Social Justice Jokers for Hire

Everyone here on the Right knows that the Left can’t meme.  Just like conservatives are better at talk radio, we’re better at making hilarious, spicy memes.

Perhaps it’s because the Left is firmly in the driver’s seat of culture and the institutions, so they’re just bad at humor, which requires poking at officialdom.  Perhaps it’s because their worldview is so inherently warped and cringe, what they think is riotously funny doesn’t translate to the rest of us.  Their hypersensitivity and adherence to identity politics make it impossible to poke fun at anyone or anything without suffering the consequences of their own cannibalizing cancel culture.

If anything, Leftist attempts at meme-ing just come across as propaganda.  Propaganda is not clever or subtle; it’s certainly not funny.  It just comes across as sanctimonious and pushy, which is probably why the Left loves it so much.

(At the risk of being even more controversial, it probably doesn’t help that the primary consumers and creators of Leftist memes are women, and with few exceptions, women aren’t exactly known for being riotously funny.  It explains why so much of female “comedy” resembles paying a visit to one’s overly detailed gynecologist.)

On the Right, we’re pilloried for making memes about a cute cartoon frog living a traditional life.  Hillary Clinton even attacked Pepe as a symbol of “white supremacy” while running for President of the United States, attempting to garner votes and donations by stirring up hysteria about frog.

Not only can the Left not meme; they can’t help but ruin existing memes with their overly-earnest moralizing.

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Indianapolis Interim

As I noted Saturday, I was in Indianapolis, Indiana this weekend for my older brother’s wedding.  The last time I’d been to Indianapolis was twenty years ago, for a Church of God (Cleveland, Tennessee) Teen Talent competition.

This trip I did not get to see much of the city, as I arrived late in the afternoon Friday and flew back Sunday, and everything in between involved wedding events (and, of course, the wedding itself).

I’m notoriously bad about taking pictures, so I don’t have many of my own to share.  But the wedding was at Laurel Hall, which I’ve been describing to people as “a Gilded Age castle.”  It’s not properly a castle, but it’s certainly a mansion, and was constructed in 1916 as the residence of a wealthy family.  It served many functions, including as a children’s hospital, and a fraternity owns it now.

All that said, it was a very good trip, even if I had to fly to get there.

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Composing Humorous Miniatures

Today’s post will be a bit of an acquired taste, as I’m essentially spinning a cheesy inside joke from the Internet into a post for general consumption.

At best, I’m hopeful it will give some insight into the often arbitrary and absurd sources for inspiration.  I will note here that the short compositions here do not sound good (except for the second of the Ethiopian Rhapsodies I dashed off, which is actually pretty fun).

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In Memoriam: A Triple Obituary

In lieu of Supporting Friends Friday, I’ve decided to dedicate this Friday’s post to the memories of three great men that left us in the past week.  One was a beloved funnyman; the second an influential public intellectual; the third a former colleague’s husband.

That order is not indicative of a ranking by significance or importance, to be clear.  As I noted, I consider all three of these gentleman to be great men.  Each contributed something to the world in their own way.

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Monday Morning Movie Review: Heathers (1989)

Today marks the end of summertime fun and the beginning of work.  Classes for the school year won’t start for another nine days, but I’ll be filling out various bits of legalese paperwork and taking the same bloodborne pathogens quiz I’ve taken every August for the paste decade.

In the spirit of beginning another year of academic rigmarole and inspirational mind-molding, I decided to review the 1989 dark comedy Heathers, starring Wynona Rider and Christian Slater as two oddball teens who declare war against the titular popular clique that rules the school.

I first watched Heathers on Hulu back in 2019 with the girl I was dating at the time.  I remember it being far darker than I anticipated, and found the second half of the film unpleasant.  I usually enjoy unsettling movies, but tonally it seemed “off.”

I re-watched the film a couple of weekends ago on The Last Drive-in with Joe Bob Briggs, and must substantially revise my original assessment of the film.

