One of the many benefits of teaching music is (re)discovering beloved favorite works. During last week’s round of distance learning, I had to pull out some of the classics. If we’re going to sit on a Google Meet call, let’s listen to some music, not just talk about it.
I really love programmatic music—instrumental music that tells a story, often accompanied by program notes explaining (usually very briefly) what the listener is supposed to hear in the musical “story.” Students often like to imagine their own stories when listening to instrumental music, which is great, but I find that programmatic works give students (and myself!) some guideposts to follow.
Fortunately, Ludwig von Beethoven provided some handy ones for us in his Sixth Symphony, quite possibly my favorite symphony, and certainly my favorite of Beethoven’s. It’s the so-called “Pastoral” symphony, as it depicts a pleasant trip to the country (besides the roiling thunderstorm in the fourth movement).
It’s also unusual in two respects: instead of the standard four movements of the classical symphony (a fast opening movement, a slow second movement, a dancelike third movement, and a fast fourth movement), Beethoven includes five; and the third, fourth, and fifth movements all flow seamlessly into one another, without the customary pause between each.
It is also long, especially by the standards of the classical symphony (the Romantics, however, would have easily matched Beethoven for runtime), clocking in at nearly forty-five minutes (the typical classical symphony averages around twenty-five-to-thirty minutes, but forty-five would have been the upper limit for the time). But that length is in service to Beethoven’s vision, and he fully explores every theme in this symphony.
Here is a particularly excellent performance—the one I showed, in part, to my classes last week—by the Berlin Philharmonic, under the direction of Bernard Haitnik:
With that, here is 4 February 2021’s “TBT: Beethoven’s Sixth Symphony“:
The Portly Politico 