Here We Go Again: Yet Another Bandcamp Friday

Happy Good Friday, readers!  Not only is it the day Christ gave His Life for our sins, it’s also—say it with me now—yet another Bandcamp Friday.

I’m not going to belabor all the statistics about the hard times musicians have endured in The Age of The Virus; you can read all about that in last month’s Bandcamp Friday appeal.  Instead, I’ll cut to the chase and let you know all the great ways you can support the blog, my music, my book (now on Kindle), or even just me.

For one, I have some intriguing merch available.  I’m currently offering two completely original doodles, “Bird of Paradise” and “Bleeding Heart,” for just $10 each.  There are no other physical copies in existence, so you’d own these lovingly doodled marker pictures—and no one else.  They make great “bathroom art”—the kind of thing that would look good in a guest bathroom, or maybe a tacky beach house.

I’m also clearing out the last few remainingFlamin’t-shirts for $15 (plus $5 shipping).  These shirts are rare and I won’t be making any more of them.

Most obviously, because it’s Bandcamp Friday, Bandcamp is waiving the commission it takes on sales of musicians’ work TODAY, Friday, 2 April 2021.  You can pick up my entire discography for $19.98 (or more, if you feel so inclined), a full 35% off the price of buying each album individuallyTo purchase the full discographyseven releases in total—you can view any of my albums (like Electrock EP: The Four Unicorns of the Apocalypse) and find a button/link that reads “Buy Digital Discography” (unfortunately, there’s no way to supply that link directly).

You can also purchase albums individually, either at their listed price or higher.  Here are my seven releases, in chronological order:

An easy (and free) way to support me is to “follow” my Bandcamp page and my Amazon author page.  I post updates about new merchandise, new music, and other interesting offers about once a month to the Bandcamp page, and new books will pop up on my Amazon page as they’re published.  It’s a good way to keep up with the latest news on my musical adventures.

Another free way to support me is to turn off your ad-blocker.  The site delivers several thousand ad impressions monthly, but most of those are blocked, which means they don’t pay out.  You can usually find the ad-blocker as a little widget or icon in the upper-right-hand side of your browser; click on it and it will usually give you the option to “pause” or stop the blocker from running on this site.  I know ads are annoying, but seeing a few DuckDuckGo ads helps out in an incremental way.

Even if none of that entices you, no worries!  I’m just glad to have you here, reading my self-indulgent garbage and my lengthy advertisement posts.

Happy Friday!

—TPP

More Hustlin’: Another Bandcamp Friday

It’s another Bandcamp Friday, which means if you buy my music today, Bandcamp doesn’t take their cut, which means I’m dedicating yet another post to pitching you my tunes and my merch (and my SubscribeStar page).

I make this appeal once a month or so, so I don’t want to sound like a broken record (no pun intended), but The Virus has really hit musicians hard over the last year.  My royalty payments from ASCAP in 2021 (based on performances in 2020) will be virtually non-existent (I usually bring in around $200-300 in performance royalties annually from my writer and publishing accounts—not much, but it helps), because there were virtually no performances last year.  Besides lost royalty payments, there’s the lost revenue from gigs, tips, and music lessons (the last of which is, thankfully, picking back up considerably—praise the Lord!).

Last May readers responded to the call and bought my tunes (you can pick up the entire discography for $19.98—a 35% discount, my biggest discount yet).  If you’d like to support independent musicians, today is a great day to do it, as I’ll take home (nearly) 100% of the purchase.

I also have some interesting merch available.  I’m currently offering two completely original doodles, “Bird of Paradise” and “Bleeding Heart,” for just $10 each.  There are no other physical copies in existence, so you’d own these lovingly doodled marker pictures—and no one else.  They make great “bathroom art”—the kind of thing that would look good in a guest bathroom, or maybe a tacky beach house.

I’m also clearing out the last few remaining “Flamin’” t-shirts for $15 (plus $5 shipping; the featured image for this post is on the shirt).  These shirts are rare and I won’t be making any more of them.

