It’s the first Friday of November, which means it’s another Bandcamp Friday! That means it’s the best possible time to purchase my music. Indeed, my entire discography (seven albums!) is just $19.98, a whopping 35% discount (just £14.64 as of 1 November 2021, according to Bing, for my British readers). That’s $2.85 (£2.09) per release, the kind of deal you only get on cassette tapes at the gas station (or from yours portly!).
I’m also sitting on a lot of great, but unsold, Spooktacular merch, including my shocking original painting “The War on Halloween.” If the price tag is too rich for your blood, contact me and we’ll work something out.
It’s also a great time to pick up my debut book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot. It’s just $10 (and available in Britain, too). Christmas is approaching, and it’s a great time to read absurdist, ludicrous detective stories by the fire (or to give as gifts—why not buy four or five copies to hand out as stocking stuffers to your friends?).
Bandcamp began doing Bandcamp Fridays during The Age of The Virus, when most musicians (myself included) witnessed a catastrophic drop in their revenue. Venues closed or stopped live music; parents withdrew students from one-on-one lessons; and private parties were cancelled, meaning fewer of those lucrative gigs. Also, fewer live performances meant fewer royalties for songwriters. It’s only $10
Fortunately, that situation is improving, and people are eager to get out and hear live music again. Still, pitching in a few bucks helps immensely—and you get some good music in the process, too!
So, on with the sales pitch! Here are my seven releases, in chronological order:
- Electrock Music (2006, $5) – Twelve tracks from my senior year of college, all instrumental MIDI tunes. I gave physical copies to my Fiction Writing Workshop class; I wonder if they still have those little homemade copies.
- Electrock II: Space Rock (2007, $7) – I’m obsessed with the idea of the sci-fi rock opera (I actually tried to write one for piano and vocals back in 2012-2013, but never finished it)—it’s the most decadent, self-indulgent form of musical expression. That was the driving spirit behind this rockin’ collection of out-of-this-world jams.
- Electrock EP: The Four Unicorns of the Apocalypse (2012, $4) – My younger brother introduced me to a song call “Biomachinery” by some melodic death metal band, and the rhythm of that word inspired the lead-off track of this four-song cycle, “Cyborg Unicorn.” Of course, the instrumental chorus of that track is basically Joan Jett’s “I Love Rock ‘n’ Roll,” so it’s true what they say: composers swipe from each other all the time.
- Electrock Retrospective, Volume I: Dance Party (2013, $3.60) – I had a number of tracks stored up for a never-completed Electrock III, so I thought I would begin dribbling them out as part of repackaged “retrospectives.” This first one, Dance Party, features “Robobop,” which is also a perk for $5 subscribers to my SubscribeStar page.
- Electrock Retrospective, Volume II: Technological Romance (2013, $2.14) – Technological Romance features “Pwrblld (Ballad II)“—with apologies to Chicago’s “You’re the Inspiration.”
- Contest Winner EP (2015, $5) – This album is my tour de force. I recorded it in a real-life studio, overdubbing my vocals with my piano part. It was an amazing experience, and these tunes are staples of my live shows (especially fan favorites “Hipster Girl Next Door” and “Greek Fair“).
- The Lo-Fi Hymnal (2020, $4) – I started playing piano at my little Free Will Baptist Church a couple of years ago, and I began taking little recordings of offertory, invitational, etc. I compiled the four very lo-fi recordings into a short compilation. I’m hoping to record a second volume at some point.
An easy (and free) way to support me is to “follow” my Bandcamp page and my Amazon author page. I post updates about new merchandise, new music, and other interesting offers about once a month to the Bandcamp page, and new books will pop up on my Amazon page as they’re published. It’s a good way to keep up with the latest news on my musical adventures.
Another free way to support me is to turn off your ad-blocker. The site delivers several thousand ad impressions monthly, but most of those are blocked, which means they don’t pay out. You can usually find the ad-blocker as a little widget or icon in the upper-right-hand side of your browser; click on it and it will usually give you the option to “pause” or stop the blocker from running on this site. I know ads are annoying, but seeing a few DuckDuckGo ads helps out in an incremental way.
Even if none of that entices you, no worries! I’m just glad to have you here, reading my self-indulgent garbage and my lengthy advertisement posts.
Happy Friday!
—TPP
Reblogged this on Whipped Owl and commented:
Who says southern hospitality isn’t really a thing? As I am rather new to this blogging thing, I have been overwhelmed by the support of what I would call my regular followers. One of those is The Portly Politico, from South Carolina, who was one of the first that reached out and corresponded with me. He also featured me in his regular Supporting Friends Friday post that features fellow bloggers, which I greatly appreciate. As part of a type of Pay It Back campaign, I am introducing him here.
The Portly Politico brands himself as ONE SOUTHERNER’S UNIQUE, ERUDITE, CONSERVATIVE PERSPECTIVE IN A HECTIC WORLD. I find him to be a talented and engaging writer whose posts I look forward to reading. He has a Monday Morning Movie Review, with assessments from 1931’s Dracula, all the way to 2021’s Halloween Kills. In fact, I believe if you are a Halloween buff in general, you will find you have plenty in common with him.
Furthermore, TPP is a musician. A link to his bandcamp page is here: https://tjcookmusic.bandcamp.com/community. Anyone who knows me personally is aware how much I respect other musicians and support their creativity and art, in addition to the firsthand knowledge of the trials of getting the music to the masses.
Check out TPP.
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