Tag: fine arts

Son of Sonnet: “The Gemini Sonnets #2”

The Portly Politico6 Comments

Today marks the second installment of a new, twice-monthly feature on the blog, an original sonnet by Son of Sonnet.  SoS has agreed to contribute two sonnets each month to the blog, which will be posted the first and third Wednesdays of each month.

Your generous subscriptions to my SubscribeStar page have made it possible to patronize Son’s work.  As a community of artists, readers, and pundits, we should work together as much as possible to cultivate and support one another’s talents.  I can’t pay Son much—yet—but I’m able to offer him something for his talents because of your generosity.

Every artist as dedicated to his craft as Son deserves both recognition and support.  I would encourage you to consider a subscription to Son of Sonnet’s SubscribeStar page as a way to encourage the growth and development of an eloquent voice on our side of this long culture war.  Conservatives often complain about not holding any ground culturally; now is the time to support the culture that is being created.

You can read Son of Sonnet’s poetry on his Telegram channel, on Gab, and on Minds.

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November Bandcamp Friday

The Portly Politico1 Comment

It’s the first Friday of November, which means it’s another Bandcamp Friday! That means it’s the best possible time to purchase my music.  Indeed, my entire discography (seven albums!) is just $19.98, a whopping 35% discount (just £14.64 as of 1 November 2021, according to Bing, for my British readers).  That’s $2.85 (£2.09) per release, the kind of deal you only get on cassette tapes at the gas station (or from yours portly!).

I’m also sitting on a lot of great, but unsold, Spooktacular merch, including my shocking original painting “The War on Halloween.”  If the price tag is too rich for your blood, contact me and we’ll work something out.

It’s also a great time to pick up my debut book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot.  It’s just $10 (and available in Britain, too).  Christmas is approaching, and it’s a great time to read absurdist, ludicrous detective stories by the fire (or to give as gifts—why not buy four or five copies to hand out as stocking stuffers to your friends?).

Bandcamp began doing Bandcamp Fridays during The Age of The Virus, when most musicians (myself included) witnessed a catastrophic drop in their revenue.  Venues closed or stopped live music; parents withdrew students from one-on-one lessons; and private parties were cancelled, meaning fewer of those lucrative gigs.  Also, fewer live performances meant fewer royalties for songwriters.  It’s only $10

Fortunately, that situation is improving, and people are eager to get out and hear live music again.  Still, pitching in a few bucks helps immensely—and you get some good music in the process, too!

So, on with the sales pitch!  Here are my seven releases, in chronological order:

  • Electrock Music (2006, $5) – Twelve tracks from my senior year of college, all instrumental MIDI tunes.  I gave physical copies to my Fiction Writing Workshop class; I wonder if they still have those little homemade copies.
  • Electrock II: Space Rock (2007, $7) – I’m obsessed with the idea of the sci-fi rock opera (I actually tried to write one for piano and vocals back in 2012-2013, but never finished it)—it’s the most decadent, self-indulgent form of musical expression.  That was the driving spirit behind this rockin’ collection of out-of-this-world jams.
  • Electrock EP: The Four Unicorns of the Apocalypse (2012, $4) – My younger brother introduced me to a song call “Biomachinery” by some melodic death metal band, and the rhythm of that word inspired the lead-off track of this four-song cycle, “Cyborg Unicorn.”  Of course, the instrumental chorus of that track is basically Joan Jett’s “I Love Rock ‘n’ Roll,” so it’s true what they say:  composers swipe from each other all the time.
  • Electrock Retrospective, Volume I: Dance Party (2013, $3.60) – I had a number of tracks stored up for a never-completed Electrock III, so I thought I would begin dribbling them out as part of repackaged “retrospectives.”  This first one, Dance Party, features “Robobop,” which is also a perk for $5 subscribers to my SubscribeStar page.
  • Electrock Retrospective, Volume II: Technological Romance (2013, $2.14) – Technological Romance features “Pwrblld (Ballad II)“—with apologies to Chicago’s “You’re the Inspiration.”
  • Contest Winner EP (2015, $5) – This album is my tour de force.  I recorded it in a real-life studio, overdubbing my vocals with my piano part.  It was an amazing experience, and these tunes are staples of my live shows (especially fan favorites “Hipster Girl Next Door” and “Greek Fair“).
  • The Lo-Fi Hymnal (2020, $4) – I started playing piano at my little Free Will Baptist Church a couple of years ago, and I began taking little recordings of offertory, invitational, etc.  I compiled the four very lo-fi recordings into a short compilation.  I’m hoping to record a second volume at some point.

