Tag: Bandcamp Friday

December Bandcamp Friday

The Portly PoliticoLeave a comment

Yep, it’s my monthly Bandamp Friday post!  I know it’s not the most exciting post in the world, but, by God, I’ve gotta try.  Can you blame me?  It being the holiday season, there’s never been a better time to buy my music, my merch, or my book.  Read on.

It’s the first Friday of December, which means it’s another Bandcamp Friday! That means it’s the best possible time to purchase my music.  Indeed, my entire discography (seven albums!) is just $19.98, a whopping 35% discount (just £15.01 as of 30 November 2021, according to Bing, for my British readers).  That’s $2.85 (£2.14) per release, the kind of deal you only get on cassette tapes at the gas station (or from yours portly!).

It’s also a great time to pick up my debut book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot.  It’s just $10 (and available in Britain, too).  Christmas is approaching, and with Christmas comes parties—and what self-respecting doesn’t have a White Elephant gift exchange?  Those almost always call for a $10 gift, and you’d definitely have one of the oddest contributions at the party.

For that matter, why not buy four or five copies to hand out as stocking stuffers to your friends?

Bandcamp began doing Bandcamp Fridays during The Age of The Virus, when most musicians (myself included) witnessed a catastrophic drop in their revenue.  Venues closed or stopped live music; parents withdrew students from one-on-one lessons; and private parties were cancelled, meaning fewer of those lucrative gigs.  Also, fewer live performances meant fewer royalties for songwriters.  It’s only $10

Fortunately, that situation is improving, and people are eager to get out and hear live music again.  Still, pitching in a few bucks helps immensely—and you get some good music in the process, too!

So, on with the sales pitch!  Here are my seven releases, in chronological order:

  • Electrock Music (2006, $5) – Twelve tracks from my senior year of college, all instrumental MIDI tunes.  I gave physical copies to my Fiction Writing Workshop class; I wonder if they still have those little homemade copies.
  • Electrock II: Space Rock (2007, $7) – I’m obsessed with the idea of the sci-fi rock opera (I actually tried to write one for piano and vocals back in 2012-2013, but never finished it)—it’s the most decadent, self-indulgent form of musical expression.  That was the driving spirit behind this rockin’ collection of out-of-this-world jams.
  • Electrock EP: The Four Unicorns of the Apocalypse (2012, $4) – My younger brother introduced me to a song call “Biomachinery” by some melodic death metal band, and the rhythm of that word inspired the lead-off track of this four-song cycle, “Cyborg Unicorn.”  Of course, the instrumental chorus of that track is basically Joan Jett’s “I Love Rock ‘n’ Roll,” so it’s true what they say:  composers swipe from each other all the time.
  • Electrock Retrospective, Volume I: Dance Party (2013, $3.60) – I had a number of tracks stored up for a never-completed Electrock III, so I thought I would begin dribbling them out as part of repackaged “retrospectives.”  This first one, Dance Party, features “Robobop,” which is also a perk for $5 subscribers to my SubscribeStar page.
  • Electrock Retrospective, Volume II: Technological Romance (2013, $2.14) – Technological Romance features “Pwrblld (Ballad II)“—with apologies to Chicago’s “You’re the Inspiration.”
  • Contest Winner EP (2015, $5) – This album is my tour de force.  I recorded it in a real-life studio, overdubbing my vocals with my piano part.  It was an amazing experience, and these tunes are staples of my live shows (especially fan favorites “Hipster Girl Next Door” and “Greek Fair“).
  • The Lo-Fi Hymnal (2020, $4) – I started playing piano at my little Free Will Baptist Church a couple of years ago, and I began taking little recordings of offertory, invitational, etc.  I compiled the four very lo-fi recordings into a short compilation.  I’m hoping to record a second volume at some point.

An easy (and free) way to support me is to “follow” my Bandcamp page and my Amazon author page.  I post updates about new merchandise, new music, and other interesting offers about once a month to the Bandcamp page, and new books will pop up on my Amazon page as they’re published.  It’s a good way to keep up with the latest news on my musical adventures.

Another free way to support me is to turn off your ad-blocker.  The site delivers several thousand ad impressions monthly, but most of those are blocked, which means they don’t pay out.  You can usually find the ad-blocker as a little widget or icon in the upper-right-hand side of your browser; click on it and it will usually give you the option to “pause” or stop the blocker from running on this site.  I know ads are annoying, but seeing a few DuckDuckGo ads helps out in an incremental way.

