Tag: independent music

Memorable Monday: Cyber Monday Musings

The Portly Politico2 Comments

It’s Cyber Monday here in the United States, yet another day to hawk my wares to my unwitting—uh, I mean “loyal”—readers.

Here’s the big one:  the Kindle edition of my book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot, is on sale for just $0.99 through midnight (EST) this Thursday, 2 December 2022!

And the paperback version is the perfect gift!  Why give someone a boring, predictable gift, when you can give them a collection of unsolvable, absurdist noir detective stories to read around the yule log?  Enjoy egg nog-enriched guffaws as your friends read mystifying tales of hyper-sleuthing.

Give the Gift of Weird this Christmas—like crudely painted primitivist artwork!

While you’re at it, why not head over to my SubscribeStar page and subscribe for $1/month to unlock all of my SubscribeStar Saturday posts.  For $5/month, you get fresh doodles every Sunday, as well as other random bonuses.

Well, you get the idea.  Support yours portly on this feast of savings!

With that, here is 2 December 2019’s “Cyber Monday Musings“:

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November 2022 Bandcamp Friday

The Portly PoliticoLeave a comment

The cozy season of autumn has arrived, with its warm fuzziness.  What better time to observe the monthly tradition of Bandcamp Friday?

The first Fridays of November and December 2022 will see the return of this pro-indie music observance, a day on which Bandcamp waives its usual 15% commission on sales.

In other words, when you buy my music, almost 100% of it goes to me, instead of almost 85%.

While I haven’t released any new music lately, I managed to release two short collections of music in April—Péchés d’âge moyen II: One Week in March and The Lo-Fi Hymnal II.  All of my releases are just a buck each, though you’re welcome to pay more if you’d like to help out yours portly.

Currently, my entire discography of ten releases is $6.50, a savings of 35%, which is not bad for ten releases.  That’s $0.65 per release—not too shabby!  To purchase the full discography, click on any release, and you’ll see the option to purchase all of them.

I’m also selling all of my paintings for $10, with free shipping in the United States, regardless of how many you purchase.  They’re one of kind, so once a painting is purchased, it’s gone.

Finally, my book The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot is $10 in paperback, and just $5 on Kindle.

Well, that’s it for this month’s sales pitch.  Thanks again for your support!

Happy Friday!

—TPP

Open Mic Adventures XI: Spooktacular Supergroup Covers “Monster Mash”

The Portly Politico13 Comments

The third front porch Spooktacular was a smashing success (at least according to my mom, my girlfriend, and me—a pretty unbiased group, yeah?), with many of my private music students taking the stage to share their talents.  Even a few former students, now off to bigger and grander things, stopped by to sing a song or two.

As is tradition at these events, I invited anyone with an instrument or a voice to join us on stage for a couple of songs.  By the time I offered up this invitation, most of my younger students and their families had left, but several were still around.

From those remaining—two bassists, a guitarist, two piano players, a singer, my niece, John (on acoustic guitar) and myself (on drums)—we formed an ad hoc supergroup.  One of my younger students—the young man who walks Murphy for me while I’m at work—took lead on the vocals, and really nailed it.  He sounds like a younger Bobby Pickett!

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SubscribeStar Saturday: Spooktacular 2022 Preview

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Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

The Spooktacular—my annual Halloween concert—returns in one week, on Saturday, 15 October 2022.  Since 2020—during the height of The Age of The Virus—I’ve hosted this annual celebration of musical spookiness (and spooky musicality) from my front porch.  It’s worked pretty well, and even spawned a published piece in Self-Reliance, so why mess with success?  We’re back on the front porch again.

I am adding one innovation, though, one that worked quite well with the TJC Spring Jam earlier this year:  like the Spring Jam, I’m turning the Spooktacular into a recital.  My buddy John and I will still play some tunes, and we’ll invite the kids up to play with us on “Monster Mash” and KISS’s “I Was Made for Lovin’ You,” but the opening segment of the Spooktacular will feature my private music students.  Indeed, it’s an open invitation to anyone who wants to play a tune—come on out!

Of course, I’ll be working hard this weekend to get the house prepared for the Spooktacular—and to remind folks about it!  There are many little tasks to complete and items, large and small, to prepare, both to give everyone a fun time, and to squeeze some buckaroos out of the event.

To read the rest of this post, subscribe to my SubscribeStar page for $1 a month or more.

October 2022 Bandcamp Friday

The Portly Politico3 Comments

It’s finally October—my favorite month of the year!  And it’s finally another Bandcamp Friday.

The first Fridays of October, November, and December 2022 will see the return of this pro-indie music observance, a day on which Bandcamp waives its usual 15% commission on sales.

In other words, when you buy my music, almost 100% of it goes to me, instead of almost 85%.

