September 2022 Bandcamp Friday: Bandcamp Friday is Back!

Just in time for Labor Day Weekend the waning days of summer, Bandcamp Friday is back!  The first Fridays of September, October, November, and December 2022 will see the return of this pro-indie music observance, a day on which Bandcamp waives its usual 15% commission on sales.

In other words, when you buy my music, almost 100% of it goes to me, instead of almost 85%.

While I haven’t released any new music lately, I managed to release two short collections of music in AprilPéchés d’âge moyen II: One Week in March and The Lo-Fi Hymnal IIAll of my releases are just a buck each, though you’re welcome to pay more if you’d like to help out yours portly.

Currently, my entire discography of ten releases is $6.50, a savings of 35%, which is not bad for ten releases.  That’s $0.65 per release—not too shabby!  To purchase the full discography, click on any release, and you’ll see the option to purchase all of them.

I’m also selling all of my paintings for $10, with free shipping in the United States, regardless of how many you purchase.  They’re one of kind, so once a painting is purchased, it’s gone.

Finally, my book The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot is $9.80 in paperback, and I think the Kindle version in the United Kingdom is on sale this weekend (I think; I can’t figure out how to check that promotion again—d’oh!).  If it is, it’s just £1!

Well, that’s it for this month’s sales pitch.  Thanks again for your support!

Happy Friday!

—TPP

Lazy Sunday CLII: Frederick Ingram, Part II

We’re back for another Sunday of Ingramania, the musical sensation that is sweeping the nation (or, at least, the half-dozen people that read this blog on Sundays).  Here are the next three juicy posts about the incomparable Frederick Ingram:

Thus ends our two-part retrospective on all things Frederick Ingram.  Here’s hoping we hear more from him soon!

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

July Self-Promotion Bonanza

It’s definitely not Bandcamp Friday, but it is the first Friday of the month during the slowest blogging time of the year and the start of a major holiday weekend, so why not hard sell my various products and services?

It’s a TPP total liquidation sale!  Everything in stock must go!

Here are the goods:

  • The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot Kindle edition is available for just $0.99 through Independence Day!  That’s 81% off the usual list price of five bucks.
  • MAGAWeek2022 starts on Monday, the Fourth of July!  It’s a week of posts celebrating the people, places, things, events, and ideas that made America great!  For just $1 a month, you get access to every post over at my SubscribeStar Page—plus posts every Saturday year-round!
  • For a limited time, all of my releases on Bandcamp are $1 each—including Contest Winner EP!  The full discography is available for $6.50—35% off.  That’s on top of the $1 per release sale.  The full discography usually retails for around $26.48, so that’s a total savings of around 74.5%!
  • I’ve got a bunch of paintings waiting for good homes with good walls.  They’re all $10!

That’s it for now!  I’ve got some projects in the works, so stay tuned for some more updates.

Remember, buying stuff—especially from your friendly neighborhood blogger—is the American thing to do.

Happy Independence Day!

—TPP

Lazy Sunday CLI: Frederick Ingram, Part I

As I’m considering retiring Supporting Friends Friday—at least for a short while—I realized I’ve dedicated quite a few posts to my good buddy Frederick Ingram—six, to be exact!

That’s the perfect number to eat up a couple of Lazy Sundays honoring my musical homeboy:

That’s it for this first installment of Ingramania.  Stay tuned next Sunday for Part II!

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

April Bandcamp Friday: Péchés d’âge moyen II: One Week in March

Today’s post is no April Fool’s joke:  I managed to eke out another release in time for the April Bandcamp FridayPéchés d’âge moyen II: One Week in March.

It’s half the tracks of Péchés d’âge moyen, which was not my original intent.  I’d hoped to record at least another ten, but with time dwindling, I opted instead to record the five pieces I wrote the week of 14-18 March 2022.

I managed to compose one piece each day that week, and it was an eventful one:  Pi Day (14 March), The Ides of March (15 March), and Saint Patrick’s Day (17 March) all fell within days of one another.

The track listing is as follows:

  1. Pi Day” (Monday, 14 March 2022)
  2. The Ides of March” (Tuesday, 15 March 2022)
  3. Downpour” (Wednesday, 16 March 2022)
  4. Saint Patrick’s Day Jig” (Thursday, 17 March 2022)
  5. An Impressionist’s Friday Afternoon” (Friday, 18 March 2022)

There’s also a bonus track version of “Pi Day,” which I recorded at school on a Baldwin Acrosonic spinet piano (the same piano used in Péchés d’âge moyen.  Again, I’d hoped to record the whole thing on there, but it just wasn’t possible given time constraints and work commitments.  Instead, I played the tracks on my Casio CDP-S100.

And, if you’re feeling really generous—or would like something pretty to hang on your walls—I’m selling the one-of-kind painting I used for the album cover.  It’s called “Springtime.”

