Spring Break Short Story Recommendations, Part I: “The Judge’s House”

One of the perks of teaching is all the time we get off.  For my money, it’s not the long summer break that is the best—usually because I spend my summers working—but Christmas Break, which stretches on for two stately weeks.  It’s the ideal amount of time to decompress after the long Fall semester.

Next to that, however, is Spring Break, which at my little school lasts for a gloriously overstuffed eleven days, if you include the weekends (it’s seven workdays in total).  I still contend that Easter should get its full due and, a la a Southern European and/or Latin American country, get a full two weeks.

Nevertheless, the time off gives me a bit more time to relax and reflect (although I’ve been promised quite a few chores from my parents, who I am visiting for a bit)—and to read.  When it comes to books, I have the same issue as I do at buffets:  my eyes are bigger than my stomach (or, in this case, my capacity to read everything).  I always bring too many books with me on any trip, and am lucky to crack even one of them.  I also overindulge in written junk food, like reading various articles and blog posts online.

Further, my parents’ house, like my own, is full of books.  So I often find myself thumbing through their collection while neglecting my own Babel-esque stack of half-read tomes.

Such has been the case this Spring Break.  My own stack of reading sits forlornly to my right, probably feeling (if books can feel) a tad unnecessary.  Instead, I’ve been reading through a short story collection, 11 Great Horror Stories, edited by Betty M. Owen.  It’s a collection my mother picked up from a Scholastic book sale when she was still in school (this particular printing, the fourth, was published in March 1970, though the original copyright date is 1969), and it’s held up remarkably well for a paperback.

The collection itself is not all that horrific.  Several of the stories are only tangentially related, at best, to the horror genre; some of them, like Poe’s “The Oblong Box,” are more properly mysteries.  The collection does open with H.P. Lovecraft’s magisterial “The Dunwich Horror,” which is a must-read, although I skipped over it on this reading because it’s nearly sixty-five pages long.

For a detailed synopsis of all eleven stories, GoodReads.com reviewer Williwaw has written an excellent and useful summary of the collection, without giving away any of the fun and macabre twists.

For our purposes today, I’m recommending one of the better stories from the collection, Bram Stoker‘s (of Dracula fame) “The Judge’s House,” first published 5 December 1891.

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On Ghost Stories

Yesterday’s post about Father Robert Morey’s courageous stand for the unborn really took off.  Thank you to readers for sharing the post, and thanks to those of you who left comments.  Please continue to keep Father Bob in your prayers.  —TPP

It’s Halloween!  Well, at least it’s All Hallow’s Eve Eve, but that’s close enough for some ghoulishly delicious ghost stories.

I love a good ghost story.  The Victorians did the genre best, but many writers since have honed it further, adding their own unique twists and scares.  Even Russell Kirk, the great conservative philosopher, was a fan of ghost stories.  Indeed, his bestselling book was a ghost story.

For the Victorians, ghost stories were told at Christmastime.  This timing, while peculiar to modern readers, makes sense intuitively—Christmas is a time for remembering the past, in part (perhaps especially) our honored dead (just ask Washington Irvingif he comes by to haunt you).  The “ghosts” of departed loved ones linger closely during those long, frosty nights.  The inherent nostalgia of Christmas and the winter season—and bundling up next to a crackling fire—sets the perfect mood for ghostly tales.

Nevertheless, what other time of year can beat Halloween for a good tale of witches and werewolves; of monsters and mummies; of ghouls, goblins, and ghosts?

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Friday Reading – Dystopian Short Story

A previous version of this post featured an image of a robot shooting laser beams from its eyes.  Apparently, that image belongs to Laser Tag Birthday Party at https://supremelasertag.com/.  I’ve removed the image, but if you see an archived version of this post via The Wayback Machine, consider this statement an official attribution to Laser Tag Birthday Party at https://supremelasertag.com/ for the image.  —TPP

It’s been a good, but long, week—I’m still recovering from a nasty cold that’s lingered for almost three weeks now—and the three-day Labor Day Weekend will be a welcome respite.  Classes are going well, and my Advanced Placement United States History students seem, in the whole, engaged and eager to learn about our nation’s history.  I’m just looking forward to some rest.

So, what better time to skip politics and do a little reading?  I occasionally read short stories from Terror House Magazine, an online literary magazine that will publish pretty much anything.  They run a monthly prize with a $10 purse for the best submission, but otherwise the submissions are (it seems) completely open.

Because anyone can submit pretty much anything, some of the work is basically smut—be forewarned.  But after weeding out the trash, they publish some truly excellent literature.

Such was the case with a chilling little tale, a vision of an America just a blink away:  “Das Woke Capital.”

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Rudyard Kipling’s “The Mother Hive”

To start yesterday’s History of Conservative Thought class, I had students skim through Rudyard Kipling’s 1908 short story “The Mother Hive.”  I stumbled upon the reading in our class text, Russell Kirk’s The Portable Conservative Reader.

It is a grim little fable that warns about the perils of progressivism infiltrating a proud but weakened nation.  In the story, a deadly wax-moth sneaks into a large but bedraggled beehive during a moment of confusion.  She quickly steals away to the cell of the youngest bees, who have yet to take their first flight.  There, she fills their impressionable heads with gentle words and promises of a glorious future, all while covertly laying her eggs.

One young bee, Melissa, who has just returned from her first flight, is suspicious of the beautiful stranger’s soothing words, but the wax-moth plays the victim and insists that she’s only spreading her “principles,” not the eggs of her hungry future children.

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