For the first time in four years, I’ve finally written and debuted a new song! “1001 Arabian Nights” comes from some recorded ideas I’ve been sitting on for years, but I finally worked everything out and added some new verses.
For the first time in four years, I’ve finally written and debuted a new song! “1001 Arabian Nights” comes from some recorded ideas I’ve been sitting on for years, but I finally worked everything out and added some new verses.
I’ve just got a couple of more open mic nights before I get into my school year schedule and become a slave to the grind, but I’m going to do my best to keep pumping out the goods. This time in two weeks, I hope to have a new song uploaded for your delectation; stay tuned.
In the meantime, I’m continuing my deep dive into my obscure deep cuts, songs that I’ve never managed to get recorded in a studio. Some of these songs are very good; some need some polish. Whatever the case, I’m realizing that I have enough material for another EP, and I might need to get back into the studio.
This week’s feature is “Parada.” I wrote “Parada” in 2015 during a particularly fertile period of open mic attendance. The Spanish word “parada” roughly translates to “stop” or “bus stop/station” in English. I wanted to capture the notion of lingering in a moment—stopping a poignant moment in time, trying to freeze it in place as long as possible.
June is nearly over, and July starts tomorrow. I’ll be hitting the road for a week in Indianapolis to visit my older brother, which means I’ll probably get another poorly-selling travel book out of the deal—maybe something like Midwestern Musings, Washingtonian Woes. Of course, I need to finish my series on the wild, stressful trip to Washington, D.C., from this March. For whatever reason, I just haven’t had it in me to continue writing that saga, even though the best (and, at the time they occurred, the worst) parts are yet to come.
But I digress. In the spirit of shameless self-promotion, here’s another edition if YouTube Roundup, in which I showcase some of my recent YouTube uploads. Feel free to follow my YouTube page. Watch a video, like it, leave a comment—whatever you’d like. I upload approximately once a week, sometimes more.
It’s been refreshing to get back out to open mic nights and to do some live performances again. In the spirit of getting back out and playing again, I’m digging deep into my back catalog and playing some really obscure originals.
My mind is also percolating for the first time in years with ideas for new songs. Here’s hoping I have some time to sit down at the keyboard and do some actual writing and composing. Sure, I’ve been composing a great deal of instrumental music lately, mostly for the piano, but I haven’t written a proper song since about 2019.
That said, at last week’s open mic I decided to pull out a really old piece, one I wrote way back in 2010, called “Quasi-Date.”
Last week I wrote a short post about Saturn’s (extremely slowly) disappearing rings. In that post, I referenced one of my songs, “The Rings of Saturn,” which I wrote way back on 7 August 2015.
Naturally, that got me thinking: I should record that for Open Mic Adventures! “The Rings of Saturn” is one of my personal favorites of my original tunes, but I wrote it after the release of Contest Winner EP, and I’ve never made it back into the studio. It didn’t help that my life and work grew exponentially more demanding in those years, but I also went through a long spell of creative dryness that never fully relented.
That said, it was time for “The Rings of Saturn” to make its official Internet debut (and its YouTube debut).
It’s another Exam Week, a welcome respite after two weeks of madness. Proctoring exams is a pain, but it’s the kind of tedious pain that we’re all used to enduring from time to time. Fortunately, it’s basically two hours of boredom at a time, followed by frantic grading. The sooner that’s done, the sooner Christmas Break can truly begin.
I’ve been thinking quite a bit lately about how pressure creates diamonds. I was incredibly, almost superhumanly productive in the two weeks after Thanksgiving because I had to be. I was putting in twelve-to-sixteen-hour days to get everything done, and while I was exhausted, I felt like a champion.
Then this last Saturday I had an endless day before me, and accomplished almost nothing. Part of that was recovering from the craziness of the week before; part of it was woman problems (the greatest drain on energy and resources); part of it was the lack of anything to do. I understand why retirees die within six months if they don’t find something productive to do—I was starting to think that all my endeavors meant nothing (maybe they do mean nothing, but as a Christian I know they do; if they didn’t mean anything, it’s all the more reason to keep myself moving so I don’t have time to dwell on The Darkness).
Anyway, that pressure can create Beauty. All this pressure has had me thinking about Neo’s comment on my post “You’ll Get Everything and Not Like It“: “I always remember that our soldiers in France in 1944 had a saying, ‘The road home goes through Berlin’. Berlin is on all of our ways home.” That’s the end of a very long and poignant comment, but those two sentences say it all.
With that, here is “TBT^2: O Little Town of Bethlehem and the Pressures of Songwriting“:
On last week’s Open Mic Adventures post, Ponty noted that there aren’t many Halloween songs, while Christmas enjoys an embarrassment of riches in that regard.
That got me thinking: I should showcase my Halloween song here on the blog! Fortunately, I played it—“Ghostly“—back on Tuesday, 18 October 2022.
The cavalcade of friendship continues this Sunday with three more posts. Apparently, I’ve given musician, actor, and international playboy Frederick Ingram a lot of screen time in Supporting Friends Friday, but all of this weekend’s friends have enjoyed two or more Friday shout-outs:
Happy Sunday!
—TPP
Other Lazy Sunday Installments:
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Well, here we are—the final installment of Behind the Songs. I’m wrapping up this extended, self-indulgent walk through my debut EP, Contest Winner EP with the final and title track, “Contest Winner.”
“Contest Winner” is probably the first track I wrote for the EP, long before I ever conceived of releasing an album or EP of my own. If I’m not mistaken, it dates back to 2012, so it’s ten-years old this year.
I wrote the song for my very first songwriting contest, figuring that I might as well as be confident.
It did not win the contest, but it did win the People’s Choice Award. And it spawned an era of artistic inspiration—and a lot of songs.
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Apologies to readers for the slight delay with today’s post. It was a grueling but productive week, and after teaching eighteen lessons in five days to seventeen students (and it would have been twenty lessons and nineteen students, were it not for The Virus), I fell asleep a little before 8 PM last night, and slept until around 7 AM this morning.
Today’s post is the penultimate in my Behind the Songs miniseries. I’ve been going through the stories behind each of the six songs on my debut EP, Contest Winner EP. With “Funeral Pyre,” the fifth track, we’re nearly through the entire release!
I often conceive of “Funeral Pyre” as a companion piece to “Ghostly,” which I covered in detail last week. Both are unusual songs, and it’s pretty easy to link ghosts and funerals thematically.
I thought I’d written “Funeral Pyre” last among all the songs on the EP, but it appears that I wrote it roughly three weeks before “Ghostly.” Both tunes date to January 2014—6 January 2014 for “Funeral Pyre,” and 30 January 2014 for “Ghostly,” according to the original lead sheets.
Regardless, the two songs share some similarities. Besides the thematic similarity, both are fairly dark in tone compared to the other songs on the EP. They also were late additions: originally, I think I was just going to record “Hipster Girl Next Door,” “Greek Fair,” “By the Light of the Laptop Screen,” and “Contest Winner,” and release a single.
But a gnarly ice storm meant that my recording session was delayed, and I wrote “Funeral Pyre” while sitting at home in my tiny apartment in Florence, South Carolina, while the world was covered in ice. I was supposed to go that night to start recording the record, but the foul weather meant a postponement, which allowed time to write the song and, it seems, “Ghostly.”
One other similarity: “Funeral Pyre” and “Ghostly” are the songs from the record I play live the least. “Ghostly” does enjoy a lot of playtime during the spooky season, but for many years, I neglected “Funeral Pyre” in my live sets.
As we’ll see, I now think that was a mistake.
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