Myersvision: The Walking Dead

What happens when you consume the same piece of pop culture so many times, you peel back the layers of rotted flesh to discover hidden depths that, on first glance, you missed?

This piece by our dear Audre Myers is a beautiful illustration of that phenomenon.  That said, the series she’s reviewing—yes, as entire, decade-plus-long series—is arguably something more than mere pop culture.  It may represent a work of television art.

The late aughts and early teens of this century saw a golden age of television as an art form.  Outside the confines of a film’s ninety-or-so-minute runtime, television series have the luxury of developing characters across hundreds of hours of screen time and multiple seasons.  Narratives can explore deeper complexity.  Themes can be examined in all their glorious nuance.

I don’t want to give away Audre’s key insight about this show, but I’ll note that I think she is correct.  Let me know what you think in the comments.

With that, here is Audre’s series retrospective of The Walking Dead:

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Monday Morning Movie Review: Portly’s Top Ten Best Films: #5: Back to the Future (1985)

A recent installment of Open Mic Adventures inspired this pick, which I knew would show up on my list somewhere.  I’m not sure where I intended to put it, but I knew it would be in the top five; indeed, it should probably be higher, but it’s fresh on my mind, so I’m putting it at .

The film is one of the enduring classics of the 1980s.  It hit theaters on my half-birthday—3 July 1985—and was ever-present during my childhood on VHS (recorded from television broadcasts, of course).  The film franchise even inspired the name of my old brass quintet, Brass to the Future.

The flick, of course, is Robert Zemeckis’s science-fiction classic Back to the Future (1985).

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SubscribeStar Saturday: Considering Secession

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It seems as though I post about “the s-word”—secession—about once a year (2019, 2020, 2021), and always on Saturdays (two of those posts are behind paywalls for a reason; it’s amazing how charging a buck for something on the Internet is the best way to ensure no one ever sees it).

The recent, abysmal midterm elections got me thinking about the topic again, but what really got the juices flowing was this map my brother forwarded to me:

Secession Sentiment

The map comes from this post at Bright Line Watch, an organization that—so far as I can tell—gauges how the health of “our democracy,” to use the parlance the Left loves so well (it’s pedantic to point out, but we’re a constitutionally-limited federal representative republic with democratic mechanisms—at least, we used to be—not a democracy).  Like most such outfits, I suspect they are institutionally Leftist, but in this case, I don’t think ideology infects their numbers.

Note that 66% of Republicans in the South support secession into a new regional union, spanning from Texas to Virginia (I’d say let’s stop at the border between South and North Carolina, but that’s just me), as do 50% of Independents.  Only 20% of Democrats do, but that makes sense—they’d probably not much like being in a Southern Union dominated by conservatives.

I do think it’s a tad far-fetched to think that 66% of Southern Republicans pine for secession.  Most Republicans I know are still flag-waving Boomer types who worship Abraham Lincoln (what I was until just a few years ago).

Still, (allegedly) 44% of Southerners supporting the idea of breaking out into a thirteen-State union (the old Confederate States of America, plus Oklahoma and Kentucky) is ridiculously high.  It only takes a dedicated minority of 20% to shape policy and push change at a societal level (thus the concepts of the “Silent Majority” versus the “Noisy Minority”), so 44% is more than double that threshold.

Does it mean anything?  Is America headed for The Civil War II?

Disclaimer: I do not want or advocate for a violent revolution; I am merely exploring an issue of growing interest in our fractured political times.  The restoration of true federalism is the preferable answer, but barring that, a peaceful separation of the States could—not necessarily is—another possible outcome that prevents widespread violence and continued tyranny at the national level.

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Trumparion Rising

It’s official:  God-Emperor Donaldus Magnus is running for President in 2024.  It’s a Thanksgiving Miracle!

We all knew this announcement was coming, but making it official seals the deal and ends any lingering speculation.

Here’s another announcement of far less significance or magnitude, but one of importance to yours portly:  The Portly Politico officially and formally endorses President Donald J. Trump in the Republican primaries and for President of the United States.

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SubscribeStar Saturday: Floozies

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Ah, women.  Can’t live with them, can’t live without them.

Literally—without women, the human race would cease to exist.  That many of them are shirking their God-given gift to do so—and a disturbing chunk of those want the Molochian freedom to slaughter their own children—does not bode well for the future of humanity, at least not in the West.

Modern women have bought into a narrative that the path to true fulfilment lies in eschewing marriage and motherhood in favor of a career in graphic design.  Rather than tending to their man and their children, they’ve been duped into thinking it is somehow better to keep some strange man’s calendar, or to dedicate their most (re)productive years to maintaining the social media accounts for some megacorporation.

Of course, men—who perhaps shortsightedly permitted such rights to be extended to the fairer sex—bear all the blame for when things go awry.  There are “no good men” left, meaning something equivalent to “there are no men earning six-figure salaries who are willing to wife me up after spending my twenties riding the carousel of one-night stands and non-committal flings.”  Some men take advantage of this sexually-liberated situation to bed unsuspecting floozies, but many of those same women believe they’re “living their best life” by engaging in multiple sexual liaisons with strange, predatory men.

But expecting women to recognize their folly and to restore themselves and our culture is unreasonable.  As Jack Nicholson’s character said in 1997’s As Good as It Gets, when asked how he writes women so well:  “I think of a man, and I take away reason and accountability.”

In that same film, however, the same character tells former babe Helen Hunt “You make me want to be a better man.”  Do modern day floozies still inspire that drive to improve, to build, to conquer?  Forget Helen Hunt; are there are any Helens of Troy out there?