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Release the Pigeons

Here’s a weird bit of animal news for you:  around 5000 of 9000 carrier pigeons engaged in pigeon racing disappeared.  The pigeons were part of an obscure sport that races homing pigeons, and it’s unclear why over half of the birds never returned home.

Carrier and homing pigeons aren’t as necessary today as they were even one hundred years ago, what with improvements in communication technology.  When everyone is carrying around a Star Trek communicator with more computing power than the Apollo spacecrafts, the need to maintain a rookery of sky-rats is quite diminished.

That said, the birds are quite remarkable.  Carrier pigeons have saved thousands of lives in various conflicts around the world.  The piece in The Western Journal about the missing pigeons discusses the heroics of Cher Ami, a pigeon that saved the 77th Infantry Division’s “lost battalion” in the First World War “by delivering 12 messages and returning to his roost despite being shot in the leg”  The brave bird died from his injuries in 1919, but “was awarded the Croix de Guerre by France.”

Survivalists and homesteaders might take a particular interest in homing pigeons:  while they’re not particularly useful now, they could be quite useful in the event of a major failure of the power grid, or should the Internet and various cellular services go down.

But what of the missing birds?

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TBT: Tom Steyer’s Belt

Like many bloggers, I wrote a “2019’s Top Five Posts” feature to acknowledge the most-trafficked posts of the year.  One of the surprise sleeper hits was this post, “Tom Steyer’s Belt.”

I wrote this piece on September 30, 2019, largely as a cheeky throwaway.  It didn’t seem to get much traffic initially, but that’s true of many of my posts.

Then, probably in late November, but certainly by December, I noticed something:  it was getting a handful of clicks everyday.  It was just a few at first—maybe four or five, sometimes less—but then the views grew.

Now I’m getting dozens of views everyday from this post alone—usually more than fifty!  As the Democratic primaries approach and challengers drop out, Tom Steyer and his stupid belt continue to hang in there, running ads all over the place.

Perhaps not surprisingly, other people want to know the meaning behind the belt.  According to my WordPress analytics—limited as they are—a few of the clicks to my piece come from the search terms “why does Tom Steyer wear that stupid belt” and “Tom Steyer’s stupid belt.”  Less judgmental permutations also bring up my site.

The belt has, apparently, captured the nation’s imagination (and, presumably, Steyer’s waist):  it has its own Facebook page, where “The Belt” posts hilarious comments.

Well, at least some good will come from Steyer’s campaign—a good laugh at a clueless Leftie’s expense.

Here’s 2019’s “Tom Steyer’s Belt“—now the most popular post on The Portly Politico:

When I was in college, I formed this ridiculous pseudo-band with a suitemate of mine (who has, apparently, now gone down some dark roads) called Blasphemy’s Belt, which my bio on another band’s website refers to as an “electro-pop humor duo.”  I can’t remember how we came up with the name—our music wasn’t particularly or purposefully blasphemous (or good), and while we wore belts, they weren’t outrageous (just to keep our pants up)—but it was apparently catchy enough that people picked up on it.

The Belt never performed live, other than for an annoyed roommate, and a highly grating pop-up concert (at least, that’s what hipsters would call it nowadays) on our floor’s study room, but we generated enough buzz to get people to vote for us in a “Best of Columbia” survey in The Free Times.  We didn’t win anything, but it was an object lesson in how enough hype can make people believe you have substance when you really don’t.

That’s my self-indulgent way to introduce some literal navel-gazing—at Democratic hopeful and wealthy scold Tom Steyer‘s virtue-signallingsanctimonious belt.

Tom Steyer is a former hedge fund manager and current environmentalist nutcase who, along with half of the population of the United States, is running for the Democratic presidential primary in 2020.  Unlike Blasphemy’s Belt, nobody knows who he is; I don’t even think he qualified for the debates. Unfortunately, he’s trying to rectify that by running incessant ads on Hulu.

I’ve seen enough attack ads from Democrats to tune them out—they’re just a more overt form of the dishonesty progressives usually engage in—but Steyer’s ad brings bile to my throat.  It’s not because of his ludicrous claims (that President Trump is a “fraud and a failure”), idiotic as they are.

