Tag: live music

Phone it in Friday XXII: Malmsteenian Excess

The Portly Politico2 Comments

This morning I’m recovering from a late night of rockin’ out to the neoclassical metal strains of Yngwie Malmsteen.  At least, I’m assuming I’m recovering—I’m filing this post a day before the concert.

As such, a complete review of the post will be coming next week at some point.  I can only assume the concert was incredible, and that Yngwie showed up on stage, on time.  It’s not the 1980s anymore, so I doubt he pulled any Guns N’ Roses antics and showed up on stage two hours late, but who knows?  If so, you’ll know more next week!

Yngwie Malmsteen championed neoclassical metal back in the 1980s with his band Rising Force.  He revived Baroque and classical works and played them on electric guitar, which is pretty awesome if you just think about it for a second.

Naturally, his sheer technical brilliance gave him a huge head, and that ego was only slightly deflated when he suffered injuries in a car accident that made it difficult for him to play.  To his immense credit—and to our musical delight—he relearned to play, building back the strength and dexterity necessary to ascend to the level of guitar god.

So, since I’m writing this before the concert, I thought I’d share some clips of Malmsteen rockin’ out in his distinctively technical way.

Read More »

Concert Time!

The Portly Politico6 Comments

Tonight my students have their big Spring Concert.  It’s one of the two busiest days of my year (the other being the Christmas Concert), as there is much to be done to prepare.

The students are well-rehearsed and ready to play.  Today will be spend putting instruments on stage, and making sure everything is mic’d up properly.  That’s not difficult to do, per se, but it is quite time-consuming.

There are also a million little details to get sorted:  making sure extra copies of music are run off; ensuring that cables are taped down or covered to prevent tripping; checking the sound levels; making sure students know how to get on and off the stage efficiently; etc.  It’s a lot to do, but the payoff is worth it.

Read More »

Lamar’s Sesquicentennial Celebration

The Portly Politico11 Comments

My little adopted hometown of Lamar turns 150-years old this year, and we’re celebrating!  The town is planning a full slate of events over the next nine months, kicking off with the return of the famous Egg Scramble Jamboree and a community worship service the first weekend in April.  The Egg Scramble usually lasts the entire weekend, but as it’s the first since The Age of The Virus, the committee behind the event is doing a one-day event, dubbed “The Egg Scramble: Over Easy.”

That cracks me up every time.

Longtime readers know that I love festivals and small-town boosterism.  It’s no surprise, then, that I am super excited for all of these events.

Read More »

The End of Bancamp Friday

The Portly Politico25 Comments

Well, all good things must come to an end:  much to my readers’ relief, I’m sure, Bandcamp Friday has come to an end.

Since March 2020, Bandcamp has dedicated the first Friday of most months to Bandcamp Friday, a day when the service waived its share of proceeds paid for musicians’ music.  That meant that musicians got almost the full value of the sale, minus whatever PayPal takes out.  In other words, a musician who sold his entire discography for $19.98 (like yours portly) would receive almost all of that amount, as Bandcamp waived its customary 15%.  That’s $3 more going to the musician; over, say, ten transactions, that adds up to real money.

For now, though, it looks like it’s over.  Bandcamp introduced Bandcamp Friday as a way to help musicians during The Age of The Virus, when most venues were shuttered and musicians couldn’t play gigs.  No gigs, no merch and CD sales.  No sales, no money.  My performance royalties—never a huge source of income, but a nice extra couple of hundred bucks, dried up almost completely in 2021 (royalties are paid on such a long delay, it wasn’t until 2021 that I experienced the effects of having not played my original music live in 2020).

Read More »

SubscribeStar Saturday: Yuletide Mania

The Portly PoliticoLeave a comment

Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

The Christmas season is upon us, and nary did Thanksgiving end did the insane scrambling of the season commence.