An easy (and free) way to support me is to “follow” my Bandcamp page and my Amazon author page.  I post updates about new merchandise, new music, and other interesting offers about once a month to the Bandcamp page, and new books will pop up on my Amazon page as they’re published.  It’s a good way to keep up with the latest news on my musical adventures.

Another free way to support me is to turn off your ad-blocker.  The site delivers several thousand ad impressions monthly, but most of those are blocked, which means they don’t pay out.  You can usually find the ad-blocker as a little widget or icon in the upper-right-hand side of your browser; click on it and it will usually give you the option to “pause” or stop the blocker from running on this site.  I know ads are annoying, but seeing a few DuckDuckGo ads helps out in an incremental way.

Even if none of that entices you, no worries!  I’m just glad to have you here, reading my self-indulgent garbage and my lengthy advertisement posts.

Happy Friday!

—TPP

Son of Sonnet: “The Gemini Sonnets #1”

The Portly Politico9 Comments

Today I am pleased to introduce a new, twice-monthly feature from Son of Sonnet, a poet friend of mine.  SoS has agreed to contribute two sonnets each month to the blog, which will be posted the first and third Wednesdays of each month.

Your generous subscriptions to my SubscribeStar page have made it possible to patronize Son’s work.  As a community of artists, readers, and pundits, we should work together as much as possible to cultivate and support one another’s talents.  I can’t pay Son much—yet—but I’m able to offer him something for his talents because of your generosity.

Every artist as dedicated to his craft as Son deserves both recognition and support.  I would encourage you to consider a subscription to Son of Sonnet’s SubscribeStar page as a way to encourage the growth and development of an eloquent voice on our side of this long culture war.  Conservatives often complain about not holding any ground culturally; now is the time to support the culture that is being created.

You can read Son of Sonnet’s poetry on his Telegram channel, on Gab, and on Minds.

Enjoy!

—TPP

The Gemini Sonnets
By Son of Sonnet

What form do spirits take outside the mind?
You bear yourself in such a subtle way,
but you and I are in one heart entwined.
To know you is the purpose of my day.
Don’t keep yourself a secret frommy eye,
but choose a picture that would you define.
Are you a creature, hiding his reply?
Or woman, seeking meaning in your sign?
Two pillars hold the roof aloft in twain,
but are they twins? Who says that they are kin?
All partners know each other for their gain;
Reveal what lies behind your subtle grin.
In order to depict the light, to grow,
one must be mindful of where shadows go.

Modern Art and Influence

The Portly Politico4 Comments

Most readers of this blog will likely agree with the following sentiment:  “modern art is terrible.”  In my more intellectually generous moments, I’d add “most” as a qualifier to start that phrase, but with age comes orneriness, and orneriness does not lend itself to intellectual generosity.

Perhaps the best treatment of this sentiment in a scholarly—dare I say “intellectually generous”—way is Roger Kimball‘s The Rape of the Masters: How Political Correctness Sabotages Art.  The book is a quick read, but even in 200 pages, it’s depressing seeing the increasingly bizarre, flat-out wrong interpretations politically-motivated Leftists bring to classic works of art.  The unfortunate trend of comparing everything that ever happened to Harry Potter is no-doubt the watered-down, pop cultural version of this academic shoehorning of the ideology du jour into artistic interpretation.

Of course, there is a corollary to the maxim that “modern art is terrible.”  It’s that “modern art is only successful because wealthy dupes want to look cool.”  That’s a bit of a mouthful, we all know it’s true.

So it is that two close relatives to the current Pretender’s regime—scandal-ridden, sister-in-law-loving drug addict Hunter Biden, and not-pretty-enough-to-be-a-model model Ella Emhoff (Vice President Kamala Harris‘s stepdaughter) have made good money peddling “art.”

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Supporting Friends Friday: Jeremy Miles’s New Book is Out Now

The Portly PoliticoLeave a comment

One of the joys of blogging and creating is the opportunity to support my buddies’ work.  I’ve been blessed to be associated with quite a few prolific and ingenious individuals, and while I have spent many a Bandcamp Friday hawking my digital wares, I’m excited to take this Friday to showcase a friend’s work.

My real-life buddy Jeremy Miles (who also maintains a blog) has released his latest book of poetry, Hindsight: Poetry in 2020.  It’s available in paperback, hardcover, and Kindle editions, at (as of 8 June 2021) $15, $25, and $2.99, respectively.  I’ve ordered the paperback version and eagerly await its arrival.

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