TBT^4: The Joy of Romantic Music II: Bedřich Smetana’s “The Moldau”

It’s been several years now since I last taught the fun but short-lived Pre-AP Music Appreciation course that spawned some of these pieces highlighting classical and Romantic musical works, but I still love the musical selections dearly. Bedřich Smetana’s The Moldau still captures my imagination, and I still have not composed anything that comes remotely close to its beauty and genius.

Nevertheless, I routinely cite Smetana as an influence, especially when uploading my pieces to CD Baby for digital distribution.  He almost always gets a mention in the “artists like” categories I fill out for each release.  Hopefully he’s not spinning in his grave at the thought of that.

With that, here is 11 January 2024’s “TBT^2: The Joy of Romantic Music II: Bedřich Smetana’s ‘The Moldau'”:

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TBT^2: The Joy of Romantic Music II: Bedřich Smetana’s “The Moldau”

One of my favorite pieces of the Romantic period is Bedřich Smetana’s The Moldau, which depicts a musical cruise down the titular river.  I’m not sure why I always reblog about it in January—the piece has a much more springtime feel—but here we are.

I’ve been composing more and more programmatic and Impressionistic music lately, and nothing I’ve written lives up to what Smetana achieves in this piece.

But I said it all best back in 2021—and reblogged it in 2022.

With that, here is 13 January 2022’s “TBT: The Joy of Romantic Music II: Bedřich Smetana’s ‘The Moldau’“:

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TBT^2: The Joy of Romantic Music II: Bedřich Smetana’s “The Moldau”

It’s been awhile since I’ve written about classical and Romantic music, both of which hold a special place in my heart.  Part of the reason is that I am not currently teaching the Pre-AP Music Appreciation course that guaranteed a near-daily baptism in the greatest works of these periods.

So in casting about for a good TBT installment, I came across this little post about one of my favorite bits of programmatic work, Bedřich Smetana’s “The Moldau.”  It’s a beautiful work that transports listeners on a magical journey down the titular river.

I love programmatic music because of its accessibility to average listeners (and because there’s something intriguing to me about a text accompanying purely instrumental music)—anyone can listen to this piece and hear the different scenes on the cruise down the river.  It’s also such a beautiful expression of Smetana’s love for his homeland.

With that, here is 13 January 2022’s “TBT: The Joy of Romantic Music II: Bedřich Smetana’s ‘The Moldau’“:

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TBT: The Joy of Romantic Music II: Bedřich Smetana’s “The Moldau”

In “The Worst of 2021” post, there was a much-neglected gem amid all the filler:  this January 2021 post about Czech composer Bedřich Smetana‘s The Moldau.  My good friend and former colleague H. L. Liptak—herself a noted writer and a recent subscriber, *hint, hint*—praised it in her a comment on “The Worst.”

That got me thinking about this post, and that it deserved a comeback.  Thus, here is January 2022’s “The Joy of Romantic Music II: Bedřich Smetana’s ‘The Moldau’“:

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Lazy Sunday XCIX: Romantic Music

After three Sundays, several SubscribeStar Saturdays, and some Mondays of movie reviews, it seemed like a good time to give the movies a rest.  Don’t get me wrong—there’s a good chance I’ll be writing a movie review tomorrow—but I realized the blog has been skewing a bit heavily in that direction for a few weeks.  Sure, it’s wintertime, the perfect time to vegetate while consuming schlock in the evening, but that doesn’t mean we can live on cultural junk food alone.

To that end, I thought I’d highlight the classier side of The Portly Politico with haute cuisine—my recent posts on Romantic music.  Seeing as Valentine’s Day is one week away, why not cozy up with passionate music from some of history’s greatest composersBon appétite!:

  • Beethoven’s Sixth Symphony” (and “TBT: Beethoven’s Sixth Symphony“) – photog gave the TBT version of this post a shout-out in his most recent “Friday Finds” post.  I’m grateful he did, in no small part because everyone should hear this beautiful, programmatic symphony.  The Pastoral is a beautiful, melodious traipse through the countryside—all told musically.
  • The Joy of Romantic Music” – For a very brief introduction to and primer for Romantic music, I humbly submit this post.  I point out just a few of the many excellent composers from the time period, almost all of whom I’ve discussed in class this semester.
  • The Joy of Romantic Music II: Bedřich Smetana’s ‘The Moldau’” – Due to a WordPress error, the e-mail preview for this post went out a couple of days before the post was published, meaning that many folks missed it.  That’s a shame, because it’s an absolutely gorgeous bit of nationalistic (and naturalistic) composing, detailing a whimsical river cruise down the titular river, sailing through the Bohemian countryside, through Prague, and past an ancient castle.
  • The Joy of Romantic Music III: Hector Berlioz’s ‘Symphonie Fantastique’” – I’ve become fascinated with Hector Berlioz, which is apparently quite common:  music critics either love him almost as madly as he loved Harriet Smithson, or they reject him entirely.  I tend towards the former camp.  Berlioz was a Romantic’s Romantic—full of lofty ideals about the power of music and the passions it stirred.  The Symphonie Fantastique—which he wrote for and about Smithson, and his intense love for her—is likely the first psychedelic work, as it features an opium-addled artist descending into strange dreams.

I’m sure I’ll write more about Romantic composers soon, but these four posts should give you plenty of listening to get you started.

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

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Friday Rundown (18-22 January 2021)

It’s been an eventful week, so I figured an extra post today running down the posts from the past few days would be worthwhile.  Also, I’m a slave to the WordPress daily streak counter, and when I scheduled this morning’s post on Wednesday, WordPress for some reason immediately e-mailed a preview; ergo, I want to make sure I get the daily post streak.  Gotta keep the streak alive!

 So, here is a quick rundown of this week’s posts:

Enjoy!

—TPP

The Joy of Romantic Music II: Bedřich Smetana’s “The Moldau”

Last Friday I wrote of the beauty and power—the sheer joy—of Romantic music, a topic I’ve covered once before on this blog.  In writing last week’s post, I noted briefly that Romantic music is nationalistic, which was certainly true in a number of cases.

Europe following the French Revolution and the Napoleonic Wars was a hotbed of political activity and nationalist sentiment.  The Congress of Vienna (1815) redrew the map of Central Europe, reducing the hundreds of German principalities, bishoprics, duchies, baronies, and the rest into about a dozen political units, hoping these larger Germanic kingdoms would serve as a bulwark against future French aggression.  They did, and more—under the steady Realpolitik of German Chancellor Otto von Bismarck, Prussia gradually grew to unite these new lands into the Second Reich—a unified Germany.

Meanwhile, smaller nations chafed under Austrian or French influence.  Bohemia—now part of the Czech Republic—fought against Austrian political rule and the German language that came with it.  Bohemians championed the revival of their native Czech language, and began revisiting Czech folklore and music as the resting place of the national spirit.

This process was not unique to Bohemia or the Czechs, but today’s featured piece, Czech composer Bedřich Smetana‘s The Moldau, is a prime of example of how nationalist musical ideas can capture beautifully a sense of a place, while also transcending national identity and borders.

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