Even if none of that entices you, no worries!  I’m just glad to have you here, reading my self-indulgent garbage and my lengthy advertisement posts.

Happy Friday!

—TPP

November Bandcamp Friday

The Portly Politico1 Comment

It’s the first Friday of November, which means it’s another Bandcamp Friday! That means it’s the best possible time to purchase my music.  Indeed, my entire discography (seven albums!) is just $19.98, a whopping 35% discount (just £14.64 as of 1 November 2021, according to Bing, for my British readers).  That’s $2.85 (£2.09) per release, the kind of deal you only get on cassette tapes at the gas station (or from yours portly!).

I’m also sitting on a lot of great, but unsold, Spooktacular merch, including my shocking original painting “The War on Halloween.”  If the price tag is too rich for your blood, contact me and we’ll work something out.

It’s also a great time to pick up my debut book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot.  It’s just $10 (and available in Britain, too).  Christmas is approaching, and it’s a great time to read absurdist, ludicrous detective stories by the fire (or to give as gifts—why not buy four or five copies to hand out as stocking stuffers to your friends?).

Bandcamp began doing Bandcamp Fridays during The Age of The Virus, when most musicians (myself included) witnessed a catastrophic drop in their revenue.  Venues closed or stopped live music; parents withdrew students from one-on-one lessons; and private parties were cancelled, meaning fewer of those lucrative gigs.  Also, fewer live performances meant fewer royalties for songwriters.  It’s only $10

Fortunately, that situation is improving, and people are eager to get out and hear live music again.  Still, pitching in a few bucks helps immensely—and you get some good music in the process, too!

So, on with the sales pitch!  Here are my seven releases, in chronological order:

  • Electrock Music (2006, $5) – Twelve tracks from my senior year of college, all instrumental MIDI tunes.  I gave physical copies to my Fiction Writing Workshop class; I wonder if they still have those little homemade copies.
  • Electrock II: Space Rock (2007, $7) – I’m obsessed with the idea of the sci-fi rock opera (I actually tried to write one for piano and vocals back in 2012-2013, but never finished it)—it’s the most decadent, self-indulgent form of musical expression.  That was the driving spirit behind this rockin’ collection of out-of-this-world jams.
  • Electrock EP: The Four Unicorns of the Apocalypse (2012, $4) – My younger brother introduced me to a song call “Biomachinery” by some melodic death metal band, and the rhythm of that word inspired the lead-off track of this four-song cycle, “Cyborg Unicorn.”  Of course, the instrumental chorus of that track is basically Joan Jett’s “I Love Rock ‘n’ Roll,” so it’s true what they say:  composers swipe from each other all the time.
  • Electrock Retrospective, Volume I: Dance Party (2013, $3.60) – I had a number of tracks stored up for a never-completed Electrock III, so I thought I would begin dribbling them out as part of repackaged “retrospectives.”  This first one, Dance Party, features “Robobop,” which is also a perk for $5 subscribers to my SubscribeStar page.
  • Electrock Retrospective, Volume II: Technological Romance (2013, $2.14) – Technological Romance features “Pwrblld (Ballad II)“—with apologies to Chicago’s “You’re the Inspiration.”
  • Contest Winner EP (2015, $5) – This album is my tour de force.  I recorded it in a real-life studio, overdubbing my vocals with my piano part.  It was an amazing experience, and these tunes are staples of my live shows (especially fan favorites “Hipster Girl Next Door” and “Greek Fair“).
  • The Lo-Fi Hymnal (2020, $4) – I started playing piano at my little Free Will Baptist Church a couple of years ago, and I began taking little recordings of offertory, invitational, etc.  I compiled the four very lo-fi recordings into a short compilation.  I’m hoping to record a second volume at some point.

An easy (and free) way to support me is to “follow” my Bandcamp page and my Amazon author page.  I post updates about new merchandise, new music, and other interesting offers about once a month to the Bandcamp page, and new books will pop up on my Amazon page as they’re published.  It’s a good way to keep up with the latest news on my musical adventures.