An easy (and free) way to support me is to “follow” my Bandcamp page.  I post updates about new merchandise, new music, and other interesting offers about once a month.  It’s a good way to keep up with the latest news on my musical adventures.

Another free way to support me is to turn off your ad-blocker.  The site delivers several thousand ad impressions monthly, but most of those are blocked, which means they don’t pay out.  You can usually find the ad-blocker as a little widget or icon in the upper-right-hand side of your browser; click on it and it will usually give you the option to “pause” or stop the blocker from running on this site.  I know ads are annoying, but seeing a few DuckDuckGo ads helps out in an incremental way.

Of course, you can always take the plunge and subscribe to my SubscribeStar page.  It’s very affordable and grants you access to exclusive posts on Saturdays (and bonus content for $5 and up subscribers).  It’s also the easiest way to support the site on a recurring basis.

Finally, you can send a one-time tip as well; thank you to those of you who have done so.

If you can’t afford to support the site, no worries!  I’m thankful to have you here.  You can always share my posts with friends, family, and other like-minded folks.  And I always love comments and words of encouragement—as well as suggestions about the kinds of content you’d like to see.

Thank you again, as always, for your support.

Happy Listening!

—TPP

TBT: O Little Town of Bethlehem and the Pressures of Songwriting

Christmas is looming large—a mere eight days away—and I have been enjoying an unexpectedly quiet exam week.  After returning from Orlando Monday evening, I’ve enjoyed some sleepily productive time at home, writing Christmas postcards and letters, watching movies, and enjoying the warm glow of my Christmas tree.  I’ll be spending next week with family, and all the hustle and bustle of my niece and nephews, so this quiet time at home has been a welcome calm before the joyous storm.

Despite the lack of serious deadlines (other than waiting for final exams to roll in so I can grade them), I’ve managed to get quite a bit done, and I hope to get a bit ahead on the blog.  I enjoy writing daily posts, but it’s nice knowing I have a few posts squared away some days in advance, as it relieves some of the pressure to produce.  I’ll be doing more throwback posts and the like as Christmas approaches, as it’s the time of year when we’re all scaling back our efforts and taking a bit of a break.

That all goes to the point of this TBT post, “O Little Town of Bethlehem and the Pressures of Songwriting.”  The story behind the sweetly iconic carol is one of last-minute inspiration and hasty songwriting.  There is something about the intense pressure of a time-crunch that turns the coal of writer’s block into glistening diamonds.  Not every songwriter works this way, but I know for myself that a hard deadline does wonders for motivating this songwriter’s pen.

Indeed, during the height of distance learning in the spring, I fully anticipated I’d be churning out new hits, maybe even finalizing a long-delayed follow-up to my piano-and-vocals debut, Contest Winner – EP.  Instead, I squandered my newfound time (well, “squandered” is a strong word—I quite enjoyed taking that time to work on the blog, to travel, and to do the other things I’m usually unable to do).  Without a deadline pushing me to create, I didn’t get anything done!

Or maybe that’s just my excuse.  Regardless, I imagine it’s something many songwriters can relate to, and it’s certainly the story behind “O Little Town of Bethlehem.”

With that, here is December 2020’s “O Little Town of Bethlehem and the Pressures of Songwriting“:

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The Virus and Live Music: The Story of The Roasting Room Lounge

Christmastime always puts me in a musical mood, as blog posts this week suggest.  Christmas is the perfect season to illustrate the power of music, as so much wonderful music has been written about Christ’s Birth.

In The Before Times, in the Long, Long Ago, before The Age of The Virus, it was also a lucrative season for musicians.  Other than wedding gigs (a market I haven’t managed to crack into yet), nothing pays better than a Christmas party.  They’re fun, full of free food, and they pay well.  The spirit of free-flowing generosity (and the generosity of free-flowing spirits) results in some warm winter paydays.

Of course, this year has been particularly tough for musicians, as I’ve detailed many, many times before.  Revenues from private lessons and gigs seem to be bouncing back (at least for me), and the struggles of The Virus brought forth a burst of generosity.  Bandcamp Fridays really helped inject some much-needed cash into the coffers of independent musicians (myself included).

