Gig Day VII: TJC Spring Jam III

It’s time for another front porch concert!  This event—the TJC Spring Jam and Recital—will be the sixth Front Porch concert I’ve hosted (I think), and I’ve learned quite a bit from the others, including the last Spooktacular.

This year marks the third Spring Jam, which has become a popular event with my private music students.  These front porch concerts started out as a way for my buddy John and me to play gigs during The Age of The Virus, when nobody was open for live music.  I realized that if I wanted to play in front of a live audience, I’d have to circumvent the hysteria and become the venue and talent.

Gradually, the concept morphed from a self-indulgent concert into a recital for my private music students.  The Lord has really blessed me—far beyond what I deserve—with a large clientele of private music students (around twenty-two at the time of writing, working out in practice to anywhere from twenty-to-twenty-four lessons a week), so it made sense to offer a couple of recital opportunities a  year for them.

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SubscribeStar Saturday: Spooktacular 2022 Preview

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The Spooktacular—my annual Halloween concert—returns in one week, on Saturday, 15 October 2022.  Since 2020—during the height of The Age of The Virus—I’ve hosted this annual celebration of musical spookiness (and spooky musicality) from my front porch.  It’s worked pretty well, and even spawned a published piece in Self-Reliance, so why mess with success?  We’re back on the front porch again.

I am adding one innovation, though, one that worked quite well with the TJC Spring Jam earlier this year:  like the Spring Jam, I’m turning the Spooktacular into a recital.  My buddy John and I will still play some tunes, and we’ll invite the kids up to play with us on “Monster Mash” and KISS’s “I Was Made for Lovin’ You,” but the opening segment of the Spooktacular will feature my private music students.  Indeed, it’s an open invitation to anyone who wants to play a tune—come on out!

Of course, I’ll be working hard this weekend to get the house prepared for the Spooktacular—and to remind folks about it!  There are many little tasks to complete and items, large and small, to prepare, both to give everyone a fun time, and to squeeze some buckaroos out of the event.

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Gig Day VI: TJC Spring Jam II

It’s time for another front porch concert!  This event—the TJC Spring Jam and Recital—will be the fourth Front Porch concert I’ve hosted (I think), and I’ve learned quite a bit from the others, especially the last Spooktacular.

This year, instead of inviting another band to open the concert, I decided to make the first portion into a recital for my private music students.  I’ve been teaching private lessons for years, but have never done a recital, so it was high-time to give my students and opportunity to share their considerable talents.

The recital element also brings with it a built-in audience:  the students naturally come with their parents—and, potentially, grandparents, siblings, cousins, aunts, uncles, family friends, etc.  More people means more merch sales, and possibly more tips and donations.

For this one, though, I’m not playing up the moneymaking aspect too heavily.  Yes, I hope to recoup some of my expenses for food and such, but the point is more to celebrate the hard work and talents of my private students.  If I sell some t-shirts and paintings, well, all the better.

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TPP in Self-Reliance Magazine

It’s a celebratory time of year.  Sunday was Mother’s Day.  Social media was abuzz all weekend with graduation announcements.  Wedding season is gearing up.  And summer vacation is just around the corner.

So is the 2022 TJC Spring Jam.  This year, I’m making the first portion of the Jam into a recital for my private music students.  That’s going to make for a fun evening, and I suspect it will boost attendance—all those parents and family members coming out to hear L’il Billy play his piano piece.

Last fall, I submitted a piece to Self-Reliance, a magazine about independent living, entitled “The Front Porch Concert: Opportunity for Musicians in The Age of The Virus.”  They accepted it and cut me a check some time ago, and I’ve been waiting patiently for the article’s publication ever since.

Much to my delight, I arrived home from a school event Saturday evening to find the Summer Issue, Issue #25 of Self-Reliance, in my mailbox.  There on page twelve is my article, taking up four beautiful pages.

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