Driving the Georgia Backroads

Murphy and I spent this Labor Day Weekend visiting my girlfriend and her German Shepherd in Athens, Georgia, which is about three-and-a-half hours from Lamar.  As such, I spent a solid seven or so hours on the road this weekend, not counting time we spent tooling around Athens.

For a three-day weekend, that’s not much driving, and I’ve driven longer distances.  Way back in the mists of graduate school, circa 2006 or 2007, I drove from Knoxville, Tennessee to Rock Hill, South Carolina (not far), then from Rock Hill to Richmond, Virginia and back just to see the Trans-Siberian Orchestra with a friend.  She took the wheel only for the last hour of the drive back, and apparently as soon as I got into the passenger seat, I was out cold.

Granted, I was twenty-one or twenty-two at the time.  In the intervening fifteen years, my zest for driving all night to hear live symphonic holiday power metal has waned considerably.  Now I’m lucky if I can make it to 10:30 PM without falling asleep on the couch, my multiple after-school drives to Universal Studios notwithstanding.

But I digress.  While I may lack the stamina of my reckless youth, I do alternatively loathe and appreciate a long drive.

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SubscribeStar Saturday: Educational Tyranny

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Apologies to readers for the delayed post.  After a long but productive week and a drive to Athens—not to mention a late-night dose of NyQuil—I’m getting a late start on this post.

Education is a field that tends towards authoritarianism and centralization, especially when faced with a major problem outside of its usual scope.  The field’s emphasis on safety—understandable given that teachers and administrators work with children—can become, in certain circumstances, pathological.

Schools, especially public schools, sit at the uncomfortable nexus of politics, liability, and conformity.  Various political schemes to improve education often backfire, instead creating onerous additional tasks that rank-and-file faculty shoulder.  Centralization of control at the State and federal levels, rather than aid classroom teaching, often merely force conformity on the profession, while creating unrealistic “benchmarks” that don’t align with local conditions or needs.

The ever-present fear of lawsuits reduces administrators to whimpering toadies, themselves often filled with silly pedagogical theories from bogus education programs.  Educational dogma is fully onboard with social justice foolishness, and education programs are excellent at producing dedicated Cultural Marxists and “activists,” all eager to indoctrinate students into the prevailing cult of groupthink.

Within this milieu is the tendency for professional educators to possess a bit of an authoritarian streak.  There are plenty of good teachers with an authoritative approach to both their subject matter and classroom management (the buzzword for “discipline” or control of the classroom), but some teachers and administrators relish control over their tiny little domains.  Small people ruling small fiefdoms tend to possess rather inflated senses of their own rightness and righteousness.

The Age of The Virus, then, provided the perfect conditions for justifying all manner of policies and procedures that do little to help children learn, but do a great deal to empower administrators, district offices, and the like with the pretexts for depriving students, employees, and parents of any modicum of personal and academic freedom.  The very same forces that would hawk abortions with the rallying cry of “my body, my choice” also gleefully mandate experimental mRNA vaccination regimens and literal muzzles—even for vaccinated employees!

Locally, the Darlington County School District has tied vaccination to COVID leave, an invention of the federal government that allows teachers quarantined or sick due to The Virus to receive paid COVID leave in lieu of their regular sick leave.  Per the article at the News & Press (emphasis added), “‘Some people may think this is controversial,’ Education Superintendent Tim Newman said. ‘Sometimes, you just have to take a stand for what you think is right.'”

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TBT: Things That Go Bump in the Night

Despite my griping about South Carolina weather in yesterday’s post, the first day of September was surprisingly cool and overcast, giving the slightest taste of the crisp autumnality to come.  This time of year always gets me thinking about Halloween and spooky stuff, especially as everything feels more magical.

Our modern minds have diminished and dismissed the supernatural as mere superstition, often accompanied with attempts to explain away supernatural phenomena with explanations that themselves require faith to believe.  That “faith” is in scientism, a counterfeit “religion” built purely on a material understanding of the world.

We see but through a glass darkly.  There is more to our world than meets the eye—more to it than what we can observe.  God tells us much of what is there—at least, what we need to know—and Scripture seems to suggest we shouldn’t go looking for things beyond Him and His Son.

Seems prudent to me.  With that, here is 2 September 2021’s “Things That Go Bump in the Night“:

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Neverending Summer

Yesterday photog over at Orion’s Cold Fire wrote a piece, “The End of Summer,” in which he noted that 1 September marks a psychological shift in our perceptions of the seasons, and even though summer doesn’t officially end until later in the month—and the unofficial end is Labor Day—we tend to associate September broadly with the coming of autumn.

He also goes on to make a lot of important points about the return of political commentary, which historically wanes in the carefree summer months; the continued flight of the middle classes from lawless urban centers; and the general skepticism most Americans hold towards our institutions, which we can no longer trust.  They’re great points and worth considering, but I want to focus on summertime.

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Monday Morning Movie Review: Jakob’s Wife (2021)

I am a great lover of vampire movies and stories, and am always interested to see how filmmakers and storytellers approach the well-worn vampire mythology.  Every vampire story must take time to establish the “rules” of that particular vampiric universe, so the (sub?)genre lends itself to world-building.  Some vampires can survive in sunlight, though uncomfortably; others can endure limited exposure; still others burst instantly into flames.  Some vampires fear the sign of the Cross; others laugh at it mockingly; still others fear the faith in what the symbol represents, but the symbol is rendered powerless without that faith.

Vampire stories also offer the opportunity to explore interesting themes.  Immortality is a common one:  what happens when you have forever to live on Earth?  Anne Rice’s novel Interview with the Vampire (1976) explores that idea in great detail, specifically the ennui and nihilism that come with earthly eternal “life.”  The initial thrill of vampiric power and endless nights of bloody reverie gradually turn to centuries of self-indulgent, murderous moping, as the vampire passively watches the world he loved transform around him into something unrecognizable.

This month, Shudder released a new exclusive, Jakob’s Wife (2021), a feminist-inflected vampire story starring 80s scream queen Barbara Crampton.  While the feminist themes were a bit heavy-handed at points, the film handled the subject matter with a surprising degree of nuance.  Suffice it to say that, like tell-tale two-pronged mark of the vampire’s bite, this film has stuck with me.

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Lazy Sunday CXXVIII: Civilization

Civilization seems to be taking it on the chin lately, with anti-civilizational forces in various forms scoring victories against the civilized world.  The Taliban’s rapid reconquista of Afghanistan following America’s hasty, disorganized withdrawal suggests that a group of motivated cavemen can topple a well-trained, well-equipped, but artificial regime in a brisk weekend.

Within the gates of the civilized world, we’re going in a decidedly Babylonian route, indulging in wildly hedonistic displays of decadence, while ignoring the fundamentals that keep civilization going.  Even the gates are largely symbolic, as we’re allowing in every paleontological throwback, handing them government bennies and free housing in the process.

All that said, I think civilization is worth preserving.  I’ll write about that in a future post.  For now, here are some of my past scribblings on the topic for this mildly gloomy edition of Lazy Sunday:

  • Civilization is Worth It” – Here is my initial case for civilization.  I think this line sums it up best:  “Ultimately, I’d much rather live in a world that produced J.S. Bach than a Stone Age pit full of atonal grunting.  It says something about the state of our civilization that the atonal grunts are back in vogue.”
  • What is Civilization” – This post was based on a discussion between Milo Yiannopoulos and “groypers” Steven Franssen and Vincent James.  The groypers argued that folks should abandon the cities and head to the country.  Milo argued that cities are the heart of civilization, and should be defended.  Both sides make compelling points, though I tend to side with Franssen and James on this one.
  • Rebuilding Civilization: The Hunter-Gatherer” – This post was inspired by an essay by Stuart Wavell entitled “The next civilisation.”  Wavell suggests that in the event of a cataclysmic, apocalyptic-level event, the isolated hunter-gatherers would be the ones to carry on the torch of humanity.

Well, there’s your dose of civilizational analysis for this weekend.  Let’s all do our part to maintain the things that make civilization worth the effort.

Happy Sunday!

—TPP

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SubscribeStar Saturday: Festivals in The Age of The Virus

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Just when we thought life was returning to normal—or, perhaps, when we thought life was being allowed to return to normal—a wacky new variant of The Virus has reared its viral head.  We’re told it’s hyper-contagious, though the fact that it’s even milder than the original recipe is seldom mentioned.  Just as New Coke wasn’t as good as Coca-Cola Classic, so the Delta Variant is a poor imitation of The Wuhan Original.

Well, the sequel is never as good as the original.  Unfortunately, our public health overlords at the Centers for Disease Control and Prevention don’t see it that way.  They and their lackeys in the media are going full-scale alarmist, now recommending even vaccinated individuals to wear masks.

But, wait, didn’t The Vaccine purchase our freedom from masks?  Aren’t masks of dubious effectiveness, anyway?  Well, never mind.  The Cult of COVID holds sway among our ruling class, and they’re never wrong, and certainly never the architects of unmitigated disasters.  Let’s all chant the necessary rites—“Two Weeks to Flatten the Curve!”—“Socially Distance!”—“Wear a Mask!”—and surely St. Fauci will make the necessary sacrifices of civil liberties to appease the angry god COVID.

Among the many casualties of our adherence to this death cult is the many public events, those places where we used to gather to celebrate our shared history, heritage, and culture, and simply have some fun.  As the weather slowly hints towards crisp autumnality, it’s worth considering the fate of our beloved festivals.

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Lazy Sunday CXXVII: Joy, Part II: Music

The first short week of the new school year is in the books, and assuming I’m still alive when this post pops this morning, I survived!

That’s reason enough to be joyful, but in case my survival of a three-day workweek doesn’t inspire you, here are some more “the joy of” posts of a decidedly musical extraction that might:

That’s it for this weekend’s joyful musings.  Here’s to a musically fulfilling Sunday!

Happy Sunday!

—TPP

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Back to School 2021

Well, after starting back to work Monday a week ago, we’re finally back at school today.  We’re one of the latest schools to start back in our area—my county’s school district started back classes last Monday, and Florence County schools resumed on 2 August 2021—but it still seems too soon.  The Florence start date seems insanely early as far as I am concerned, but they’re transitioning to a semi-year-round model, in which the students will get a week off in October and February, as well as some other juicy breaks.

Of course, any time off is never quite enough, is it?  I often find myself thinking, “if I only had one more weekend to finish this up” or “I really need another week of break so I can work on writing.”  That said, during the peak of The Age of The Virus in 2020, when I had virtually limitless free time, I didn’t complete any of the big projects I had set aside for myself.  That puts to the lie the idea that more time necessarily means getting more done.

Indeed, I often find that I am more productive when working against a deadline.  As I’ve gotten older and more experienced—albeit not much wiser—I’ve learned to plan ahead, and to churn out a great deal of work in long stretches of focus, in order to save me some time later.  That’s a necessity with my crazy schedule, and helps keep me from getting caught flat-footed by some unanticipated deadline or task too often.

Regardless, school is starting back today, and things are (mostly) back to normal—no more remote learning, no students tuning in from their cars or bedrooms to class, no more mandatory masks (again, mostly) [update:  we have received word that we are starting the year with masks—nooooo!].  I’m hoping it’s going to be a normal-ish academic year.

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Monday Morning Movie Review: The Man Who Killed Hitler and Then the Bigfoot (2018)

This week’s Monday Morning Movie Review is by special request—sort of:  Audre Myers of Nebraska Energy Observer asked me if I’d seen The Man Who Killed Hitler and Then the Bigfoot (2018), and encouraged me to write a review of it.  She’s also asked me to write a review of 1999’s Bicentennial Man, but I haven’t seen the flick since… well, 1999.  I’ll get around to that one, too, eventually.

But The Man Who Killed Hitler and Then the Bigfoot has the kind of exploitation title I love.  When I first heard about the film (on RedBox), I became obsessed with seeing it.  I remember making a special trip to a distant RedBox kiosk to rent the DVD.

I mean, clearly this flick had to be the greatest movie ever made, right?  What kind of crazy, evil genius cooked up the concept of a man assassinating Hitler and Bigfoot?

Well, it’s not quite the greatest movie ever made—far from it—and the film is way different than what the ridiculous title implies, but it’s still quite good.  Just temper your expectations.

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