Monday Morning Movie Review: In the Mouth of Madness (1994)

Regular readers will know that I love John Carpenter films.  Indeed, two Carpenter films featured in the Top 3 of my favorite movies of all time—Big Trouble in Little China (1986) and The Thing (1982).  I’ll watch pretty much anything Carpenter directs.  He has such a distinct visual style, his films are instantly recognizable.

One Carpenter film I’ve always struggled with, though, is 1994’s In the Mouth of Madness.  I’ve probably watched this film three times—it’s a perennial offering on Shudder—and each time I love the aesthetics of it, and the iconic lines—“Do you read Sutter Cane?”—but I’m never quite sure what to make of it.

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Monday Morning Movie Review: Portly’s Top Ten Worst Films: #5: Color Out of Space (2019)

We’re really getting into the dregs with these worst movies.  This point is where it starts getting hard for me, too—it’s easy to write about any movie, but having to think about the worst ones is surprisingly difficult.

As I had to travel out of town this weekend for a late family member’s memorial service, I decided to use the tactic to which all bloggers must, at times, resort:  reusing an older post.

The film is legitimately bad, and I really would place it on this list.  So, why not kill two birds with one bad film?

Last June, my blogger buddy photog over at Orion’s Cold Fire and I both published reviews of 2019’s The Color Out of Space simultaneously (you can read his screed against this cinematic butchering of the the Lovecraft story here: https://orionscoldfire.com/index.php/2021/06/14/color-out-of-space-2019-a-science-fiction-and-fantasy-movie-review/).

He’d written a brief blog post comparing Nicolas Cage to William Shatner.  In it, he announced that Nicolas Cage starred in an adaptation of an H.P. Lovecraft story, “The Colour Out of Space.”

Naturally, I immediately went to RedBox and (with a coupon code, of course) and rented The Color Out of Space on-demand.  As a fan of Lovecraft’s weird tales and Nicolas Cage’s weird acting, I had to see this film.

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Monday Morning Movie Review: Color Out of Space (2019)

My blogger buddy photog over at Orion’s Cold Fire I are both publishing our reviews of The Color Out of Space simultaneously.  You can read his screed against this cinematic butchering of the Lovecraft story here:  https://orionscoldfire.com/index.php/2021/06/14/color-out-of-space-2019-a-science-fiction-and-fantasy-movie-review/

A few weeks ago, my blogger buddy photog over at Orion’s Cold Fire wrote a brief blog post comparing Nicolas Cage to William Shatner.  In it, he announced that Nicolas Cage starred in an adaptation of an H.P. Lovecraft story, “The Colour Out of Space.”

Naturally, I immediately went to RedBox and (with a coupon code, of course) and rented The Color Out of Space on-demand.  As a fan of Lovecraft’s weird tales and Nicolas Cage’s weird acting, I had to see this film.

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Reblog: Quintus Curtius, “On Living Near the Ocean”

Blogger Quintus Curtius wrote a beautiful, reflective essay on his blog, Fortress of the Mind, about the effects, both spiritual and physical, of living near the sea.  It’s an excellent example of strong writing; here’s a lengthy quotation:

There is no union with the sea.  There is the sea, and there is you, and this is as it should be.  So we have this cautionary dualism:  there is the ancient, perilous essence of the ocean, this tiger’s heart, and at the same time there is this rejuvenating energy of the sea.  There is this inexplicable allure that calls us to it.  It both provides, and destroys.  There is kindness, and there is cruelty of the most savage sort.  The fire can both sustain and destroy.  And it seems that too much exposure to the ocean has some kind of degenerative effect, as well.  You cannot quite put your finger on it.  But it is there.  You see it with those old mariners.  The grizzled visages of those who have spent too much time with the ocean do not really convey wisdom:  it is rather that the life has been sucked out of them, leaving a desiccated human husk.  There are no places so degenerate as some of these obscure seaside communities.  The odors of decay and ruin hover about them.

The line “it is rather that the life has been sucked out of them, leaving a desiccated human husk” calls to mind H.P Lovecraft’s “The Shadow over Innsmouth,” a classic of Lovecraft’s genre of weird horror fiction, about a town inhabited by people with an overly closer union with the sea and its horrors.

Living in South Carolina, the ocean is a large draw for our tourism industry, which is (I believe still) the largest part of our State’s economy.  But there is a certain strangeness that attaches itself to seaside towns, a certain freewheeling sleaziness.

Take Myrtle Beach, a town that is like a slightly scruffier, tackier, and sleazier Branson, Missouri.  Charleston, with—despite its reputation for elegance and charm—is a bustling port city that suffers from the double-edged sword of cosmopolitanism.

Quintus Curtius relates an example of oceanic dualism in an illustration from the Samnite War.  Another ancient allusion came to my mind:  the view of the ancient Israelite people regarding the sea.  They viewed it distrustfully, and I seem to recall that Old Testament references to “the abyss” may have referred to the wine dark Mediterranean.

Standing by the ocean is a humbling experience; like staring at the starry night sky on a crystal clear night, it reminds us of our own smallness in the vastness of the Universe.