TBT: Preserving Old Varieties

On Saturday I wrote a bit about an arrangement my neighbor and I have regarding my fig trees and grapevines:  I grow them, he picks them—and makes them into delicious preserves.  He’s also provided me with heirloom broccoli plants, which I shamefully think have largely died (though two stalks have somehow soldiered on through the hot summer months; I’m surprised they survived the heat!), and he grows an impressive garden himself.

So when casting about for this week’s TBT feature, this post about the Bradford watermelon—a variety thought lost to the world—fit neatly with what was already fresh on my mind.

There is so much variety out there compared to what the supermarkets put on offer.  We’d probably all be a lot happier and a good bit healthier if we tried some of these old varieties.

With that, here is 24 August 2021’s “Preserving Old Varieties“:

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Midweek Myers Movie Review: The Lion in Winter (1968)

As Ponty and I have been going through the worst movies ever, it seems like a palette cleanser is in order.  Too much of a good thing is a problem, but too much of a bad thing is probably worse (by definition, I suppose it is!).

Thanks to good ol’ Audre Myers, we have a reminder that plenty of good—indeed, great—things have been imprinted on celluloid.  Not every film is a woke stinker with a strident “strong female character” who lacks any flaws or shortcomings.

Indeed, this film demonstrates how really to write a “strong female character”—and it was released in 1968!  I thought those philistines were still dragging women to their caves by the hair back then.  Well, they don’t come much stronger than Eleanor of Aquitaine; portrayed by the hyper-patrician Katharine Hepburn, 1968 Hollywood would run circles around Brie Larson.

Well, enough of my pontificating.  Here’s Audre Myers’s—our own “strong female character” here at TPP—and her exquisite review of 1968’s The Lion in Winter:

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Open Mic Adventures IV: KISS’s “I Still Love You”

Last Tuesday I forewent my usual trip to F.E. Pop’s to take an end-of-summer trip to Benjamin’s Bakery in Surfside Beach, South Carolina to play their new open mic night.  My girl lives down that way, and she’d never seen me play live before (although I send her videos of my pianistic noodling on a regular basis), so we decided to take advantage of this opportunity for her to hear me play a few tunes.  It was a fun evening, and a great opportunity to meet some new musicians in a different town.

Unfortunately, my girl was so enraptured watching me perform (and a little girl grabbed her attention for about half of my mini-set), she didn’t take any video of my powerful coffee shop crooning.  That performance is now lost to the mists of time (although I will always remember it; I hope she does, too!).

As such, I’m going back to the night of Tuesday, 26 July 2022, featuring a duet with my buddy John Pickett.

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Monday Morning Movie Review: Portly’s Top Ten Worst Films: #2: Star Wars: The Rise of Skywalker (2019)

We’re nearly at the bottom, and my pick for this week—2019’s Star Wars: The Rise of Skywalker—probably is a bit of a giveaway as to my Number 1 pick.

The Rise of Skywalker is the final film in the Star Warssequel trilogy,” itself a bloated mess of plot holes, Mary Sues, wooden characters, and destroyed legacies.  It’s not the worst film in the trilogy, but it’s pretty dang close.

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Lazy Sunday CLVII: School, Part I

Aside from a fairly early issue of Lazy Sunday about education, I haven’t really done one about school.  Now that I’m back to work, it seemed like a good time to revisit some timeless classics about education, school, etc.:

  • Back to School with Richard Weaver” (and “TBT: Back to School with Richard Weaver” and “TBT^2: Back to School with Richard Weaver“) – I used to reread at least the introduction to Richard Weaver’s seminal Ideas Have Consequences, probably the most powerful book I’ve ever read (besides the Bible).  I haven’t read it in some time, but I think it’s time to pick up this old chestnut again.
  • First Day of School 2019” – Ah, yes, the 2019-2020 school year—easily the most unusual school year any teacher has experienced, with the possible exception of 2020-2021.  I was absolutely burned out by the time The Age of The Virus hit in mid-March 2022, and it ended up being a bit of a silver lining (with all due respect to those who suffered and even died because of it).
  • SubscribeStar Saturday: Returning to School in The Age of The Virus” – I grew so accustomed to the freedom of working from home, I was actually really dreading returning to school for the 2020-2021 school year.  It wasn’t that bad overall; 2021-2022 was much more difficult.  But it was certainly an unusual—an unprecedented!—time to be a teacher.  I still feel sorry for those who entered the profession this year.

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

SubscribeStar Saturday: The Second-Hand Economy

Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.

A neighborhood friend of mine and I have worked out an arrangement regarding my fig tree and grapevines:  I provide the fruit, he provides the jelly (before he gets angry, let me clarify that he actually makes preserves, and they’re delicious).  It’s a pretty good deal for me:  he and his son come by and pick figs (and grapes, soon), converting them into delicious preserves, which I enjoy after the fact.  All I do is keep the plants alive and give him access to my property.

