SubscribeStar Saturday: O Holy Night

Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

The unofficial theme of the blog this week has been Christmas music.  What better way to cap off the week than with a post about the best Christmas song ever written, Adolphe Adam’s “O Holy Night“?

Like its cousin “Silent Night,” the story of “O Holy Night” involves a village’s church organ.  In 1843, the church organ of the French village of Roquemaure had recently been renovated, so the parish priest asked a local wine merchant and poet, Placide Cappeau, to write a poem to commemorate the occasion.  That poem, “Cantique de Noël,” would be set to music a short time later by composer and music critic Adolphe Adam—and Christmas history would be made.

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TBT: “Silent Night” turns 200

The Christmas season—and a pending Christmas concert—has seen me waxing melodic on the holiday’s wonderful music.  As such, today’s TBT is predictable (if anyone were interested in predicting such a thing):  it’s a look back at a short post about the 200th anniversary of the classic carolSilent Night.”

Like “Joy to the World,” “Silent Night” is one of my favorite carols.  It’s sweet and simple, but can also be rocked up (the 6/8 time signature and three-chord structure lend the tune to bluesy interpretations, and I’ll occasionally slide in some blue notes when playing the song instrumentally).

It looks like it won’t make it into our Christmas program this year—a rarity—but I’ll be sure to make room for it next year.  Its more operatic cousin, “O Holy Night,” will be our finale, though.  I’ve always linked the two tunes mentally because of their similar names and themes (and they’re both in 6/8).  “O Holy Night” really lends itself to a hard rock interpretation, as my annual “O Holy (To)Night” cover version attests.

Without further adieu, here is Christmas 2019’s “‘Silent Night’ turns 200” (now closing in on 201):

One of my favorite Christmas carols, “Silent Night,” turns 200 this Christmas season.

The carol was originally written as a poem in the aftermath of the Napoleonic Wars by a village priest, Joseph Mohr, in the village of Oberndorf, Austria, in 1816. Two years later, Mohr approached the town’s choirmaster and organist, Franz Xaver Gruber, to set the poem to music. Gruber agreed, and the carol enjoyed its first performance to a small congregation, which universally enjoyed its simple sweetness.

Since then, the humble hymn has spread far and wide, and is probably the most recognizable Christmas carol globally today. It’s been covered (likely) thousands of times; it’s certainly become a staple of my various Christmas performances.

This simple, sweet, powerful carol beautifully tells the story of Christ’s birth, as well as the import of that transformative moment in history, that point at which God became Flesh, and sent His Son to live among us.

As much as I enjoy classic hard rock and heavy metal, nothing can beat the tenderness of “Silent Night”—except the operatic majesty of “O, Holy Night,” objectively the best Christmas song ever written.

Merry Christmas, and thank God for sending us His Son, Jesus Christ.

Midweek Update

It’s crunch time here at Portly HQ.  As such, today’s post will be very brief.

I’ve been writing a lot about Christmas and music lately—’tis the season, after all.  You can catch up on yesterday’s post about “Joy to the World,” as well as Sunday’s look back at my Dokken album reviews from Christmas 2018.

One reason for the Christmas music focus is that my students have their big Christmas Concert this Friday.  It’s always a great deal of fun, and we try to go for a homemade Trans-Siberian Orchestra vibe (if only I could get the administration to spring for some laser lights and pyrotechnics).

As an independent musician and a music teacher (I also teach history), I find myself playing the role of concert impresario quite a bit.  One lesson I’ve learned is that the money people—the producers—will always have their notes and revisions, often last-minute.  Your well-oiled, tried-and-true concert formula can often get totally upended with changes.  Learning to roll with the punches is hard, but necessary.

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Joy to the World

The musical mood continues here at The Portly Politico—as does the joy (check out my “Joy of” posts here, here, and here).  The Christmas season always lifts my spirits, and the boost from my piece on Milo and Romantic music has further buoyed them (if you’d like to elevate my mood to transcendent heights, consider purchasing some of my music).

With yesterday’s post on Christmas carols, I thought it might be interesting to look deeper into the most joyous of them all:  Isaac Watts‘s “Joy to the World.”

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The Joy of Christmas Carols

Christmas puts me in a musical mood. For one, I’m somewhat contractually-obligated to put on a Christmas concert, which will consume most of my free time this week, so I’d better embrace the Christmas spirit—or else. But it’s not hard to get excited about the iconic music of the season.

(Also, Milo Yiannopoulos—the actual Milo—shared my post about his views on Romantic music, which helped make it the most trafficked post of the year so far. That was incredibly gracious of him to do, and it’s further boosted my excitement for playing and writing about music.)

As I wrote in an earlier blog post on hymnals, I’ve gradually taken over piano playing at my little Free Will Baptist church. We sing many of the traditional hymns that were written and popularized in the nineteenth and twentieth centuries, as well as some earlier selections. Shape-note hymns are often hard to play, with big intervalic leaps in the melodies and surprisingly complex harmonies.

