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This coming January, two theatrical events will occur: I’m playing the role of “Brett,” the father of a drug-addicted son, in a play one of my former students wrote called Catching Icarus (the hook: both acts take place in a Waffle House in South Carolina); and the Senate trial against President Trump will (allegedly) begin.
From the rehearsals I’ve been to so far, I can say that acting is difficult—and I get to spend most of the first act in a booth drinking coffee. It takes a special kind of conviction (or delusion) to invest in a role, to become another person.
For congressional Democrats, they sure seem right at home on the political stage. They are masters of the kabuki theatre of outrage.
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[…] and economic suicide, coupled with plenty of scorn for those not willing to go along with the kabuki theatre of our national hara-kiri. It seems that the early attempts at “flattening the curve” […]
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