Regular readers know I’m a hustler—I’ve always got some moneymaking schemes going:  primarily private music lessons, but also gigging, writing, calling sporting events, staging concerts, selling t-shirts, hawking weird art, etc.  These are all fun activities in addition to being lucrative, but it’s easy for them to get overwhelming, especially when they all hit at once.

Well, Christmastime—at least the first couple of weeks of December—seems to be a time when everything comes to a head at the same time (thus today’s later-than-usual post).  This past week was particularly grueling, with a number of events requiring my attention, sometimes nearly at the same time.

For those interested in the opportunities of perils of juggling different side gigs and responsibilities, today’s post will detail how I managed to teach almost all of my lessons for the week and setup lighting and sound for a pageant; reset that lighting and sound for a play; attended play tech and dress rehearsals; played a dinner at church and will play a longer Christmas set today; rode in a parade; and successfully made it through two stagings of the aforementioned play.

To read more of this post, subscribe to my SubscribeStar page for $1 a month or more.

The Frisson of the Night

The Portly Politico52 Comments

Yesterday I wrote about the joy—the thrill!—of live music.  I’m excited to see it making a comeback after the long, weary months of The Age of The Virus, and hope we will witness a renaissance of live entertainment.

Live music is most at home, I think, at night.  Sure, there are plenty of fine performances that take place during the day, and a talented classical guitarist plucking out Bach’s Bourrée in E Minor adds a bit of classiness to a tony Sunday brunch, but music lives at night.  After all, Mozart composed Eine Kleine Nachtmusik (“A Little Night Music”), not Ein Kleiner Tagmusik.

There is palpable excitement to the night—a delectable frisson, the promise of things to come.  The night is when things happen.  Granted, they aren’t always good things, but they night promises to be eventful.

Read More »

The Joy of Live Music

The Portly Politico44 Comments

Along with our civil liberties, a casualty of The Age of The Virus has been live music.  I’ve written about the strains the lockdowns placed on musicians frequently (including my many Bandcamp Friday posts), and have even hosted two front porch concerts to get around venue closures (and, it seems, the increasing number of venues that simply haven’t restored live music to their operations).

Fortunately, South Carolina is a free State, and live music is making a real comeback.  Indeed, I had the opportunity to hear my buddy, poet Jeremy Miles, play a gig with his new band, Jeremy and the Blissters, at a hopping coffee shop Friday evening.

The experience was electric—and not just because of the piping hot sound system and stacks of amplifiers.  The band—which, in addition to Jeremy, consists of good friends from the local music scene, two of whom have opened my front porch concerts—was stunning and powerful, offering up an eclectic mix of New Wave, punk, pop, acid rock, and more.

Beyond their impressive musical prowess and sweeping repertoire, Jeremy’s group reminded me of how fun live music can be—and how desperately we need more of it to return.

Read More »

Lazy Sunday CXXX: Friends, Part II

The Portly PoliticoLeave a comment

The friendship rolls on this Sunday, as I continue to look back at past editions of Supporting Friends Friday (read last week’s here).  Introducing the (nearly) weekly feature has been a real joy, and it’s quickly become one of my favorite of my regularly recurring series.

The three installments featured this Sunday are a bit of a mixed-bag, unlike last week’s heavily musical selection.  We’ve got a professor and her book of poetry; an organization dedicated to helping bull terriers; and another musician buddy of mine:

Well, that’s it for another Lazy Sunday.  Thank you for being a friend!

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

Tip The Portly Politico:  Support quality commentary on politics, education, culture, and the arts with your one-time donation.

***NOTE: This link is NOT a subscription to my SubscribeStar Page; it is for a one-time donation/tip via PayPal. To subscribe to my SubscribeStar page, use this URL:   https://subscribestar.com/the-portly-politico***

The Return of Bandcamp Friday

The Portly Politico3 Comments

After taking off during the long summer months, Bandcamp is bringing back Bandcamp Friday today, and continuing it the first Friday of every month through the end of 2021.

