Monday Morning Movie Review: Ponty Praises “24”

Just a heads-up:  this review contains a lot of Amazon Affiliate links.  I receive a portion of any purchases made through these links, at no additional cost to you. —TPP

Good ol’ Ponty sent over an unexpected treat:  this excellent review of the early 2000s hit television series 24—at least, it’s his review of the first three seasons, along with his initial impressions of the fourth.

I remember when this show debuted.  It was the perfect show for the War on Terror, back when that conflict still enjoyed some popular support among the American people.  It was quintessentially Bush-era American:  a brave lone warrior, coupled with a good counter-terrorism team, found the terrorists, while also resorting to (and often being the victim of) “enhanced interrogation techniques.”  It was a time when we wanted terrorists, both on-screen and in real life, to get roughed up indiscriminately, “human rights” be damned!

24 delivered.  I hadn’t thought of the show much since those halcyon—and, it turns out, dying—days of cable television until Ponty sent along this review.  So come bask with us in those pre-Great Recession days, when it seemed like maybe we could actually install functioning, Western-style democracies in the Middle East.

With that, here is Ponty’s review of the television series 24:

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SubscribeStar Saturday: Epic Universe: Super Mario World

Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

My family and I took our annual-ish trip to Universal Studios earlier this week (Dr. Wife, sadly, is still in the depths of residency, so she was unable to join us).  This year’s trip was a bit different from those of yesteryear, however:  we visited Universal’s new park, Epic Universe, on our last day in Orlando.

Epic Universe has been in the works for years, and suffered (I believe) some delays due to The Age of The Virus.  The wait and the delays were worth it—it was truly, as my younger brother put it, the “theme park of the twenty-first century.”

The premise behind Epic Universe is that a central hub of celestial-themed rides and attractions leads to various “universes” or worlds.  Each one is accessed through a portal, and once you’re in one of the worlds, you are in it.  You can’t see the other worlds or the main hub until you leave that specific world.  Instead of areas blending together gradually, they’re distinct little pocket universes.

That separation greatly enhances the immersion.  When we were in Super Mario World—the subject of today’s post—it felt like we were inhabiting the world of Super Mario Brothers.  When we were in Dark Universe, the monster world, it was like being in an old Universal or Hammer horror flick.  The Harry Potter Ministry of Magic was akin to walking the streets of Paris—and so on.

Epic Universe consists of four separate worlds:  Super Mario World; Dark Universe; the Ministry of Magic (Paris); and the Island of Berk, from the How to Train Your Dragon film franchise.  There is also the Celestial Park hub area, which features the park’s signature coaster, Starlight Racers, and a celestial carousel at the center.

Today, I want to dive into the first of these worlds, the world of Mario, Luigi, Peach, Toad, Bowser, and the rest—Super Mario World.

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Monday Morning Movie Review: Superbowl Halftime Show

After a long day in the parks we got back to our rooms last night and settled in for sub sandwiches and television.  I had forgotten that the Super Bowl was airing last night, but my older brother did not, and he had the game on in our room.  While I rested and unpacked, the game entered halftime, featuring the infamous Puerto Rican rapper Bad Bunny, began to unfold.

By the end of the show—or by the point I stopped watching to get dinner in the other rooms—I was convinced that we needed to grant Puerto Rico its independence (while probably maintaining some naval bases there or the like).  It was the least American halftime show I’ve ever seen.

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Monday Morning Movie Review: 28 Days Later (2002)

The next film in the 28 [Unit of Time] series, 28 Years Later: The Bone Temple hits theaters this weekend, and yours portly is hoping that Dr. Wife and I can squeeze in a matinee showing this Saturday.  It also seems that Shudder has a couple of the earlier films on its service, including 28 Days Later (2002), which I stayed up late last night to finish watching.

I wasn’t sure I had seen this flick before, but several of the key scenes did click with me (like the father getting a single drop of infected blood in his eye, causing him to go made with the Rage virus).  I have seen it, but I’d forgotten most of the major plot points and the ending.  With the new film releasing this weekend, it was a good opportunity to refresh my memory (Shudder also has 28 Weeks Later [2007], which I watched recently as well).  I’d forgotten what a great film it is.

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Memorable Monday Morning Movie Review: Portly’s Top Ten Best Films: #3: The Thing (1982)

In late 2022 through early 2023, Ponty and I did an exhaustive rundown of our Top Ten Favorite Films.  His was very thoughtful and deliberate; mine was more or less picking through flicks I had in my DVD collection.

That said, I did put some thought into my Top Three, and this flick definitely deserves its slot.

Another note:  I know I’ve been recycling movie reviews a lot this month, so thanks for bearing with me.  Dr. Wife and I have been moving and taking care of all sorts of other tasks while we have some precious time off together, so the blog has—as it so often does—fallen onto the backburner.  She and I watched 1984’s Gremlins last week, however, so I’m looking forward to reviewing that soon.

