Tag: A Very Portly Christmas

Memorable Monday Morning Movie Review: A Very Portly Christmas: A Christmas Carol (1951)

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Back in 2022 a couple of my regular contributors and I each took turns reviewing the 1951 film adaptation of Charles Dickens’s A Christmas Carol (for links to all three reviews, click here).  The film has since became almost annual viewing for yours portly, a tradition I hope to continue with Dr. Wife.

With all the busyness of the wedding and last week’s school play (as well as this week’s school concert), I decided to take this morning to look back at my review from three years ago.

The film is a poignant reminder to keep the joy of Christmas alive in our hearts, something that is often difficult as the trials of adulthood responsibility exact their toll.  But Christmas is the time of year to celebrate the Birth of Jesus, and to recapture—to the extent possible—the simple magic of childhood.

With that, here is 19 December 2022’s “Monday Morning Movie Review: A Very Portly Christmas: A Christmas Carol (1951)“:

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Memorable Monday Morning Movie Review: A Very Portly Christmas: A Christmas Carol (1951)

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Yours portly has had another busy weekend, one full of Christmas cheer.  It was very nice to spend time with family and Dr. Girlfriend.  Naturally, the blog and the Advent Calendar have fallen by the wayside a bit, but I’ll be getting caught up with both.  It’s Exam Week this week, so I have the most free time I’ve had since summer break, so my hope is to work ahead on the blog enough that I don’t need to touch it much until 2025.

Last night Dr. Girlfriend I started watching the 1984 film adaptation of A Christmas Carol starring George C. Scott as Ebenezer Scrooge.  We didn’t get to finish, but it’s remarkable to me how well done this version is.  It brought to mind the 1951 version, which is an exquisite adaptation in its own right; indeed, it might be the definitive version.

So it is that I thought I’d cast a glance back to my own review of that version from 19 December 2022.

With that, here is “Monday Morning Movie Review: A Very Portly Christmas: A Christmas Carol (1951)“:

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Delayed Monday Morning Movie Review: A Very Portly Christmas: It’s a Wonderful Life (1946)

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My sincerest apologies again to readers:  I am extremely delayed with this review (as readers will note, this Monday review is going up on a Thursday—d’oh!).  Like a good little port, I re-watched 1946’s It’s a Wonderful Life two or three weeks ago, when Audre, Ponty, and I agreed to review it and the 1951 Alistair Sim version of A Christmas Carol earlier in December.  I was writing and editing like the wind to get most everything done before departing for a pre-Christmas trip to Arizona (more on that in a separate post), but didn’t quite manage to get it all done.

As I’ll detail in another post, I spent the first quarter of Christmas Day driving from western Kentucky down through Nashville, Chattanooga, Atlanta, and Augusta, before finally reaching my parents’ home in western South Carolina.  I’d managed to get posts done through Christmas, thanks to a delayed connecting flight in Minneapolis, but was unable to get much more writing done beyond that.  Christmas Eve saw me convoying to Kentucky from my older brother’s home in Indianapolis; I spent a frosty Christmas Eve with his in-laws on their farm, before setting out early Christmas morn along the route delineated above.

That’s all to say that, despite my chubbiest efforts, I was not able to get everything done.  Facing the prospect of writing this review late on Christmas night, I put it off, hoping I’d knock it out Monday evening—to no avail.

But I digress—enough excuses.  What about the film?

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A Very Portly Christmas: Ponty’s Review: It’s a Wonderful Life (1946)

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It’s a Wonderful Life (1946) is one of those films that holds a special place in the hearts of millions, myself among them.  I’ll never forget watching it one Christmas night on the floor of my paternal grandfather’s den, he in his recliner, my cousins and myself on our bellies.  Implausibly, I was allowed to stay and watch it while my parents took my brothers home (we lived probably twenty or thirty minutes away at the time, and my mom loathed the inefficiency of multiple trips anywhere—a thrifty trait I have inherited), and my dad came and picked me up afterwards.  I was happy and utterly exhausted, but I’ll never forget that good old mom made me take a bath anyway, even though I could barely keep my eyes open.

Ask anyone who has seen this film, especially in childhood, and they’ll have a similar story.  Ponty relates his own tale in this wonderful review, and it’s something that contributes to the timeless and heartwarming quality of the flick.  It’s a Wonderful Life is not just a movie, but an experience, something shared across generations, and indelibly linked, for as long as film as a medium exists, to Christmas and family and love.

With that, here is Ponty’s review of 1946’s It’s a Wonderful Life:

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Monday Morning Movie Review: A Very Portly Christmas: A Christmas Carol (1951)

The Portly Politico5 Comments

Now it’s yours portly’s turn to step up to the plate and take a swing at review a timeless Christmas classic, the 1951 adaptation of A Christmas Carol.  Ponty did the film a great service, and I must confess I read his review before viewing the film, which somehow—shamefully!—had slipped through my viewing until this point in my life.

Such is the peril of editing guest contributions:  I have to read them in order to write a pithy introduction and to get them scheduled.  As such, I’ve read Ponty’s review, which has already been published, and Audre‘s review, which will pop this Wednesday, 21 December 2022.  I’ve tried my best to stick to my own thoughts on the film, but Ponty’s review in particular really enhanced my viewing of the film.  He doesn’t spoil anything, but his analysis of some of the scenes is quite insightful.

A Christmas Carol has been on my mind a good bit lately.  Over Thanksgiving I reconnected with a college classmate from a Fiction Workshop class I took my senior year, herself a self-published author.  She has been brainstorming ideas with me about an alternate telling of A Christmas Carol involving Scrooge and restorative, romantic relationship—a God-centered romance that turns the acquisitive, miserly Scrooge into the generous, giddy soul we see at the end of the film.  I won’t reveal more, but it’s a fun project, and in line with her approach to writing.

All digressions aside, I must echo the sentiments of my contributors:  the 1951 version starring Alistair Sim as the sinister Scrooge is one of the most arresting bits of storytelling I’ve ever seen set to film.

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