SubscribeStar Saturday: Spring Jam 2023 Review

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Subscribers:  the annual TPP Summer Reading List will be posted soon (sometime this month—maybe next weekend!).  I’ll also be getting back to my series on Washington, D.C., this month as well.

Another Spring Jam is in the books, and I think it was the best one yet.  I should probably write that behind the paywall, but I’d like everyone to know.

Regular readers will know that in October 2020 I launched the TJC Halloween Spooktacular (I’d done a “Spooktacular” at a coffee shop in 2019, but that was a very different event), a Halloween concert on my front porch.  That first front porch Spooktacular featured two opening bands, followed by a couple of sets from my friend John and myself.  It was a rousing success, but in retrospect, it was too long (three hours!) and needed some streamlining.

Of course, in The Age of The Virus, everyone was starving for live entertainment and social interaction after being cooped up inside with Netflix and takeout for (by that point) seven months, so I could get way with a bloated bill.  It was a success, and most folks stuck around until we wrapped up sometime after 9 PM.

While I don’t think I’ve ever repeated the success of the first Spooktacular in terms of attendance and cashflow, I do think I’ve improved the formula somewhat.

The biggest change came when I made the Spooktacular and the spin-off Spring Jam into a recital for my private music students.  Following the doldrums of Summer 2020, when I had just one piano student every week, my private lessons empire ballooned to around twenty lessons or so each week (occasionally fewer, often more).  That has been a major financial and musical blessing, but it also means I have enough students to put on a pretty good recital, even if some students can’t attend.

With this latest Spring Jam, I think I have gotten it down to more of a science—but a fun science, like playing with magnets in the seventh grade.  There’s still the fun, relaxed, DYI-spirit of the event, but everything seems to be running more smoothly.

Like playing an instrument, practice makes perfect.

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SubscribeStar Saturday: Spooktacular 2022 Preview

Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

The Spooktacular—my annual Halloween concert—returns in one week, on Saturday, 15 October 2022.  Since 2020—during the height of The Age of The Virus—I’ve hosted this annual celebration of musical spookiness (and spooky musicality) from my front porch.  It’s worked pretty well, and even spawned a published piece in Self-Reliance, so why mess with success?  We’re back on the front porch again.

I am adding one innovation, though, one that worked quite well with the TJC Spring Jam earlier this year:  like the Spring Jam, I’m turning the Spooktacular into a recital.  My buddy John and I will still play some tunes, and we’ll invite the kids up to play with us on “Monster Mash” and KISS’s “I Was Made for Lovin’ You,” but the opening segment of the Spooktacular will feature my private music students.  Indeed, it’s an open invitation to anyone who wants to play a tune—come on out!

Of course, I’ll be working hard this weekend to get the house prepared for the Spooktacular—and to remind folks about it!  There are many little tasks to complete and items, large and small, to prepare, both to give everyone a fun time, and to squeeze some buckaroos out of the event.

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Gig Day VI: TJC Spring Jam II

It’s time for another front porch concert!  This event—the TJC Spring Jam and Recital—will be the fourth Front Porch concert I’ve hosted (I think), and I’ve learned quite a bit from the others, especially the last Spooktacular.

This year, instead of inviting another band to open the concert, I decided to make the first portion into a recital for my private music students.  I’ve been teaching private lessons for years, but have never done a recital, so it was high-time to give my students and opportunity to share their considerable talents.

The recital element also brings with it a built-in audience:  the students naturally come with their parents—and, potentially, grandparents, siblings, cousins, aunts, uncles, family friends, etc.  More people means more merch sales, and possibly more tips and donations.

For this one, though, I’m not playing up the moneymaking aspect too heavily.  Yes, I hope to recoup some of my expenses for food and such, but the point is more to celebrate the hard work and talents of my private students.  If I sell some t-shirts and paintings, well, all the better.

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