SubscribeStar Saturday: Making Music

Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.  NEW TIER: $3 a month gets one edition of Sunday Doodles every month!

The past few days I’ve really been pushing my music (see here and here), mainly because Bandcamp waived the commission it takes on sales of musicians’ work yesterday (1 May 2020).  They’re foregoing their cut again the first Friday of June 2020, so I’ll likely be pimping out my electronic ditties again in a month (although, of course, feel free to pick up tunes any time).

I’ve maintained that Bandcamp site the better part of a decade, and until this week, I hadn’t made a single sale.  Perhaps the poor-mouthing about the impact of The Virus on musicians opened hearts and wallets.  To those of you that did purchase my work—I sold seven copies of my full discography (seven releases available now for $15.75), with many buyers paying more than the minimum—I offer a big and hearty THANK YOU.  Seriously, you have no idea what a morale boost it is to have your support.

As for the poor-mouthing, one of the lessons I’ve learned about music is that fans aren’t buying the music, per se, although that does have to be good; rather, they’re buying you and your story.  It’s a frustration for many artistic types that they labor over their art, putting all of their heart, soul, sweat, and blood into it, only to see people more interested in their personal lives than their music.

To read the rest of this post, subscribe to my SubscribeStar page for $1 a month or more.

TBT: Gig Day II

Tomorrow—Friday, 1 May 2020—Bandcamp is waiving the commission it takes on sales of musicians’ work.  That means every purchase made on the site from midnight to midnight Pacific Standard Time tomorrow goes completely to the musicians (other than PayPal processing fees)—another 15% in our pockets.

The Age of the Virus has really taken its toll on musicians.  As I wrote last Thursday, a substantial portion of my income in 2019 came from music lessons and gigs—nearly 17% of my gross income for the year.

With The Virus holding full sway over us, shutting everything down, there are far fewer opportunities for musicians to earn a living—except by way of online album sales.

As such, Bandcamp sacrificing that 15% commission is a huge act of charity for its users.  It also means that it’s the best time to support musicians you lovelike me!

Bandcamp gives musicians the opportunity to sell their music in high-quality digital formats directly to fans.  One nifty feature is that artists can offer their entire discography in one go, often at a discount.

To that end, my discography—seven albums, EPs, and retrospectives, spanning fourteen years of artistic development—is on sale for $15.75.  All of it.  That includes my tour de forceContest Winner EP and its hit single, “Hipster Girl Next Door.”

Another fun feature is that Bandcamp allows fans to pay more if they so choose.  Indeed, when I announced on my Facebook artist page that the full discography was up for grabs, two fans paid $20 for it.  Some artists have reported fans paying as much as $100 for a single album.  I don’t expect that kind of generosity, but, hey—dig deep.

Regardless, there’s never been a better—or more necessary–time to support indie musicians.  We can’t play gigs.  We can barely teach lessons (some folks are doing so online, but it’s just not the same).

So, any support you can offer is always welcome.  To purchase the full discography, you can view any of my albums (like Electrock EP: The Four Unicorns of the Apocalypse) and find a button/link that reads “Buy Digital Discography” (unfortunately, there’s no way to supply that link directly).

Of course, you don’t have to buy all seven albums—it’s just a good deal.  You can also buy individual releases, like 2006’s Electrock Music (ludicrously cheap at $1 for twelve tracks!) or 2007’s Electrock II: Space Rock (just $5!).

But enough soliciting for now—there will be more of that tomorrow.  Let’s get to the ostensible purpose of today’s post—TBT.

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Counting Blessings

After writing yesterday’s blog post about our diminished prosperity, I was quite upset.  I am an emotional sort, given my brooding artistic temperament, and I should know by now that complaining about money and the state of the world will only work me up—or, perhaps, down—into a blue funk (or, occasionally, a purple rage).

So today’s post is meant to be a yellow counterpoint.  It’s easy for me to fixate on negatives.  That’s pretty much the nature of blogging and commentating about politics and culture.  And while I am optimistic for the future, I am a declinist:  I can’t help but notice that much of culture is, at best, a stagnant swamp (hiding away the occasional orchid); at worst, it’s a swamp draining into a desert.

But enough that.  Today’s post is about counting blessings.