Finally, there’s all of my other great music.

Happy Listening!

—TPP

March Bandcamp Friday: New Release!

After a lot of frantic composing and sloppy recording, it’s here: Péchés d’âge moyen, my short collection of twelve original piano miniatures.

My self-imposed deadline was today, the March 2022 Bandcamp Friday.  I made it—barely!

The total recording clocks in at just six minutes and thirty-five seconds, but I’ve jam-packed this release with bonus features:  videos, original manuscripts of each piece, and a PDF booklet detailing the origins of the project.  It’s not bad for $5 (although that comes out to approximately $1.43 per minute if you just listen to the album once).

I also had a blast putting this recording together.  The feel of putting pen to paper is just so satisfying, and each little bit of written music is like its own little work of art.  One reason I included the manuscripts with the recording is because they’re beautiful to look at—even with my poor penmanship.

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Supporting Friends Friday: Frederick Ingram’s “Yesterday’s Weather”

My good friend and fellow musician Frederick Ingram released a hot new LP (really a “double EP”), Initial Exposure, back in December.  It’s a great album, and I’m going to review it soon(ish).

But today, I wanted to look back at one of his older songs, from Frederick’s Elements.  This single/EP has always held a warm place in my heart.  I remember playing some Christmastime gigs with Frederick when he released this little recording, and I still find it enjoyable.

It’s not just nostalgia for younger, slimmer days and more musically ambitious times.  It’s a good recording.  The lead-off single, “Carolina Sands,” is a highly listenable song about the beauty of South Carolina.  But for all of its radio-friendly qualities, I find it is now my least favorite track on the release (which, to be clear, does not mean it is a bad song—it’s very good!).

That distinction likely goes to “Yesterday’s Weather.”  The track features Frederick’s characteristically enigmatic songwriting and ability to craft hypnotic grooves against naturalistic metaphors.

It’s a song about lost love, all framed in terms of hot (or cold?) fronts and currents:

I highly recommend listening with good headphones; it really captures the sonic subtleties of the piece, as well as the droning, persistent bass line.

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The End of Bancamp Friday

Well, all good things must come to an end:  much to my readers’ relief, I’m sure, Bandcamp Friday has come to an end.

Since March 2020, Bandcamp has dedicated the first Friday of most months to Bandcamp Friday, a day when the service waived its share of proceeds paid for musicians’ music.  That meant that musicians got almost the full value of the sale, minus whatever PayPal takes out.  In other words, a musician who sold his entire discography for $19.98 (like yours portly) would receive almost all of that amount, as Bandcamp waived its customary 15%.  That’s $3 more going to the musician; over, say, ten transactions, that adds up to real money.

For now, though, it looks like it’s over.  Bandcamp introduced Bandcamp Friday as a way to help musicians during The Age of The Virus, when most venues were shuttered and musicians couldn’t play gigs.  No gigs, no merch and CD sales.  No sales, no money.  My performance royalties—never a huge source of income, but a nice extra couple of hundred bucks, dried up almost completely in 2021 (royalties are paid on such a long delay, it wasn’t until 2021 that I experienced the effects of having not played my original music live in 2020).

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Supporting Friends Friday: Frederick Ingram’s “Initial Exposure”

Just last week I wrote about my friend Frederick Ingram‘s new Christmas jam, “Jesus of Nazareth (Walked into a Bar).”  What I didn’t realize is that the tune was a part of a new album—really a double EP—that Frederick has been quietly assembling.

(Note that I’ll refer to Frederick Ingram as “Frederick” here on out, as I know him personally and consider him a friend.  I know the standard is to use the artist’s last name in subsequent mentions, and if some big city alternative paper picks up this review, I’ll happily edit it accordingly.  For this blog, though, I’m keeping it on a the first-name basis. —TPP)

The record—which drops today!—is Initial Exposure, and it combines tracks from two EPs from earlier this year:  June 2021’s Initial Exposure and November 2021’s Culture Exposure (which features the song about Jesus delivering His Message in a hopping nightspot).

I’ll confess that, at the time of writing, I have not listened to all of the ten tracks on the LP (but I did buy it on Bandcamp!), though I have heard several of them before, both live and recorded versions.  As such, this post is not a review of the album, per se, but instead a way to help give Initial Exposure some, uh, initial exposure.

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Supporting Friends Friday: Frederick Ingram’s Christmas Groove

Today is the day of the big Christmas concert at school, and despite some moments of despair earlier in the week, I am feeling cautiously optimistic about the whole thing.  The kids are going to do a wonderful job, I am sure; I’m more worried about getting all of the tech stuff done in time, but it will happen, one way or another.

That said, it’s going to be a short Supporting Friends Friday this week—at least for me.  You, dear reader, get to listen to six minutes and twenty-four seconds of an excellent new Christmas track from my good buddy Frederick Ingram.

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