For those that have forgotten—or steadfastly ignored my many, many, many, many, many posts about it—Bandcamp Friday is when Bandcamp waives the 15% commission they usually take on sales through the site.  So, if you buy, say, Electrock EP: The Four Unicorns of the Apocalypse for $4, I get almost the full $4 (PayPal takes a small cut still), instead of $4 minus $0.60 to Bandcamp.

Another, more dramatic example:  if you buy my full discography at $19.98, Bandcamp doesn’t take their $3 cut, so most of that goes directly to me (again, minus the transaction fee PayPal assesses).

Bandcamp began doing Bandcamp Fridays during The Age of The Virus, when most musicians (myself included) witnessed a catastrophic drop in their revenue.  Venues closed or stopped live music; parents withdrew students from one-on-one lessons; and private parties were cancelled, meaning fewer of those lucrative gigs.  Also, fewer live performances meant fewer royalties for songwriters.

Fortunately, that situation is improving, and people are eager to get out and hear live music again.  Still, pitching in a few bucks helps immensely—and you get some good music in the process, too!

So, on with the sales pitch!  Here are my seven releases, in chronological order:

  • Electrock Music (2006, $5) – Twelve tracks from my senior year of college, all instrumental MIDI tunes.  I gave physical copies to my Fiction Writing Workshop class; I wonder if they still have those little homemade copies.
  • Electrock II: Space Rock (2007, $7) – I’m obsessed with the idea of the sci-fi rock opera (I actually tried to write one for piano and vocals back in 2012-2013, but never finished it)—it’s the most decadent, self-indulgent form of musical expression.  That was the driving spirit behind this rockin’ collection of out-of-this-world jams.
  • Electrock EP: The Four Unicorns of the Apocalypse (2012, $4) – My younger brother introduced me to a song call “Biomachinery” by some melodic death metal band, and the rhythm of that word inspired the lead-off track of this four-song cycle, “Cyborg Unicorn.”  Of course, the instrumental chorus of that track is basically Joan Jett’s “I Love Rock ‘n’ Roll,” so it’s true what they say:  composers swipe from each other all the time.
  • Electrock Retrospective, Volume I: Dance Party (2013, $3.60) – I had a number of tracks stored up for a never-completed Electrock III, so I thought I would begin dribbling them out as part of repackaged “retrospectives.”  This first one, Dance Party, features “Robobop,” which is also a perk for $5 subscribers to my SubscribeStar page.
  • Electrock Retrospective, Volume II: Technological Romance (2013, $2.14) – Technological Romance features “Pwrblld (Ballad II)“—with apologies to Chicago’s “You’re the Inspiration.”
  • Contest Winner EP (2015, $5) – This album is my tour de force.  I recorded it in a real-life studio, overdubbing my vocals with my piano part.  It was an amazing experience, and these tunes are staples of my live shows (especially fan favorites “Hipster Girl Next Door” and “Greek Fair“).
  • The Lo-Fi Hymnal (2020, $4) – I started playing piano at my little Free Will Baptist Church a couple of years ago, and I began taking little recordings of offertory, invitational, etc.  I compiled the four very lo-fi recordings into a short compilation.  I’m hoping to record a second volume at some point.

An easy (and free) way to support me is to “follow” my Bandcamp page and my Amazon author page.  I post updates about new merchandise, new music, and other interesting offers about once a month to the Bandcamp page, and new books will pop up on my Amazon page as they’re published.  It’s a good way to keep up with the latest news on my musical adventures.

Another free way to support me is to turn off your ad-blocker.  The site delivers several thousand ad impressions monthly, but most of those are blocked, which means they don’t pay out.  You can usually find the ad-blocker as a little widget or icon in the upper-right-hand side of your browser; click on it and it will usually give you the option to “pause” or stop the blocker from running on this site.  I know ads are annoying, but seeing a few DuckDuckGo ads helps out in an incremental way.

Even if none of that entices you, no worries!  I’m just glad to have you here, reading my self-indulgent garbage and my lengthy advertisement posts.

Happy Friday!

—TPP