Earlier this week, he and I spoke for a bit after he and his son partook in some morning fig harvesting (God is Good—it’s been a bumper crop this year, and the figs haven’t gone entirely to the birds and the beetles).  We talked about the figs and the muscadine grapes that will be ready for harvesting soon.  In doing so, he pointed out all of the possibilities in our neighborhood for similar collaborations:  those with some resource or item (in my case, figs and grapes), and those with the time and inclination to put them to use (in this case, my neighbor making preserves from them).

In years past, I’ve shamefully let my figs go unharvested, letting the brown birds and beetles strip the tree of its fruit before I could get to it.  One year I managed to get maybe a half-pound of figs from the tree, but my own negligence, coupled with a busy schedule (not to mention South Carolina’s intense summertime heat) has dissuaded me from picking the luscious fruit.  Even having gotten the fruit, I’m often at a loss as to what to do with it, other than pop full figs into my mouth.

Thus, the magic of this arrangement:  my neighbor has the time and the knowledge to put my resources to use; I simply have the resources.  He gets a good portion of preserves, and I get to enjoy some jars, too (and they’re really good preserves).

Regardless, in discussing the beauty of our arrangement of the possibility of other such collaborations around the neighborhood, we also discussed how much stuff—not just fruits and vegetables, but just sheer, material stuff—is just sitting around, unused, waiting to be put to some higher purpose—if only someone with the know-how, time, and ability could come along and put it to use.

The possibilities exist for an entire second-hand or recycled economy.  How often have you driven past someone’s home—usually way out in the country somewhere—to find their yard or a half-open shed full of goodies untouched by human hands (even if touched quite extensively by the ravages of time)?  But that junk—one man’s junk is a another’s goodies, I suppose—is actual, usable stuff—it can be put to good use.

In an age of hyperinflation, the expansion of a second-hand or cast-off or recycled economy takes on a whole new level of attractiveness.

Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.

Phone it in Friday XXI: Gratuitous Back-to-Work Self-Promotion Bonanza!

Well, it’s not Bandcamp Friday, but it is the first Friday of the month, and my first day back to work.  Why not celebrate both “occasions” with some shameless self-promotion?

You might say, “Well, because no one wants to read an ad,” but all I hear is, “Take my money, Portly—please!”

Here are the goods:

If enough of y’all buy my stuff, I might be able to retire… or just not have to work quite so much.

Eh, who am I kidding?  I’ll still do that.

Thank you for your support!

—TPP

TBT^2: Back to the Grind 2020

Well, tomorrow I head back to work.  Classes don’t start for nearly another two weeks—I guess in thirteen days—but I’ll be back in endless meetings, OSHA training, and AFLAC presentations, followed by a lot of registration stuff.

The last couple of school years were really a slog, especially last year, when we were kind of getting back to normal, but still dealing with the inconvenience of Virus-related mitigation measures.  I’m praying this year for some sanity—no masks, no vaccination passports.

Well, teaching always includes some insanity.  It keeps the job fresh, and keeps us young (while simultaneously aging us rapidly, it seems).

I’m not sure how I’m spending this last day of summery freedom—probably writing blog posts and teaching lessons!—but Summer 2022 has been a pretty good one all around.

With that, here is 12 August 2021’s “TBT: Back to the Grind 2020“:

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Son of Sonnet: Summer Nights

We’re in the waning days of summer—at least, of glorious summer vacation—and I wanted to commemorate these fading, waning days with some poetry.

Ergo, I commissioned Son of Sonnet to twenty-three-skidoo up some summertime poetry.  Of the two themes I requested, the second was “The Hazy Nostalgia of Late Summer” (the first was “Back to School”).

There’s something about intense humidity and sunlight at 9 PM that conjure up heady memories of better times.  Son captured that beautifully in this poem.

With that, here is Son of Sonnet’s “Summer Nights”:

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Open Mic Adventures III: Joanie Sommers’s “Johnny Get Angry”

Well, it was inevitable: after getting the early 1960s Joanie Sommers tune “Johnny Get Angry” stuck in my head, I had to cover it myself.  The version that really got me into this song is from the 1990 film Nightbreed, specifically the Clive Barker-approved director’s cut.  Other versions of the film apparently were missing the song—performed by actress Anne Bobby in the role of heroine/love interest Lori Winston—which is a travesty, as it’s really key to highlighting the struggle inherent in Lori and Boone’s relationship in the flick.

Here’s that version:

The Anne Bobby/Nightbreed version is the one I used as the basis for my own performance.  Instead of the iconic kazoo solo from the Sommers original, I replaced it with a classic late 1950s/early 1960s voiceover part after the key change.

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