Another free way to support me is to turn off your ad-blocker.  The site delivers several thousand ad impressions monthly, but most of those are blocked, which means they don’t pay out.  You can usually find the ad-blocker as a little widget or icon in the upper-right-hand side of your browser; click on it and it will usually give you the option to “pause” or stop the blocker from running on this site.  I know ads are annoying, but seeing a few DuckDuckGo ads helps out in an incremental way.

Even if none of that entices you, no worries!  I’m just glad to have you here, reading my self-indulgent garbage and my lengthy advertisement posts.

Happy Friday!

—TPP

October Bandcamp Friday

The Portly Politico4 Comments

It’s the first day of the best month of the year!   My annual Halloween Spooktacular is tantalizingly close—just twenty-nine days away!—and my interest in horror movies now takes on a seasonally appropriate veneer, instead of just the odd obsession of a potentially deranged individual.

It’s also another Bandcamp Friday, which means it’s the best possible time to purchase my music.  Indeed, my entire discography (seven albums!) is just $19.98, a whopping 35% discount (just £14.76 as of 28 September 2021, according to Bing, for my newfound British readers).  That’s $2.85 (£2.10) per release, the kind of deal you only get on cassette tapes at the gas station (or from yours portly!).

What better time to spin my classic hit “Ghostly,” a spookily unhinged ballad in creepy 3/4 time, or the electronic opus “Zombie Unicorn,” featuring irregular multi-meter insanity and shades of Saint-Saëns?  They’re on Contest Winner EP and The Four Unicorns of the Apocalypse, respectively.

Not in the mood for spookiness?  Then enjoy the boppy, poppy fun of perennial fan favorite “Hipster Girl Next Door“—or the pleading piano-pop balladry of “Greek Fair.”

Are your tastes inclined in a more heavenly direction?  Then check out The Lo-Fi Hymnal, a love letter to hymn singing and playing recorded on over a tiny phone microphone.  Trust me—it’s better than it sounds!

In short, ’tis the season for merriment and fun—and for forking over your hard-earned cash to support the blogger, musician, and teacher you love:  me!

Read More »

The Inexorable Forward March of Bandcamp Friday

The Portly Politico4 Comments

Yes, poor readers, here it is again: another Bandcamp Friday.  Other than one of the earliest times I posted about this glorious monthly holiday—during which Bandcamp waives its usual commission on sales through its site—I don’t know that I’ve ever made a sale hawking my musical wares via the blog.

Well, if at first you do not succeed, pester, pester again (alternatively, doing the same thing and expecting different results is the definition of insanity, but all musicians are a bit crazy… right?).  Also, with my lovely new readers from the British Isles, it’s never been a better time to bilk them out of their hard-earned pounds sterling.

Fortunately for them—and you, my fellow countrymen!—my entire discography (seven albums!) is just $19.98, a whopping 35% discount (just £14.50 as of 1 September 2021, according to Bing).  That’s $2.85 (£2.07) per release, the kind of deal you only get on cassette tapes at the gas station (or from yours portly!).

Read More »

The Return of Bandcamp Friday

The Portly Politico3 Comments

After taking off during the long summer months, Bandcamp is bringing back Bandcamp Friday today, and continuing it the first Friday of every month through the end of 2021.

For those that have forgotten—or steadfastly ignored my many, many, many, many, many posts about it—Bandcamp Friday is when Bandcamp waives the 15% commission they usually take on sales through the site.  So, if you buy, say, Electrock EP: The Four Unicorns of the Apocalypse for $4, I get almost the full $4 (PayPal takes a small cut still), instead of $4 minus $0.60 to Bandcamp.

Another, more dramatic example:  if you buy my full discography at $19.98, Bandcamp doesn’t take their $3 cut, so most of that goes directly to me (again, minus the transaction fee PayPal assesses).

Bandcamp began doing Bandcamp Fridays during The Age of The Virus, when most musicians (myself included) witnessed a catastrophic drop in their revenue.  Venues closed or stopped live music; parents withdrew students from one-on-one lessons; and private parties were cancelled, meaning fewer of those lucrative gigs.  Also, fewer live performances meant fewer royalties for songwriters.

Fortunately, that situation is improving, and people are eager to get out and hear live music again.  Still, pitching in a few bucks helps immensely—and you get some good music in the process, too!

