Lazy Sunday CXXIX: Friends, Part I

Back in June, I started a new feature on non-Bandcamp FridaysSupporting Friends Friday.  It’s a small way to highlight and support the works and talents of my various friends, of both the IRL and online variety.

Now that I’ve written several of these posts, it seemed like a good time to look back at them.  The three this week are all good friends I know personally—indeed, they all live within forty-five minutes of me—and we have a musical connection.  The first friend featured is a poet, but we met at local open mic nights.

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

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Supporting Friends Friday: Review of Rachel Fulton Brown and Dragon Common Room’s Centrism Games

After sitting with the copy on my nightstand since the book’s debut, I finally sat down and read Rachel Fulton Brown and Dragon Common Room‘s Centrism Games: A Modern Dunciad.  Having read it, my only regret is that I did not do so sooner.

A bit of background is in order:  Dr. Rachel Fulton Brown is a medievalist at the University of Chicago, and is known in our circles as a traditional Christian professor fighting against social justice indoctrination and infiltration of the humanities.

One wouldn’t think the more esoteric realm of medieval history would be a major battleground for the ultra-woke, but it makes sense:  the modern West is profoundly a product of the Middle Ages.  With that in mind, it becomes clear why the progressive revisionists wish to dominate the field:  in rewriting medieval history to fit their woke narrative, it makes the rest of their revisionist project—of casting all white, male, Christian endeavors as inherently wicked—that much easier.

Milo Yiannopoulos’s short book Medieval Rages: Why The Battle for Medieval Studies Matters to America, details that struggle in more detail.  I highly recommend picking it up, as it highlights the length to which the wokesters have gone to silence Dr. Brown.  Correspondingly, it demonstrates Dr. Brown’s incredible courage and fortitude—as well as her cleverly elfish responses to her critics.

Dr. Brown founded a Telegram chatroom, Dragon Common Room, to be a “a place for training in the arts of virtue and poetry. And mischief making for God. We fight the demons with laughter and wit.”  I participate infrequently in chat, but it has become one of my favorites on the platform.  In addition to fighting “demons with laughter and wit,” Dr. Brown and her merry band of righteous mischief-makers wrote, workshopped, edited, and compiled Centrism Games, releasing it as a handsome little volume consisting of seven poems of thirty stanzas each.

The seven poems constitute a mock-epic narrative, modeled after Alexander Pope’s satirical epic The Dunciad.  Whereas Pope’s Dunciad mocked the goddess “Dulness” and her agents, Centrism Games lampoons the goddess Fama—Fame—and her o’er eager knights

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Supporting Friends Friday: Jeremy Miles’s New Book is Out Now

One of the joys of blogging and creating is the opportunity to support my buddies’ work.  I’ve been blessed to be associated with quite a few prolific and ingenious individuals, and while I have spent many a Bandcamp Friday hawking my digital wares, I’m excited to take this Friday to showcase a friend’s work.

My real-life buddy Jeremy Miles (who also maintains a blog) has released his latest book of poetryHindsight: Poetry in 2020.  It’s available in paperback, hardcover, and Kindle editions, at (as of 8 June 2021) $15, $25, and $2.99, respectively.  I’ve ordered the paperback version and eagerly await its arrival.

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Improving Christian Fiction

I stumbled upon the psychotherapist and author Adam Lane Smith when Mogadishu Matt wrote a “Sunny Side Up” book review of Smith’s action-comedy novel Maxwell Cain: Burrito Avenger (readers will forgive me for noting that my own book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot was featured in the inaugural “Sunny Side Up” review).  I have yet to purchase any of Smith’s works yet, though I intend to pick up copies of Maxwell Cain and books from his Deus Vult Wastelanders series.

I have, however, signed up for Smith’s e-mail list—the least any potential supporter can do—and have enjoyed his e-mail blasts.  One recent message caught my eye:  a blog post entitled “Time to Fix a Problem.”

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Midweek Short Story Recommendation: “The Visit That Wasn’t”

Good old Terror House Magazine continues to publish some of the best short fiction being written today (including my own absurdist writing), and it’s my pleasure to recommend another story by one of their contributors, Adrian David‘s “The Visit That Wasn’t.”

The story is a short parable riffing on the saying “the grass is always greener on the other side.”  Visitors to the protagonist’s land keep telling him how terrible and crummy the place is, and instead brag about the greatness of their home.

The glowing talk of the visitors’ homeland churns away in the mind of the protagonist, until he finally decides to pay a visit.  What he finds depresses and angers him:  nuclear war, corruption, violence, declining birth rates, normalization of pedophilia, famine, depravity, etc.

Feeling cheated, the protagonist returns to his own home, and realizes how much he took it and its charms for granted—but there’s a twist (I recommend reading the story, which takes about three minutes, for the full impact; twist revealed below).

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Spring Break Short Story Recommendations 2021, Part III: “Out of the Deep”

Rounding out this week’s Spring Break Short Story Recommendations is Walter de la Mare‘s 1923 psychological ghost story “Out of the Deep.”  This story is the second in Chilling Ghost Stories, edited by Stefan Dziemianowicz.