But I digress.  With that, here is 30 January 2023’s “Monday Morning Movie Review: Portly’s Top Ten Best Films: #3: The Thing (1982)“:

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Memorable Monday Morning Movie Review: A Very Portly Christmas: It’s a Wonderful Life (1946)

With Christmas just a few days, I’m continuing to look back to Christmas movie reviews of yesteryear.  Today, I’m reflecting on what might be the quintessential Christmas movie, 1946’s It’s a Wonderful Life (that’s an Amazon Affiliate link; I receive a portion of every purchase made through that link, at no additional cost to you).

I have a vivid early memory of watching the movie on Christmas night at my late paternal grandparents’ house, and staying up very late to finish it.  My Papa was sitting in his recliner, and my cousins and I were on the floor.  It’s wild to consider that a black-and-white film could hold the attention of a roomful of rambunctious younguns, but that speaks to the quality and the magic of this film.

With that, here is 29 December 2022’s “Delayed Monday Morning Movie Review: A Very Portly Christmas: It’s a Wonderful Life (1946)“:

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Memorable Monday Morning Movie Review: Nefarious (2023)

Last year, when Dr. Wife was still Dr. Girlfriend, we sat down and watched an incredible movie exploring demonic possession and spiritual warfare.

That film was 2023’s Nefarious (that’s an Amazon Affiliate link; I receive a portion of any purchases made through that link, at no additional cost to you).  It’s one of the best films I’ve seen in years, and it’s an overtly Christian film (without making it feel like it’s overtly Christian).  It’s an excellent example of how Christians can make compelling art that espouses our beliefs culturally.

With that, here is 2 December 2024’s “Monday Morning Movie Review: Nefarious (2023)“:

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Memorable Monday Morning Movie Review: A Very Portly Christmas: A Christmas Carol (1951)

Back in 2022 a couple of my regular contributors and I each took turns reviewing the 1951 film adaptation of Charles Dickens’s A Christmas Carol (for links to all three reviews, click here).  The film has since became almost annual viewing for yours portly, a tradition I hope to continue with Dr. Wife.

With all the busyness of the wedding and last week’s school play (as well as this week’s school concert), I decided to take this morning to look back at my review from three years ago.

The film is a poignant reminder to keep the joy of Christmas alive in our hearts, something that is often difficult as the trials of adulthood responsibility exact their toll.  But Christmas is the time of year to celebrate the Birth of Jesus, and to recapture—to the extent possible—the simple magic of childhood.

With that, here is 19 December 2022’s “Monday Morning Movie Review: A Very Portly Christmas: A Christmas Carol (1951)“:

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Monday Morning Movie Review: Ponty Praises: The Usual Suspects (1995)

Good old Ponty sent along this awesome review before I headed out on my honeymoon, which saves me the creative effort of crafting a thoughtful review of some crappy movie after being unplugged for the past week.

Instead, you get this great review of an awesome movie.  Anytime Italo Calvino is referenced in a movie review, you know it’s going to be good.

I’m sure I’ve seen The Usual Suspects—or I thought I was sure until I read Ponty’s review.  Now… I’m not so sure.  Based on his review, I’ll have to head his advice to see it posthaste.  Perhaps Dr. Wife and I can enjoy it over Christmas.  I’m still planning on showing her Gremlins (1984).

Just a note—several of the links in this review are Amazon Affiliate links.  I receive a portion of any purchases made through these links at no additional cost to you.  I’ve marked these links with an asterisk (*).

With that, here is Ponty’s review of 1995’s The Usual Suspects:

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SubscribeStar Saturday: Prehistoric Exploration: Catan: Dawn of Humankind

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Last night yours portly had his raucous bachelor party, which consisted of eating pizza and play board games with my friends at my younger brother’s house.  The board gaming highlight of the evening was playing Catan: Dawn of Humankind (that’s an Amazon Affiliate link; I receive a portion of any purchases made through that link, at no additional cost to you), which my best man purchased as an early wedding gift.

The game can best be described as a blend of the early turns of any Civilization game and Settlers of Catan (more affiliate links), the classic Klaus Teuber game.  The map takes place on Earth, with all players starting with camps and explorers (imagine a blend of the scout and settler in Civ) in Africa.  Players are encouraged via various game mechanics to migrate out of Africa and to explore and populate the rest of the world.

Like classic Catan, the goal is to reach ten victory points.  These points achieved through various means—cultural and scientific development; exploration; and settlement outside of Africa.  Like Catan, players gather four different resources, re-themed to fit the prehistoric setting, by rolling two six-sided dice.  Players may trade these resources or cash triplicates into the bank in exchange for a single resource of another type.

There are some key differences, however:  while Dawn of Humankind is built on the Catan system, it is geared towards exploration and research.  Settlement is a key component of the game, but it’s done by sending out explorers.  Some areas of the map are blocked off by certain research requirements; for example, reaching Australia requires substantial investments into construction (for boats, presumably) and clothing.  Going towards the Arctic requires high clothing investments.  Investing in exploration lets explorers move more quickly, and investing in hunting allows players to move the Neanderthal in Eurasia and the Smilodon (saber-toothed tiger) in the Americas and Australia (these tokens act as the equivalent to the thief in classic Catan.

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