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Ponty Pans: Halloween Kills (2021)

Halloween might be over—noooooooo!—but the Halloween film franchise will never die—or End, as the latest installment claims.  If you’re like Ponty and myself, you try to watch at least the 1978 John Carpenter classic at least once a year, preferably on Halloween.

Unlike Ponty, I haven’t seen the plethora of sequels, besides—of course—Halloween II (1981) and the unusual Halloween III: Season of the Witch.  I’ve also seen the “soft reboots” since 2018, thought I haven’t seen Halloween Ends (2022) yet.

As Ponty points, I, like many others, will.  I’ll also see Halloween Ends Again or whatever comes out next.  Heck, I’ll probably see Halloween Ends Again III: Season of the Witch: The Musical, with an original score by Andrew Lloyd Webber, including that annoying Silver Shamrock jingle.  These franchises know how to hook in suckers like yours portly, who will never hesitate to drop a $1.25 RedBox coupon to sample some tasty trash.

But I digress.  Ponty asked to take a stab—no pun intended—at reviewing 2021’s Halloween Kills, a film I reviewed last November.  Ponty assiduously avoided my review, so it’s interesting (though not entirely surprising) that we walked away with some similar reflections on the film.  “Evil dies tonight!”—ugh.  How could anyone miss that braying mantra?

Regardless, Ponty’s review goes far deeper than my own, delivered with his own brand of acerbic and longsuffering wit.

On a lighter note, he also includes some pictures from his and Tina’s Halloween festivities.  Well done on the decorations, Tina!

With that, here is Ponty’s review of 2021’s Halloween Kills:

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Myersvision: Eye on Idaho

I’ve been clamoring for some beefy Bigfoot footage c/o our very own Audre Myers, and she’s satiated my cravings for all things cryptozoological—for now.  If ever there were a better creature to represent manly, protein-rich snack foods, it would be Bigfoot—the perfect, hairy spokescritter for beef jerky.

Perhaps our insatiable lust for marketing is one reason why the great ape-man has been so aloof.  Why reveal yourself to the modern world, a world in which everything, including one’s own identity, is a commodity to be bought, sold, traded, collateralized, and mortgaged?  Better to pee naked and free in the forest than to put on a tie and punch in at eight o’clock for a shift in the cubiclized salt mines.

I imagine Bigfoot would be put to use doing more blue-collar work—lifting heavy objects, for example.  But perhaps Bigfoot is smarter than we realize, if he’s managed to conceal himself from us for so long.

The other, obvious alternative—that he does not exist—is one I’d rather not entertain.  Although dear Audre alleges that I like “to gently tease… and poke” her because of her “98% belief in bigfoot,” my interest in the topic—and my interest in her interest in the topic—is entirely sincere.  Audre is a fascinating individual; her nearly-complete belief in Bigfoot is one of the qualities I find to be the most interesting about her!

But I digress.  Audre’s shared up some tantalizing Bigfoot footage, straight outta Idaho.  Read on:

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SubscribeStar Saturday: Disappointment

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Well, the midterm elections have come and gone, and my primary reaction is bitter disappointment.

I’d been tepid about the elections this year, barely taking notice of them, but allowed myself to fall for the “red wave” hype.  In a sane world, that should have happened—a major backlash against inflation and insanity.

Instead, we have a brain-dead automaton in the United States Senate and a lean Republican majority in the House—a majority, I fear, that will be ultimately meaningless.  At the time of writing, the balance in the Senate itself is questionable, and the Democrats may even walk away controlling it—completely the opposite of what we all thought would happen.

I was a fool to get my hopes up about national politics.  Even had the Republicans taken huge majorities, what would have been the result?  Would anything have substantially changed?

Perhaps with time I’ll take a more measured response to events, but right now, it seems like our national republic is a joke, and the American people are addicted to government largesse and cultural degradation.  We don’t want to improve, and we don’t want to be free.  We want to be children, and children can’t govern themselves.

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Election Day 2022

Well, here it is—Election Day 2022.  The much-vaunted midterms have arrived, and it looks like it’s going to be a pretty good day for Republicans.

I’ll admit, I’ve been tuned out from and burned out on politics of late, and while I’m optimistic about today’s results for Republicans, I’m a tad disillusioned with the state of electoral politics generally.  Will a “red wave” result in some meaningful reform this time around, or will GOP Establishment types wrangle the feisty upstarts and neutralize the MAGA Wing?

I’m not a “doomer” by any stretch—I sincerely hope for the latter, and I think it is the future of the Republican Party, if the GOP hopes to survive as a viable political party.  History, however, is not an encouraging indicator.

That said, a sweeping Republican victory is, by any measure, vastly preferable to a sweeping Democratic one.  At worst, I know a Republican House and Senate won’t screw things up further, and may make some marginal improvements; but a Democratic House and Senate, at worst, will double-down on the current insanity of lawlessness and moral relativism.

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TBT^4: Hand it to Handel

Autumn is here, and it’s a time for music!  There is something about the fall that makes music even better.  Sure, summertime is for outdoor concerts and music festivals, but I find music sounds better in the fall.

There is some science behind this feeling:  sound waves travel farther in colder weather.  It has something to do with air particles being further apart in the cold, so sound waves can keep going.  I’m sure I’m explaining it incorrectly, and I’m too lazy to look it up, but just trust me on this one.

Unfortunately, I am no longer teaching the Pre-AP Music Appreciation course that saw me steeped in the best that medieval, Renaissance, Baroque, classical, Romantic, and modern composers had to offer.  That doesn’t mean I have to stop enjoying these composers, though!

One of my all-time faves—and a composer who is quintessentially English, even if he’s German—is George Frideric Handel.  His works are among the finest from the Baroque period.

With that, here is 18 November 2021’s “TBT: Hand it to Handel“:

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