While I haven’t released any new music lately, I managed to release two short collections of music in April—Péchés d’âge moyen II: One Week in March and The Lo-Fi Hymnal II.  All of my releases are just a buck each, though you’re welcome to pay more if you’d like to help out yours portly.

Currently, my entire discography of ten releases is $6.50, a savings of 35%, which is not bad for ten releases.  That’s $0.65 per release—not too shabby!  To purchase the full discography, click on any release, and you’ll see the option to purchase all of them.

I’m also selling all of my paintings for $10, with free shipping in the United States, regardless of how many you purchase.  They’re one of kind, so once a painting is purchased, it’s gone.

Finally, my book The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot is $10 in paperback, and just $5 on Kindle.

Well, that’s it for this month’s sales pitch.  Thanks again for your support!

Happy Friday!

—TPP

Phone it in Friday XXV: Spooktacular 2022 T-Shirts

The Portly Politico3 Comments

The 2022 Spooktacular is coming up on Saturday, 15 October 2022, which means it’s time to have some t-shirts made up.

This year, I’m debating between two designs:

Vampire
Spider

The white image is a vampire playing a bass guitar (which he is apparently hypnotizing).  The caption on the bottom reads “Blood-Suckingly Spooky Rock ‘n’ Roll.”

The yellow image is a spider whose legs make up notes on a treble clef staff.  His caption reads “Venomously Good Rock ‘n’ Roll.”

The vampire could also be made yellow (or any other color).

So, I’m asking readers for your input:  which design do you prefer?  I’ll probably only make one this year, and I’ll use reader feedback to decide which one to order.

Thanks for voting!

—TPP

March Bandcamp Friday: New Release!

The Portly Politico6 Comments

After a lot of frantic composing and sloppy recording, it’s here: Péchés d’âge moyen, my short collection of twelve original piano miniatures.

My self-imposed deadline was today, the March 2022 Bandcamp Friday.  I made it—barely!

The total recording clocks in at just six minutes and thirty-five seconds, but I’ve jam-packed this release with bonus features:  videos, original manuscripts of each piece, and a PDF booklet detailing the origins of the project.  It’s not bad for $5 (although that comes out to approximately $1.43 per minute if you just listen to the album once).

I also had a blast putting this recording together.  The feel of putting pen to paper is just so satisfying, and each little bit of written music is like its own little work of art.  One reason I included the manuscripts with the recording is because they’re beautiful to look at—even with my poor penmanship.

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Supporting Friends Friday: Frederick Ingram’s “Yesterday’s Weather”

The Portly Politico9 Comments

My good friend and fellow musician Frederick Ingram released a hot new LP (really a “double EP”), Initial Exposure, back in December.  It’s a great album, and I’m going to review it soon(ish).

But today, I wanted to look back at one of his older songs, from Frederick’s Elements.  This single/EP has always held a warm place in my heart.  I remember playing some Christmastime gigs with Frederick when he released this little recording, and I still find it enjoyable.

It’s not just nostalgia for younger, slimmer days and more musically ambitious times.  It’s a good recording.  The lead-off single, “Carolina Sands,” is a highly listenable song about the beauty of South Carolina.  But for all of its radio-friendly qualities, I find it is now my least favorite track on the release (which, to be clear, does not mean it is a bad song—it’s very good!).

That distinction likely goes to “Yesterday’s Weather.”  The track features Frederick’s characteristically enigmatic songwriting and ability to craft hypnotic grooves against naturalistic metaphors.

It’s a song about lost love, all framed in terms of hot (or cold?) fronts and currents:

I highly recommend listening with good headphones; it really captures the sonic subtleties of the piece, as well as the droning, persistent bass line.

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Supporting Friends Friday: Frederick Ingram’s “Initial Exposure”

The Portly Politico3 Comments

Just last week I wrote about my friend Frederick Ingram‘s new Christmas jam, “Jesus of Nazareth (Walked into a Bar).”  What I didn’t realize is that the tune was a part of a new album—really a double EP—that Frederick has been quietly assembling.

(Note that I’ll refer to Frederick Ingram as “Frederick” here on out, as I know him personally and consider him a friend.  I know the standard is to use the artist’s last name in subsequent mentions, and if some big city alternative paper picks up this review, I’ll happily edit it accordingly.  For this blog, though, I’m keeping it on a the first-name basis. —TPP)

The record—which drops today!—is Initial Exposure, and it combines tracks from two EPs from earlier this year:  June 2021’s Initial Exposure and November 2021’s Culture Exposure (which features the song about Jesus delivering His Message in a hopping nightspot).

I’ll confess that, at the time of writing, I have not listened to all of the ten tracks on the LP (but I did buy it on Bandcamp!), though I have heard several of them before, both live and recorded versions.  As such, this post is not a review of the album, per se, but instead a way to help give Initial Exposure some, uh, initial exposure.

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