So, on with the sales pitch!  Here are my seven releases, in chronological order:

  • Electrock Music (2006, $5) – Twelve tracks from my senior year of college, all instrumental MIDI tunes.  I gave physical copies to my Fiction Writing Workshop class; I wonder if they still have those little homemade copies.
  • Electrock II: Space Rock (2007, $7) – I’m obsessed with the idea of the sci-fi rock opera (I actually tried to write one for piano and vocals back in 2012-2013, but never finished it)—it’s the most decadent, self-indulgent form of musical expression.  That was the driving spirit behind this rockin’ collection of out-of-this-world jams.
  • Electrock EP: The Four Unicorns of the Apocalypse (2012, $4) – My younger brother introduced me to a song call “Biomachinery” by some melodic death metal band, and the rhythm of that word inspired the lead-off track of this four-song cycle, “Cyborg Unicorn.”  Of course, the instrumental chorus of that track is basically Joan Jett’s “I Love Rock ‘n’ Roll,” so it’s true what they say:  composers swipe from each other all the time.
  • Electrock Retrospective, Volume I: Dance Party (2013, $3.60) – I had a number of tracks stored up for a never-completed Electrock III, so I thought I would begin dribbling them out as part of repackaged “retrospectives.”  This first one, Dance Party, features “Robobop,” which is also a perk for $5 subscribers to my SubscribeStar page.
  • Electrock Retrospective, Volume II: Technological Romance (2013, $2.14) – Technological Romance features “Pwrblld (Ballad II)“—with apologies to Chicago’s “You’re the Inspiration.”
  • Contest Winner EP (2015, $5) – This album is my tour de force.  I recorded it in a real-life studio, overdubbing my vocals with my piano part.  It was an amazing experience, and these tunes are staples of my live shows (especially fan favorites “Hipster Girl Next Door” and “Greek Fair“).
  • The Lo-Fi Hymnal (2020, $4) – I started playing piano at my little Free Will Baptist Church a couple of years ago, and I began taking little recordings of offertory, invitational, etc.  I compiled the four very lo-fi recordings into a short compilation.  I’m hoping to record a second volume at some point.

An easy (and free) way to support me is to “follow” my Bandcamp page and my Amazon author page.  I post updates about new merchandise, new music, and other interesting offers about once a month to the Bandcamp page, and new books will pop up on my Amazon page as they’re published.  It’s a good way to keep up with the latest news on my musical adventures.

Another free way to support me is to turn off your ad-blocker.  The site delivers several thousand ad impressions monthly, but most of those are blocked, which means they don’t pay out.  You can usually find the ad-blocker as a little widget or icon in the upper-right-hand side of your browser; click on it and it will usually give you the option to “pause” or stop the blocker from running on this site.  I know ads are annoying, but seeing a few DuckDuckGo ads helps out in an incremental way.

Even if none of that entices you, no worries!  I’m just glad to have you here, reading my self-indulgent garbage and my lengthy advertisement posts.

Happy Friday!

—TPP

For the Love of Crumb Cake, Please: Not Another Bandcamp Friday!

The Portly PoliticoLeave a comment

Yes, dear readers, I must apologize—it’s another Bandcamp Friday, which means I am obligated to put out another copy-pasted sales pitch in a futile attempt to squeeze some of your precious Imperial Credits out of you.

Of course, if you haven’t already done so, I’d highly encourage you to pick up a copy of The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot, available in paperback and on Kindle.  The reviews are quite good!  If you’ve already purchased the book, please consider leaving a review on Amazon—it helps, apparently!

Now for the copy-pasted bits:  I’m not going to belabor all the statistics about the hard times musicians have endured in The Age of The Virus; you can read all about that in last month’s Bandcamp Friday appeal.  Instead, I’ll cut to the chase and let you know all the great ways you can support the blog, my music, my book (now on Kindle), or even just me.

For one, I have some intriguing merch available.  I’m currently offering two completely original doodles, “Bird of Paradise” and “Bleeding Heart,” for just $10 each.  There are no other physical copies in existence, so you’d own these lovingly doodled marker pictures—and no one else.  They make great “bathroom art”—the kind of thing that would look good in a guest bathroom, or maybe a tacky beach house.

I’m also clearing out the last few remaining “Flamin’” t-shirts for $15 (plus $5 shipping).  These shirts are rare and I won’t be making any more of them.