It’s because of his stupid belt.

Tom Steyer has no chance in the Democratic primary because a.) he’s unknown; b.) he’s an old white guy and c.) he’s not the old white guy who was President Obama’s VP.  As such, he no name recognition or intersectionality points.  He’s not even a pretend Indian like Elizabeth Warren.  He wears a blue button-up shirt with rolled-up sleeves and jeans in his commercials—the default uniform of politicians trying to appeal to the working man—and is utterly forgettable.

Except for that belt!

Here is the one picture I could find of it online, and it’s just a picture of someone’s television showing the ad (care of a Kenyan newspaper):

Steyer Belt.jpg

Here is an excerpt from the article (again, it’s from a Kenyan newspaper, so the written English is prone to syntactical errors):

The Presidential hopeful revealed while responding to a curious netizen who inquired the significance of the belt since he had worn it in one of his campaign videos.

Steyer noted that he bought the belt during his visit to Kenya.

“Thanks for noticing my favorite belt! I bought it on a trip to Kenya from female artisans,” he tweeted.

Additionally, he affirmed that the belt is a reminder that the world benefits when women are educated, as the belt was made by female artisans.

“I wear it as a reminder not to be so formal, and also as a symbol that the world is a better place when we educate women and girls,” he mentioned.

This kind of pandering makes my skin crawl.  Look, I have nothing against unusual belts.  But you look at a guy like Tom Steyer wearing this ridiculous belt in a campaign ad for president, and you know he’s trying to virtue-signal.  He said as much in the excerpt above—“I like the belt, but I also want to show how progressive I am by buying colorful belts from African women.”

His very sartorial choice is a political statement.  If you’re a punk rocker, yeah, you’re showing your disdain for order with your outrageous duds.  But you’re not likely to run for President of the United States (that would be too normie and conformist—being a part of the system, rather than trying to tear it all down).

Also, how much education does it take for a Kenyan woman to make a weird belt?  She probably learned how to do it from her mother, not from a progressive public school (there, she’d just learn to resent her skillfulness making belts as a form of patriarchal, white oppression—then no belts would get made at all).

Mostly, though, Steyer’s belt highlights his own clueless elitism.  Nobody cares about your belt you picked up at some street bazaar on a luxury safari in Kenya.

Clothes say a great deal about a man (or woman).  I feel better about myself when I’m dressed well (and it’s not 8000 degrees and 400% humidity outside).  I, too, have an unusual little ornament that I sometimes wear, that often draws attention—but it’s way more endearing than some empty gesture of my multicultural bona fides.

Years ago, I had a student who was obsessed with South Korean culture and music.  She especially loved a K-pop group called Exo—basically a Korean boy band.  Before a big concert, she asked if I’d wear an Exo tie if she bought me one; naturally, I said yes.

A couple of weeks later she came to be with a little felt bag.  She explained that Exo did not have ties, but they did have tie clips.  I pulled from the bag a little piece of silver-colored metal, with a button-sized picture of Korean teen heartthrobs.

I wear it frequently, as it’s functional (it holds my ties in place) and a conversation starter.  It’s always fun to tell, as I lead with, “Oh, it’s a Korean boy band” so I get weird stares, then I tell the story above, which is an endearing example of a close and respectful student-teacher relationship.

I’m not saying I’m immune from self-righteous outbursts, but I don’t politicize a sweet, unique gift from a student (it also doesn’t look like I’m wearing the clothing of another culture in order to make myself appear more diverse and progressive).  If I wore that tie clip in a political ad (a distinct possibility), no one would be able to tell that there are ten Korean boys on it (at least, I hope not!).  Tom Steyer knows people will see his colorful, clearly-exotic belt, and he’s banking on progressive voters saying, “Wow, this old white Wall Street hedge fund manager is really down with the struggle.”

Perhaps, like the great David Carradine, Steyer’s ham-fisted belt will be his undoing.  Then again, he was never really done up in the first place.