Musicians have also had to get creative.  That’s why I hosted my annual Spooktacular from my front porch.  Venues are constrained by various local and State laws (and sometimes dictatorial edicts) limiting their capacities, and many eateries have been slow to resume live shows.  That’s created real limitations on venues and artists, but it’s also opened up opportunities.  My Spooktacular was mildly profitable, but it also brought people together for desperately-needed fun and camaraderie (and put a few bucks into the pockets of the musicians involved).  I don’t know if that model will endure once The Virus is defeated, but it’s something for musicians to consider in this strange new world.

But for all I’ve written about the damage The Virus has caused to musicians’ finances, I haven’t looked at the impact on venues at all.  That’s an unfortunate oversight on my part, because a venues’ success or failure can directly impact that of an artist.  Many musically-inclined venues are coffee shops or small restaurants, so they largely cut live music as they went to take-out-only and delivery formats.

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Support Indie Musicians

The TL;DR takeaway of today’s post:  times are tough for musicians, and you can help.  You can purchase my music on Bandcamp today (Friday, 1 May 2020) without Bandcamp taking their 15% commission.  You can also tip me directly via PayPal.  Finally, you can always support the blog—and enjoy exclusive weekly content—by subscribing to my SubscribeStar Page.

Bandcamp is waiving the commission it takes on sales of musicians’ work TODAY, Friday, 1 May 2020You can pick up my entire discography for $15.75 (or more, if you feel so inclined).  To purchase the full discographyseven releases in total—you can view any of my albums (like Electrock EP: The Four Unicorns of the Apocalypse) and find a button/link that reads “Buy Digital Discography” (unfortunately, there’s no way to supply that link directly).

You can also send a digital tip to me directly, if you’re so inclined, via PayPal.

You can also purchase albums individually, either at their listed price or higher.  Here are my seven releases, in chronological order:

So, again, today Bandcamp is waiving the commission it takes on sales of musicians’ work.  That means every purchase made on the site from midnight to midnight Pacific Standard Time TODAY goes completely to the musicians (other than PayPal processing fees)—another 15% in our pockets.

The Age of the Virus has really taken its toll on musicians.  As I wrote last Thursday, a substantial portion of my income in 2019 came from music lessons and gigs—nearly 17% of my gross income for the year.  And as I wrote yesterday, we can’t really gig anymore, at least not in the traditional sense, due to shutdowns.

With The Virus holding full sway over us, shutting everything down, there are far fewer opportunities for musicians to earn a living—except by way of online album sales.

As such, Bandcamp sacrificing that 15% commission is a huge act of charity for its users.  It also means that it’s the best time to support musicians you lovelike me!

Bandcamp gives musicians the opportunity to sell their music in high-quality digital formats directly to fans.  One nifty feature is that artists can offer their entire discography in one go, often at a discount.

To that end, my discography—seven albums, EPs, and retrospectives, spanning fourteen years of artistic development—is on sale for $15.75.  All of it.

Another fun feature is that Bandcamp allows fans to pay more if they so choose.  Indeed, when I announced on my Facebook artist page that the full discography was up for grabs, two fans paid $20 for it.  Some artists have reported fans paying as much as $100 for a single album.  I don’t expect that kind of generosity, but, hey—dig deep.

Regardless, there’s never been a better—or more necessary–time to support indie musicians.  We can’t play gigs.  We can barely teach lessons (some folks are doing so online, but it’s just not the same).

So, any support you can offer is always welcome.  To purchase the full discography, you can view any of my albums (like The Lo-Fi Hymanl) and find a button/link that reads “Buy Digital Discography” (unfortunately, there’s no way to supply that link directly).

Of course, you don’t have to buy all seven albums—it’s just a good deal.  You can also buy individual releases, like 2006’s Electrock Music (ludicrously cheap at $1 for twelve tracks!) or 2007’s Electrock II: Space Rock (just $5!).

To recap, here is my full discography, which is only $15.75 if you buy it together:

And, remember, you can always tip me directly, or via my SubscribeStar page.

Thank you for your support!

—TPP