Most obviously, because it’s Bandcamp Friday, Bandcamp is waiving the commission it takes on sales of musicians’ work TODAY, Friday, 7 May 2021.  You can pick up my entire discography for $19.98 (or more, if you feel so inclined), a full 35% off the price of buying each album individually.  To purchase the full discography—seven releases in total—you can view any of my albums (like Electrock EP: The Four Unicorns of the Apocalypse) and find a button/link that reads “Buy Digital Discography” (unfortunately, there’s no way to supply that link directly).

You can also purchase albums individually, either at their listed price or higher.  Here are my seven releases, in chronological order:

  • Electrock Music (2006, $5) – Twelve tracks from my senior year of college, all instrumental MIDI tunes.  I gave physical copies to my Fiction Writing Workshop class; I wonder if they still have those little homemade copies.
  • Electrock II: Space Rock (2007, $7) – I’m obsessed with the idea of the sci-fi rock opera (I actually tried to write one for piano and vocals back in 2012-2013, but never finished it)—it’s the most decadent, self-indulgent form of musical expression.  That was the driving spirit behind this rockin’ collection of out-of-this-world jams.
  • Electrock EP: The Four Unicorns of the Apocalypse (2012, $4) – My younger brother introduced me to a song call “Biomachinery” by some melodic death metal band, and the rhythm of that word inspired the lead-off track of this four-song cycle, “Cyborg Unicorn.”  Of course, the instrumental chorus of that track is basically Joan Jett’s “I Love Rock ‘n’ Roll,” so it’s true what they say:  composers swipe from each other all the time.
  • Electrock Retrospective, Volume I: Dance Party (2013, $3.60) – I had a number of tracks stored up for a never-completed Electrock III, so I thought I would begin dribbling them out as part of repackaged “retrospectives.”  This first one, Dance Party, features “Robobop,” which is also a perk for $5 subscribers to my SubscribeStar page.
  • Electrock Retrospective, Volume II: Technological Romance (2013, $2.14) – Technological Romance features “Pwrblld (Ballad II)“—with apologies to Chicago’s “You’re the Inspiration.”
  • Contest Winner EP (2015, $5) – This album is my tour de force.  I recorded it in a real-life studio, overdubbing my vocals with my piano part.  It was an amazing experience, and these tunes are staples of my live shows (especially fan favorites “Hipster Girl Next Door” and “Greek Fair“).
  • The Lo-Fi Hymnal (2020, $4) – I started playing piano at my little Free Will Baptist Church about a year ago, and I began taking little recordings of offertory, invitational, etc.  I compiled the four very lo-fi recordings into a short compilation.  I’m hoping to record a second volume soon.

An easy (and free) way to support me is to “follow” my Bandcamp page and my Amazon author page.  I post updates about new merchandise, new music, and other interesting offers about once a month to the Bandcamp page, and new books will pop up on my Amazon page as they’re published.  It’s a good way to keep up with the latest news on my musical adventures.

Another free way to support me is to turn off your ad-blocker.  The site delivers several thousand ad impressions monthly, but most of those are blocked, which means they don’t pay out.  You can usually find the ad-blocker as a little widget or icon in the upper-right-hand side of your browser; click on it and it will usually give you the option to “pause” or stop the blocker from running on this site.  I know ads are annoying, but seeing a few DuckDuckGo ads helps out in an incremental way.

Even if none of that entices you, no worries!  I’m just glad to have you here, reading my self-indulgent garbage and my lengthy advertisement posts.

Happy Friday!

—TPP

Here We Go Again: Yet Another Bandcamp Friday

The Portly PoliticoLeave a comment

Happy Good Friday, readers!  Not only is it the day Christ gave His Life for our sins, it’s also—say it with me now—yet another Bandcamp Friday.

I’m not going to belabor all the statistics about the hard times musicians have endured in The Age of The Virus; you can read all about that in last month’s Bandcamp Friday appeal.  Instead, I’ll cut to the chase and let you know all the great ways you can support the blog, my music, my book (now on Kindle), or even just me.

For one, I have some intriguing merch available.  I’m currently offering two completely original doodles, “Bird of Paradise” and “Bleeding Heart,” for just $10 each.  There are no other physical copies in existence, so you’d own these lovingly doodled marker pictures—and no one else.  They make great “bathroom art”—the kind of thing that would look good in a guest bathroom, or maybe a tacky beach house.