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The Lo-Fi Hymnal

Pick up my latest release, The Lo-Fi Hymnal, for just $4 (or name your own price).

Last October, I wrote a piece call “The Joy of Hymnals,” in which I waxed rhapsodic about, well, the joy of playing hymns!  They are fun, singable, and challenging, but not so difficult that they can’t be figured out with some judicious plunking at the keys.

Sometime earlier this year, I began making very short recordings of myself playing hymns on the piano at church, mainly during offertory or the invitational—or occasionally during what I call the “walk-off,” the time when the choir members walk back to their seats—as I can usually get through one verse and chorus without (too many) mistakes.  These were mainly to send to friends (you’d also be surprised how much Christian girls like a man who plays piano at church) and for my own edification.

It occurred to me that, albeit the qualities of the recordings were fairly low, I could package them together into a short little EP release.  So I set about compiling my meager collection of four cellphone recordings into The Lo-Fi Hymnal.

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Yet Another Monday Morning Appeal

If you don’t want to read all of this post and just want to get the point where you give me your money via my SubscribeStar Page, here is the TL;DR pre-summary of the post below:

  • For $1/month, you get exclusive posts every Saturday.
  • For $3/month, you get the exclusive Saturday posts, and one edition of Sunday Doodles each month.
  • For $5/month, you get exclusive Saturday posts and Sunday Doodles every Sunday, as well as random exclusive content.
  • You can also subscribe at $10/month or, if you’re just looking to give me money, $50/month.  I’ll probably come wash your car (or call you and talk politics and culture) for that much.  Yeesh!

Last week I made another appeal for subscribers to my SubscribeStar Page.  Not wanting to write about the coronavirusagain—I decided to break my self-imposed “once-every-six-months” rule to bring you another shameless appeal for your support, because it didn’t work last week.

To sweeten the pot, I’m going to include some of the whimsical doodles that, up to this point, only $5 or higher subscribers can view.  These are my Sunday Doodle posts, of which there are currently twenty-two editions.

Here is a sample of the instantly classic artwork you’re missing:

To make it even more compelling, I’ve introduced a new $3 tier, “Fried Bologna.”  At that level, you’ll get all the great SubscribeStar Saturday posts of the $1 level, plus one monthly edition of Sunday Doodles (along with the $5 subscribers).

To recap:

  • For $1/month, you get exclusive posts every Saturday.
  • For $3/month, you get the exclusive Saturday posts, and one edition of Sunday Doodles each month.
  • For $5/month, you get exclusive Saturday posts and Sunday Doodles every Sunday, as well as random exclusive content.
  • You can also subscribe at $10/month or, if you’re just looking to give me money, $50/month.

These are tough times, so any support you can muster is appreciated.  If you are already a subscriber, thank you so much, and please send forward this post to friends and family that might be interested.  If not, please consider subscribing—even $1/month helps immensely.

Thank you again, and have a wonderful Monday!

—TPP

TBT: April Fool’s Day: A Retrospective

Last year marked the tenth anniversary of my unceremonious lay-off/non-renewal of my teaching contract.  It was the height of the Great Recession, and jobs were lean on the ground.  “Entry-level” positions called four a four-year degree and two-year’s (minimum) experience, yet holding an advanced degree was considered “overeducated” and could potentially disqualify an applicant for work.

It was the worst of all situations for a young man barely out of graduate school and just one year into his teaching career.  I was lucky, though, to have a good dad with a background in human resources and local government, who helped me find a decent job with the City of Sumter.  I was only out of work maybe three months, and had parents who were able and willing to support me during that period.

Even then, I was anxious to get out on my own again, not because I was chafing under my parents, but because I was keenly aware I was not being a man.  Instead of earning my own way in the world at twenty-four, I was living off the generosity of my parents.  That’s one of the myriad ways in which an economic downturn can take a spiritual toll on a young man.

Now it appears we’re on the precipice of another major economic catastrophe, this time thanks to the coronavirus and the stringent public health measures taken to slow its inexorable spread.  Things were really started to rev up again.  Even though the economic recovery began even as early as 2009, it didn’t feel like we were in a recovery until around 2017.  Trump’s election didn’t just buoy the stock market; it brought a sense of renewal, hope, and optimism to the United States.

Americans, especially younger Americans, don’t remember how bad the Great Recession was.  I feel for young college students who are just about to enter the workforce—I was there, too, not long ago.  I wish you could have enjoyed at least a few years of the good life.

On the plus side, we will get through this downturn, although I suspect it’s going to be far worse than the Great Recession.  We’ve never tried shutting off the entire economy before, then plugging it back in two weeks—or maybe a month, or three months—later.  Two weeks we may have seen things roaring back; maybe we will after a month.

But I can’t conceive of a rapid return to normality if it stretches much longer than that.  Small businesses are going to go under once they burn through their cash reserves.  The restaurant industry, along with the hundreds of thousands of waiters, cooks, busboys, hostesses, etc., it employs, is going to be changed for a long time.  That’s just one example among many.

I’m already feeling the effects on my private lesson business, which was booming before The Virus (although it was down a bit from its 2019 peak).  Right before The Virus hit, I had six consistent students at $30 per lesson, per week.  That’s not bad for supplemental income (at my peak, I had ten students, one for a $45 lesson, though I was only charging $25/lesson at that point).  Most of those cancellations are for the duration of The Virus, but once the plague has passed, the damaged economy will remain.  Some of those students will resume, but belt-tightening budgets are going to eliminate piano lessons fairly quickly, if I had to guess.

That said, I am blessed to have a steady job now, and will hopefully avoid any repeats of 1 April 2019.  The Great Recession left a mark on me, and it’s made me more prepared for this next downturn.

With that, here is 2019’s “April Fool’s Day: A Retrospective“:

Today is April 1, 2019, popularly known as April Fool’s Day.  It’s a day for good-natured pranking and mirthful fun, a bit like a poor man’s Halloween.

This April Fool’s Day holds a particular resonance for me, however.  It was ten years ago today that, in the midst of the Great Recession, I lost my job.

Technically, my teaching contract was not renewed.  I still had an obligation to finish out the year, which I did as best I could, but I would not be coming back.

I remember it vividly:  my school’s former headmaster told me he wanted to speak with me.  I went into his office, and he told me a few things:  the school was consolidating my classes into fewer sections; the school desperately needed money (the enrollment was around ninety-five kids, and things were so tight they needed the $28,000 going towards my salary); and the economy was not conducive to private school fundraising and tuition.

He told me that, as I’d studied history (he, too, was a history teacher), I knew how these kinds of economic downturns went.  I thought he was mentioning this as a bit of cold comfort, a sort of, “don’t worry, it won’t last long, a[nd] you’ll be okay.”  Instead, he continued, saying, “this thing could last an entire decade!”  Yikes!  Way to kick a man when he’s down.

I knew (or, at least, I hoped—the day isn’t over yet!) that I’d never have the opportunity, grim as it was, again, so I said, “Wait a minute—this isn’t just some elaborate April Fool’s joke, is it?”  He said, stone-faced, “I wish it were.”

So, there I was, facing imminent unemployment in the worst job market since the Great Depression, with only one year of teaching under my belt and a Master’s degree in United States Trivia.

We forget, living in the wonderful Trump economy, how hard it was back then.  Jobs were not to be found.  Remember going to gas stations, and people would start polishing your hubcaps against your will so they could sell you the cleaner?  That’s how bad it was—people were hawking hubcap polisher at rural gas stations to try to make ends meet.  “Entry level” jobs required two years of experience, at minimum, which no one fresh out of college plausibly had (unless they’d wisely done some kind of internship or work study).

Fortunately, with some help and coaching from my dad, I landed a job at the City of Sumter, after only three months of formal joblessness.  I was quite fortunate.  I managed the Sumter Opera House, where I learned to run live lights and sound.  I also met some interesting people, including the comedian Gallagher (that used to be an impressive anecdote, but now few people under thirty know who Gallagher is; it’s a shame).  He was an odd bird, which isn’t that surprising, given he made a career out of smashing fruits with a sledgehammer.

That job turned into a grind—remember, if you had a job, you had to do pretty much anything your employer demanded, lest you face termination—but I learned a great deal, and it landed me back at my old teaching gig, under a new headmaster, in 2011.

That experience—being jobless in the Great Recession—left an enduring mark on me.  My first year teaching, I definitely phoned it in.  I worked hard on lectures, of course, but beyond a little club for musicians, I didn’t do much extra.

My first year back in the classroom, in 2011, was completely different.  I was teaching World History, Government, Economics, History of American Popular Music (a course I created), and AP US History.  I had to do prep for all of them.

I was astonished how much American history I’d forgotten since high school and college (a pro-tip:  studying American history in graduate school is more about reading overly-detailed monographs about obscure bits of the story of America; when I took my exams to finish my Master’s, I essentially used information I learned in my eleventh-grade AP US History class).  I would spend hours on Sunday afternoons at the Thomas Cooper Library at the University of South Carolina writing up lesson plans.

Then, I became the de facto sound guy for school events after a talented tech kid graduated (I named an award after him, which I give to students who assist with our concerts and plays on the tech end).  It’s the ultimate in job security—no one else knows how to do it—but it’s also a major obligation—no one else knows how to do it.

Since then, I’ve grown a decent side hustle teaching private music lessons.  I also teach courses at a local technical college, mostly online, but some face-to-face.  In 2014, I taught Monday-Wednesday evenings, first from 6-7:15, then from 9-10:15 PM.  I’d come home, exhausted, and fall asleep in my recliner.  Thursdays felt like Saturdays because, even though I still had two days at the high school, it was the longest possible point before a grueling sixteen hour Monday rolled around.

I save constantly for retirement—I make the legal annual maximum contributions to my IRA, 403(b), and HSA—and spend very little money.  I still drive the same Dodge Caravan that I’ve had since 2006.  I will occasionally splurge and buy digital piano, but my saxophones are falling apart (literally—my pawn shop alto sax has a key falling off).  I occasionally worry that, on that glorious day when I do retire, I won’t know what to do with myself if I’m not working.

All that said, I have done everything possible to position myself against another recession, bad labor market, etc.  April 1, 2009, seems now like a distant memory, but it could all come back.  I’m reminded of The Simpsons episode where some repo men are repossessing property from a failed Dot Com start-up.  One of them says, “It’s a golden age for the repo business—one which will never end!” as he lights a cigar with a $100 bill.

It’s easy to fall into that mindset.  I’m optimistic for the future, but I’ll never take prosperity or security for granted again.  Constant hustling—booking new gigs, picking up more students, getting more classes, working maintenance on the weekends, leading summer camps, collecting songwriter and publishing royalties—is what it takes.

Reflections on Distance Learning, Day One

The first day of distance learning is officially in the books.  I promise that this topic will not be the only one I write about for the next two weeks, but I am going to give updates periodically.

Being the first day, it was certainly the busiest.  Yesterday students came to school in the morning to collect whatever materials they may need for the next two week, and teachers spent the day buzzing away at recorded lectures, digital lesson plans, etc., so we’d be ready to hit the ground running at eight o’clock this morning.

A great deal of teaching is staying one or two days ahead of the students, especially when you’re first starting out.  I had a bit of that sensation—the first-year teacher drowning under a Herculean load of preps—yesterday and today, but where I’ve been lecturing on US History and Government for so long, I can riff almost effortlessly with just a few cues from my well-worn lecture slides.

Prepping for Music, ironically, has been the most difficult.  We’re using Google Meet to livestream and record lessons, which makes it pretty easy to record audio while also sharing slides with students.  With my two Music classes, though, I had to get a little creative.

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State of the Blog 2020

It’s been a great week for conservatives and populists.  Brexit, the Democrats’ disastrous Iowa caucuses, Trump’s incredible SOTU, Trump’s acquittal in the Senate:  it’s almost too much winning, just as Trump promised when he was running for office.

With so much goodness—and more to come—it’s hard to dream up something to write about today.  So, in the spirit of the SOTU, here’s a brief update on the State of the Blog here in 2020:

  • I’ve continued with daily posts, though I’m beginning to make them a bit shorter.  That’s mainly due to time constraints—the lazy, cold weeks of January have melted into the increased tempo of February.  Things are picking up at work, and will only get busier from here on out.
  • I’m still sitting steady at five subscribers to my SubscribeStar page.  I’m up to fifty-six posts over there (it’ll be fifty-eight by the end of this weekend), with most of those available at the $1 level.  The Sunday Doodles seem to be eliciting big laughs from the $5 subscribers, and I’m looking to expand offerings at that tier.  I’m trying to devote more time overall to making the Saturday essays more in-depth than the daily posts here.  Regardless, it’s a huge value—tons of content for just a buck.
  • I’ve made no progress on the long-discussed Portly Podcast.  That’s a whole world that I just haven’t had a chance to explore, and when I finally do it, I want to do it right.  It’s also a matter of time.  I’m considering a half-hour weekly format, one that would largely review pieces from the week, with some additional commentary.  That might become a SubscribeStar exclusive.
  • Similarly, the many eBook ideas I’ve had have not been fleshed out at all.  The daily blog here tends to take up the one free hour I have every day to get a bit of writing done, and I’m typically wiped out in the evenings when I finally get home.  Mentally, I’m a morning person—that’s when I write the best material, and my mind is the most lucid (especially after a couple of cups of coffee).  I’m looking to spend most of this summer writing, so be on the lookout for more updates then.
  • In the meantime, I’m really looking to expand my SubscribeStar page subscriber base.  If you know of someone who wouldn’t mind pitching in a buck a month, please forward them this linkhttps://www.subscribestar.com/the-portly-politico/subscribe?tier_id=6854.  I struggled just to get my own family members—who wanted to subscribe and were motivated to do so—to take a few minutes to sign up.  I’m not complaining—I appreciate the support, y’all—I’m just pointing out how difficult it is to get even motivated buyers to pull the trigger.  One reason I keep pitching the subscriptions is because folks forget it’s out there.

That’s about it for now.  It’s been fun keeping up with the blog.  I’m just hoping to monetize this sucker a bit more.  Any support you can offer is always welcomed, and much appreciated.

Thanks again for your support!

—TPP

Lazy Sunday XLIV: SubscribeStar Posts, Part II – The Search for More Money

Well, after a successful opening night and two other excellent performances, the play is in the books!  My girlfriend and I celebrated with a trip to Columbia to hear the South Carolina Philharmonic (more on that tomorrow), and I’m finally back home.  It’s been an exhausting, but artistically fulfilling, few weeks.

This week’s Lazy Sunday features some recent SubscribeStar Saturday exclusives.  To read the full posts, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

There’s not much to link these together thematically, other than they all will cost you a buck to read (not each, though—that just covers the subscription, and then you can binge them all for $1 total).  But they are some of my better SubscribeStar posts.

  • The Tedium of (Teaching) Slavery” – Teaching about slavery is a tedious slog, not because the topic isn’t interesting or worthy of discussion, but because it devolves into a set of magical incantations to ward against the curse of “racism.”  Political correctness deals historical education another blow.
  • End-of-the-Decade Reflections; Age and Class” – Some reflections about the long decade of the Teens, as well as an examination of the difficult financial environment in which Millennials, et. al., endure.
  • The Twenties” – Some historical writing, looking back to the 1920s, and drawing some comparisons between that turbulent, raucous decade and our own times.

Well, that’s it.  Apologies for the late posting, but here’s hoping you enjoyed a wonderful—and lazy!—Saturday!

—TPP

Other Lazy Sunday Installments:

SubscribeStar Saturday: Performing

Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

Last night was opening night for Catching Icarus (get tickets to today’s matinee, or tonight’s performance).  It was a sold-out show before doors even opened.  I was incredibly keyed up in the build-up to the performance, but experienced an odd sense of calm as curtains approached.

Without giving too much away, the play really “opens” as the audience enters the theatre.  I am already on stage, eating a waffle, drinking coffee, and reading a book.  You’d think it would be weird eating breakfast in front of 100 people shuffling into their seats—some of them a mere ten feet away—but if there’s one thing I do well, it’s eat.

By the time I actually complete this post, I will have gotten through today’s performances (most likely).  But I will write, briefly, that performing is difficult, taxing, draining—and exhilarating.

Note to subscribers:  due to a heavy performance schedule today, this post may not be completed until later this evening or tomorrow morning.  Thank you for your patience.

To read the rest of this post, subscribe to my SubscribeStar page for $1 a month or more.