“Recommendation” is perhaps a strong word for this story, which is, at times, excessively wordy and confusing—and that’s coming from me!

“Ghost story” is also, perhaps, a bit of a misnomer, though there does appear to be at least one—and possibly three—apparitions in the story, although that’s never made entirely clear.

It’s the wordiness and lack of clarity, though, that paradoxically make the story interesting.  Walter de la Mare was a poet, and brings something of poetry’s attention to the consonance of words.  At least, I’d like to think that’s what he is going for here; he clearly enjoys playing with language, almost the way a punster does.  It makes for tedious reading at times, but does have the effect of keeping the reader guessing as to what is really happening.

But I digress.  The real “ghosts” are the ones haunting the protagonist, Jimmy, a listless young man who has taken possession of his late uncle’s rambling London townhouse.  Jimmy apparently has no occupation, and lives by selling off the sumptuous possessions his aunt and uncle left behind.  Jimmy is also something of an eccentric insomniac, who finds it difficult to sleep unless bathed in candlelight (at least once in the story he sells some household items so he can purchase candles).Read More »

TBT: The Creation of Culture

The theme of this Spring Break Week is short stories, but more deeply it’s that of culture generally.  Indeed, The Portly Politico has dedicated itself increasingly towards cultural, filmic, musical, and literary matters far more over the past few months than ever before, for a reason:  creating culture is far more powerful and interesting than largely meaningless squabbles over minute points of policy.  That’s not to say that politics aren’t important—at the local level it’s very important—but there’s not much we can do in a practical sense to sway the indifferent national government at this point.

Culture, on the other hand, is something we can proactively create and promulgate.  A major push on the traditional Right as of late has been to do just that:  create a compelling (counter?)culture to the prevailing popular culture of nihilism and materialism.  Rachel Fulton Brown’s Centrism Games: A Modern Dunciad, the product of her excellent Telegram chatroom Dragon Common Room, is one exquisite effort at creating (and reviving) a rich literary culture on the Right.  The collaborative nature of the work—RFB is the editor, with sections of the epic poem composed by different members of the chat—further highlights the proactive act of creation among like-minded individuals, each mixing their unique voices into a scathingly satirical blend.

My own book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot, is my own meager contribution to this new culture—a work so honestly reflective of my teenaged self, I didn’t even fix some of my collegiate typos!  It’s a bit postmodern and absurdist, but it at least gives a glimpse into the gradual transformation of one young creator (in this case, me!).

My music, too, is a humble contribution to cultural creation.  I’ve always thought of The Four Unicorns of the Apocalypse, in particular, as an eschatological statement of sorts.  At the very least, it attempts, musically, to reflect a civilization‘s fall into decadence and nihilism, before the cycle repeats.

But I digress.  For this week’s edition of TBT, I thought I’d do something I’ve never done before:  bring a post from my SubscribeStar page out from behind the paywall.

The occasion for writing this post—“The Creation of Culture“—was the release of my friend Jeremy Miles‘s collection of poetry, A Year of Thursday Nights.  Jeremy is no Right-wing traditionalist, but his collection is the result of a year of attending open mic nights and performing his (very entertaining) poems.  In essence, he created culture out of a vibrant community of artists and musicians, both chronicling and enhancing the performances that took place at a local coffee shop’s open mic night over the course of 2019.

But I’ve gone long enough in this rambling preamble (a “preramble?”).  Here is 25 January 2020’s “The Creation of Culture” (on SubscribeStar):

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Spring Break Short Story Recommendations 2021, Part II: “The Personality Cult”

Today’s short story selection, Michael Noonan‘s “The Personality Cult,” comes from Terror House Magazine, an alternative online literary journal that publishes some excellent works from newer authors (although, it should be cautioned, they publish anything, including pieces that are borderline smut; browse with care).  Indeed, two of my Inspector Gerard stories will appear there later this month.  I’ve been reading Terror House Magazine for a couple of years now, and have been impressed with the gems they publish.  “The Personality Cult” is one such precious stone.

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Update on Letter Writing

A couple of Saturdays back, I wrote a post about “The Lost Art of Letter Writing.”  While most of the details of the post are behind the paywall of my SubscribeStar page, the meat of the post was in the preview:  letter-writing is an intimate, thoughtful, and fun way to connect (or reconnect) with old friends and family.

I started my bout of letter writing fifteen days ago, sending out ten postcards I’d purchased at Universal Studios for $12.  After churning through those postcards, I found two greeting cards in a drawer, and send those out.  The cards had nothing to do with Christmas—a former student over a decade ago gave them to me, and they featured a photograph of a lizard he’d taken in the desert—but they were better than nothing.

By that point, facing some free time and having caught the bug, I wrote two letters.  Lacking cards or postcards, I turned to an old notebook I’d picked up at Target years ago—a simple spiral-bound, ruled notebook with a wacky robot on the cover.  The single page opened up new vistas of development, allowing for slightly longer, more detailed letters.

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