Take that melodic variety and harmonic complexity and multiply it by a factor of ten, and you’ve got Christmas carols.

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Cyber Monday Musings

Today’s post is a glorified sales pitch.  ‘Tis the season, after all.  If you want to get to the punchline, head over to my SubscribeStar page and subscribe for $1/month to unlock all of my SubscribeStar Saturday posts.  For $5/month, you get fresh doodles every Sunday, as well as other random bonuses.  The most recent $5 post included an MP3 of an original composition from Electrock Retrospective, Volume I: Dance Party.  More goodies to come!

Well, the glorious Thanksgiving Week is over.  The blog Didact’s Reach opened today’s post with the observation that this Monday is “doubly terrible”—after four or five days of heavy eating, sleeping, and shopping, nobody wants to be back at the grind.

This morning officially kicks off the busiest two weeks of the school year for yours portly:  a middle school drama production gets into tech rehearsals (and opens) this week, and our big, over-the-top Christmas concert is ten school days away—yikes!  That’s why I call Thanksgiving “the eye of the storm”—the brief calm before the craziness of December hits.  As the tech guy and music teacher at my little school, it’s an unusually busy season.  My online course hits their exam this week, too, so those grades are coming due.

But that’s all tedium that will get done one way or the other.  As for today, it’s Cyber Monday!

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Rationing and Abundance

Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

Thanksgiving and related observations have been a running theme this week.  Thanksgiving reminds us of how much abundance we truly have.  It’s hard not to recognize when there are tables full of fattening, succulent dishes, enough to rival the feasts of medieval kings.

In spite of that marvelous abundance, however, rationing is still very much a reality.  The inescapable fact of economics—indeed, the whole purpose of the field—is that there are only so many resources to go around, and societies struggle to figure out how best to allocate those resources.

This problem is particularly true when it comes to our most valuable resource:  time.

To read the rest of this post, subscribe to my SubscribeStar page for $1 a month or more.

Brack Friday Bunduru: Workers Need a Break

Thanksgiving has come and gone, and Christmas‘s time—an ever-expanding season that stretches into September—has finally arrived.  Today is Black Friday, the consumerist threshold that formally inaugurates the Christmas (shopping) season.

Black Friday, much like the holiday season it ushers in, has slowly stretched beyond its one-day window.  First, the expansion went into Small Business Saturday, then Cyber Monday.  Next came Giving Tuesday—a bit of charitable giving to close out the mad dash for savings.  Once you’ve spent all of your money in big box stores on Friday, at the dying mom and pop joint in your town, and everything else on Amazon on Monday, whatever is left goes to the United Way.

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TBT^2: It’s a Thanksgiving Miracle!

Dang, it’s been another year already.  Yikes!  Last year I wrote about the updates since the tragic weekend before Thanksgiving 2017.  The year after my fall was eventful, as I detail below (my commentary on the original post from the old website is in italics).

Looking back, 2019 has been pretty solid, too.  I’ve been a bit morose in a few posts lately, but the beauty of Thanksgiving is it helps clarify the mind—we’re told to focus on what we’re thankful for, and it seems to work.

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Giving Thanks (and a Sales Pitch)

Thanksgiving Break starts today!  For those of you that don’t work in education, here’s hoping you can enjoy some time off tomorrow and Friday.

I have some exciting, timely news:  my SubscribeStar page hit five subscribers yesterday!  That’s a huge deal, because SubscribeStar requires their “Stars” to have five subscribers before subscriptions automatically renew on a monthly basis.  So, a BIG “Thank You” to my five plucky subscribers.

For those of you interested in subscribing, here’s my Thanksgiving pitcheach Saturday, I post a fresh post for $1/month and up subscribers.  It’s an insanely good value—the price of a large specialty pizza per year—and I write some juicy stuff that I can’t put on the main site.

If you want to get generous and go for $5/month, I’ve recently launched “Sunday Doodles.”  I throw up a couple of my wacky, absurd, grotesque doodles each Sunday, usually with a brief explanation about when/where I doodled them.  Here’s a sample:

Sunday Doodles III, 24 November 2019 - Thanksgiving!.jpg

The SubscribeStar page includes around thirty-five posts at present, with probably thirty of those being essays.  Like this blog, I use that page to write about all kinds of topics, including:

…and, of course, candy apples.

Also, every Fourth of July week is MAGAWeek, which is a week of exclusives only for subscribers.

Now that I’ve turned giving thanks into a lurid bid for your hard-earned cash, let me close by saying that I am, indeed, truly thankful to all of my readers.  Blogging daily this past year has been a challenge at times, but it’s also been a blast.  I’m incredibly thankful for those of you who read the site, and for the great new blogosphere buddies I’ve met along the way.

Thank you for your support, and have a Happy Thanksgiving!

—TPP