Sunday!

—TPP

Other Lazy Sunday Installments:

SubscribeStar Saturday: Martha’s Migrant Crisis

Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.

Apologies for the delayed post this morning, readers.  After a particularly grueling (but productive!) week and around three hours of sleep, I wasn’t prepared to write a post Friday night, and instead dozed off on the couch watching a Spanish-language horror movie.  —TPP

The big news this week is that Florida Governor Ron DeSantis sent a few dozen illegal immigrants to an upscale island vacation destination on the taxpayers’ dime.  Normally, I’d see this move as what these things usually are:  another example of scofflaws getting rewarded while the law-abiding foot the bill.

But these are not normal times, and the cost to Florida taxpayers was well worth the message sent:  if you progressive elites like illegal migrants so much—often at the expense, in terms of treasure and blood, of the naturalized and native-born citizens you’re sworn to protect—then surely they won’t mind a few dozen border hoppers lounging around Barack Obama’s palatial estate.

For conservatives out there concerned about the cost of these illegal immigrant vacation junkets, think of it as part of the State of Florida‘s advertising budget:  instead of spending money warning people to look out for cyclists or some other wasteful public service announcement, Floridians are getting a major return on their advertising dollars.  The speed with which the Martha’s Vineyarders (Vineyardians?) expelled the dusky hordes from their sleepy progressive utopia is an object lesson in how little elites really believe anything they say.  It’s also a pretty effective way of highlighting, on a small scale, what border towns experience every day, and to a far greater magnitude.

To read the rest of this post, subscribe to my SubscribeStar page for $1 a month or more.

Phone it in Friday XXV: Spooktacular 2022 T-Shirts

The 2022 Spooktacular is coming up on Saturday, 15 October 2022, which means it’s time to have some t-shirts made up.

This year, I’m debating between two designs:

The white image is a vampire playing a bass guitar (which he is apparently hypnotizing).  The caption on the bottom reads “Blood-Suckingly Spooky Rock ‘n’ Roll.”

The yellow image is a spider whose legs make up notes on a treble clef staff.  His caption reads “Venomously Good Rock ‘n’ Roll.”

The vampire could also be made yellow (or any other color).

So, I’m asking readers for your input:  which design do you prefer?  I’ll probably only make one this year, and I’ll use reader feedback to decide which one to order.

Thanks for voting!

—TPP

TBT: The Frisson of the Night

The night has always been a time of excitement, a time when—as I wrote a year ago—music “lives.”  There’s something exhilarating and fun about the night, which is why I chose the word “frisson” to convey the tantalizing possibilities of the night.

I’m more of a morning person these days, rising early, well before the dawn.  Well, isn’t that just another way of saying “the late, late night”?  There’s not much exciting happening at 5 AM (other than reading the Bible and talking to God), but it’s still pretty dark out.  Try waking up then and you’ll see!

Still, there is a real appeal to the night.  I’m at my most alert and mentally focused in the morning and—you guessed it—at night.  Afternoons would be naptime for yours portly, if I had my druthers—and a schedule that permitted it.

Regardless, night is when everything interesting happens.  It’s the time when things go bump.  It’s probably when Bigfoot comes out to play, too.

With that, here is 15 September 2021’s “The Frisson of the Night“:

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Son of Sonnet: Change

I approached the poet Son of Sonnet about writing a little something for the slowly approaching autumnality that I crave, and after demurring initially, he popped out this little gem about the changing of the seasons—of the world, to be sure, but also of our lives.

I’m always eager for fall weather, but Son’s poem is a good reminder that we always forget the lows that come with each season, instead focusing on the highs.

Perhaps that’s not all bad; after all, how else are we to endure the heat and humidity of summer if we don’t forget them briefly and think about the pool parties and barbecues instead?

With that, here is “Change” by Son of Sonnet:

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Open Mic Adventures VII: “Suite: Judy Blue Eyes”

It’s been a few weeks since I’ve been able to make it out to open mic night, but I’ve built up enough of a back catalog, I still have some goodies to share.

My schedule has been bonkers lately, especially with lessons, and interim reports are due this week.  I’ve also been on the road a great deal lately, so everything is a bit tight at the moment.

Fortunately, I have a real gem for your listening pleasure this week:  a cover of “Suite: Judy Blue Eyes” by Crosby, Stills & Nash.

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Monday Morning Movie Review: Ponty’s Top Ten Best Films: #10: A Quiet Place (2018)

The Top Ten Best Films list now jumps over to Ponty, who I believe is enjoying a much-deserved holiday this week (although that was possibly last week).  Here’s hoping he’s enjoying some peace and quiet.

Speaking of quiet, Ponty’s first pick for his list is a film that explores a terrifying world in which staying quiet is the only way to stay alive.  If only students were similarly terrified into shivering silence.  Oh, well.

It’s a wonderful picture—one of my favorite recent films, too—and a very intriguing concept, executed extremely well.  I could say the same thing about this review, which is exceptionally thorough and interesting (and has me wanting to go back and watch 1963’s Jason and The Argonauts).

With that, here is Ponty’s review of 2018’s A Quiet Place:

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Lazy Sunday CLXII: More Movies, Part XXV: Portly’s Worst Films, Part II

As Ponty and I are digging into what we consider to be the best films off all time, I’m continuing looking back at our major blogging project for most of 2022:  our lists of the Top Ten Worst Films.  Here’s are my next three picks from that long list:

Happy Sunday!

—TPP

Other Lazy Sunday Installments: