Guest Post: By Special Request

Our dear Audre Myers really is the gift that keeps on giving.  After her excellent (and very well-received) post about the Idaho Bigfoot, she sent me a clip of audio of the Bigfoot’s “call.”

My intense love of music, coupled with my growing interest in Bigfoot and cryptozoology, prompted me to ask Audre to consider writing a piece “about the haunting song of the Bigfoot.”

Audre made some noises about doing her best, and I sat back, knowing—like the bloated editor I am—that she would pull through with another excellent post.  I was right.

With that, here is Audre with “By Special Request”:

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Myersvision: Eye on Idaho

I’ve been clamoring for some beefy Bigfoot footage c/o our very own Audre Myers, and she’s satiated my cravings for all things cryptozoological—for now.  If ever there were a better creature to represent manly, protein-rich snack foods, it would be Bigfoot—the perfect, hairy spokescritter for beef jerky.

Perhaps our insatiable lust for marketing is one reason why the great ape-man has been so aloof.  Why reveal yourself to the modern world, a world in which everything, including one’s own identity, is a commodity to be bought, sold, traded, collateralized, and mortgaged?  Better to pee naked and free in the forest than to put on a tie and punch in at eight o’clock for a shift in the cubiclized salt mines.

I imagine Bigfoot would be put to use doing more blue-collar work—lifting heavy objects, for example.  But perhaps Bigfoot is smarter than we realize, if he’s managed to conceal himself from us for so long.

The other, obvious alternative—that he does not exist—is one I’d rather not entertain.  Although dear Audre alleges that I like “to gently tease… and poke” her because of her “98% belief in bigfoot,” my interest in the topic—and my interest in her interest in the topic—is entirely sincere.  Audre is a fascinating individual; her nearly-complete belief in Bigfoot is one of the qualities I find to be the most interesting about her!

But I digress.  Audre’s shared up some tantalizing Bigfoot footage, straight outta Idaho.  Read on:

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Monsters

Back in May I stumbled upon an online culture journal, The Hedgehog Review, a publication of the Institute for the Advanced Studies of Culture.  I don’t know much about either the publication or the IASC, other than they’re based out of the University of Virginia, so I can’t speak to their degree of implicit Leftist infiltration, but default position is that any organization in 2020 that isn’t explicitly conservative is probably Left-leaning.

It’s sad that I even have to make that disclaimer, because some part of me still clings to the old ideal of a broad, humanistic approach to knowledge—that we should examine ideas on their own merits, not on the politics of the entities espousing them.  I still believe that ideal is worth pursuing; I just also believe it is currently dead, or at least on life-support.

But I digress.  The then-current issue of The Hedgehog Review was dedicated entirely to the theme of “Monsters.”  It being the Halloween season, the time seemed ripe to revisit those pieces, and the idea of “monsters.”

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