I’m also clearing out the last few remaining “Flamin’” t-shirts for $15 (plus $5 shipping).  These shirts are rare and I won’t be making any more of them.

Most obviously, because it’s Bandcamp Friday, Bandcamp is waiving the commission it takes on sales of musicians’ work TODAY, Friday, 2 April 2021.  You can pick up my entire discography for $19.98 (or more, if you feel so inclined), a full 35% off the price of buying each album individually.  To purchase the full discography—seven releases in total—you can view any of my albums (like Electrock EP: The Four Unicorns of the Apocalypse) and find a button/link that reads “Buy Digital Discography” (unfortunately, there’s no way to supply that link directly).

You can also purchase albums individually, either at their listed price or higher.  Here are my seven releases, in chronological order:

An easy (and free) way to support me is to “follow” my Bandcamp page and my Amazon author page.  I post updates about new merchandise, new music, and other interesting offers about once a month to the Bandcamp page, and new books will pop up on my Amazon page as they’re published.  It’s a good way to keep up with the latest news on my musical adventures.

Another free way to support me is to turn off your ad-blocker.  The site delivers several thousand ad impressions monthly, but most of those are blocked, which means they don’t pay out.  You can usually find the ad-blocker as a little widget or icon in the upper-right-hand side of your browser; click on it and it will usually give you the option to “pause” or stop the blocker from running on this site.  I know ads are annoying, but seeing a few DuckDuckGo ads helps out in an incremental way.

Even if none of that entices you, no worries!  I’m just glad to have you here, reading my self-indulgent garbage and my lengthy advertisement posts.

Happy Friday!

—TPP

More Hustlin’: Another Bandcamp Friday

The Portly PoliticoLeave a comment

It’s another Bandcamp Friday, which means if you buy my music today, Bandcamp doesn’t take their cut, which means I’m dedicating yet another post to pitching you my tunes and my merch (and my SubscribeStar page).

I make this appeal once a month or so, so I don’t want to sound like a broken record (no pun intended), but The Virus has really hit musicians hard over the last year.  My royalty payments from ASCAP in 2021 (based on performances in 2020) will be virtually non-existent (I usually bring in around $200-300 in performance royalties annually from my writer and publishing accounts—not much, but it helps), because there were virtually no performances last year.  Besides lost royalty payments, there’s the lost revenue from gigs, tips, and music lessons (the last of which is, thankfully, picking back up considerably—praise the Lord!).

Last May readers responded to the call and bought my tunes (you can pick up the entire discography for $19.98—a 35% discount, my biggest discount yet).  If you’d like to support independent musicians, today is a great day to do it, as I’ll take home (nearly) 100% of the purchase.

I also have some interesting merch available.  I’m currently offering two completely original doodles, “Bird of Paradise” and “Bleeding Heart,” for just $10 each.  There are no other physical copies in existence, so you’d own these lovingly doodled marker pictures—and no one else.  They make great “bathroom art”—the kind of thing that would look good in a guest bathroom, or maybe a tacky beach house.

I’m also clearing out the last few remaining “Flamin’” t-shirts for $15 (plus $5 shipping; the featured image for this post is on the shirt).  These shirts are rare and I won’t be making any more of them.

An easy (and free) way to support me is to “follow” my Bandcamp page.  I post updates about new merchandise, new music, and other interesting offers about once a month.  It’s a good way to keep up with the latest news on my musical adventures.

Another free way to support me is to turn off your ad-blocker.  The site delivers several thousand ad impressions monthly, but most of those are blocked, which means they don’t pay out.  You can usually find the ad-blocker as a little widget or icon in the upper-right-hand side of your browser; click on it and it will usually give you the option to “pause” or stop the blocker from running on this site.  I know ads are annoying, but seeing a few DuckDuckGo ads helps out in an incremental way.

Of course, you can always take the plunge and subscribe to my SubscribeStar page.  It’s very affordable and grants you access to exclusive posts on Saturdays (and bonus content for $5 and up subscribers).  It’s also the easiest way to support the site on a recurring basis.

Finally, you can send a one-time tip as well; thank you to those of you who have done so.

If you can’t afford to support the site, no worries!  I’m thankful to have you here.  You can always share my posts with friends, family, and other like-minded folks.  And I always love comments and words of encouragement—as well as suggestions about the kinds of content you’d like to see.

Thank you again, as always, for your support.

Happy Listening!

—TPP