Monday Morning Movie Review: High-Rise (2015)

Lately Hulu’s algorithm—in the bleak future math problems determine our entertainment choices—has been suggesting tower-based movies to me.  Yes, it is a genre:  films that take place in the claustrophobic confines of apartment buildings, like the 1993 thriller Sliver, starring Sharon Stone and William Baldwin.  That flick was so-so, and the character motivations didn’t really make sense, especially the dashing computer nerd Baldwin portrayed, but it was one of several Hulu has recommended lately that depends upon a high-rise for its setting.

So it was the Grand High Algorithm suggested 2015’s High-Rise, a film both set in and an homage to the 1970s, specifically the dark sci-fi flicks of the decade.

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Monday Morning Movie Review: The Ghost Writer (2010)

Roman Polanksi is a sexual weirdo and a fugitive from justice, but, dang, he makes good movies.  A couple of weekends back I stumbled upon The Ghost Writer (2010) on Hulu, more evidence that the streaming service is upping its game.

The Ghost Writer is a product of the Bush Era, when Hollywood was obsessed with Bush Derangement Syndrome—a psychological condition akin to Trump Derangement Syndrome, but which now seems quaint and cute by comparison.  The plot involves a ghostwriter (Ewan McGregor) hired to punch-up the boring, windy memoirs of a Tony Blair-esque former British Prime Minister.  The former PM is facing prosecution for war crimes for his alleged role in illegally torturing terrorists during the War on Terror, and while he is considered a “world-historical” figure, his pro-war stance while PM has made him deeply unpopular.

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TBT: Guest Contributor – photog – “The Beast From 20,000 Fathoms” – A Science Fiction Movie Review

On Tuesday of this week, photog of Orion’s Cold Fire and I interviewed one another for our respective blogs.  That marks our second collaboration with one another; the first was on 16 October 2020, when we guest posted on each other’s blogs.

As such, this week’s edition of TBT was a no-brainer:  bring back photog’s review of the Atomic age film The Beast from 20,000 Fathoms.

With that, here’s 16 October 2020’s “Guest Contributor – photog – ‘The Beast from 20,000 Fathoms’ – A Science Fiction Movie Review“:

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Monday Morning Movie Review: Boss Level (2021)

With my busy schedule lately I haven’t had the opportunity to watch quite as many flicks as I was during the height of the long, cold nights of winter, which is why I skipped Monday Morning Movie Reviews last week.  That week also ended up being quite busy, as I’m putting in extra hours in the evenings to stay on top of grades and other projects.

Fortunately, I managed to carve out some time for flicks, and enjoyed a Hulu original, March 2021’s Boss Level.  Boss Level is a sci-fi action movie about a man in a Groundhog Day-style time loop, except he dies every day (usually around 12:47 PM) at the hands of a team of mercenaries, ranging from a sword-wielding Chinese woman to a ballistics-obsessed midget (excuse me—“Little Person”).

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Monday Morning Movie Review: You’re Next (2013)

Another weekend has rolled by, so it’s time for another Monday Morning Movie Review.  While clicking around Hulu I stumbled upon a flick I saw some years ago, though I didn’t realize it at first.

That says something about the similarity of schlocky horror flicks out there—they all have basically the same premise and plot description. Except this one, 2013’s You’re Next, is actually quite original.

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Monday Morning Movie Review: The Little Things (2021)

Over Valentine’s Day weekend I partook in a ritual that is increasingly rare:  a trip to the theater.  I’m a bit of a Regal Cinemas loyalist (thanks to their Crown Club rewards program), but they’re all closed, so AMC was good enough.

The choice of the word “ritual” is not mere metaphor:  for me, there really is a certain rhythm and order to movie-going.  It’s not the same as watching a movie on the couch (as this excursion reminded me), but truly is a whole experience.  The theater is the one place I’ll pay $7 for a Diet Coke, and I gladly plopped down $16 for a massive bag of popcorn and a jug of artificially-sweetened carbonated beverage this weekend.

Some movies are meant to be seen on the big screen—special effects-laden epics, for example—but some movies are simply better on the big screen.  The Little Things (2021), which I saw this weekend, was one such film.  It’s a movie I could have easily picked up on RedBox for a fraction of the price, but I think watching it at home would have undermined my appreciation of the film considerably.  Watching on the big screen demands one’s entire attention (especially now that theaters are operating at reduced capacity, making for fewer annoying patrons); watching at home offers myriad distractions.  If I’d seen The Little Things at home, I don’t think I would have appreciated it as much as I did.

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Monday Morning Movie Review: Witness (1985)

Just to prove that I don’t just watch cheesy horror movies (and that Hulu actually has more to offer than such films), this Monday I’m reviewing something a bit different:  the 1985 neo-noir Amish thriller Witness, starring Harrison Ford as Detective John Book, a clean cop hiding from his dirty colleagues in Pennsylvania’s Amish Country.

The movie is unique in that it contrasts the grittiness of the city with the tranquility and traditions of Amish country life.  There seemed to be a vague cultural fascination with the Amish that lasted from the 1980s up to around the turn of the century (take, for example, 1996’s Kingpin or Weird Al’s hit “Amish Paradise” from the same year).  The Amish are, indeed, interesting, but I’m not sure what accounts for this brief, generational curiosity in the rural pacifists.

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Monday Morning Movie Review: Digging Up the Marrow (2014)

My fifth trip to Universal Studios in the past eleven months is done, and I’ve put another 900 miles on my little 2017 Nissan Versa Note SV getting there and back again.  It was another great trip, but as much as I love heading down there, it will likely be awhile before I return.  Of course, I thought the same thing when I went last February before The Virus hit, and it was the most Universal Studios-filled year of my life.

After catching up on e-mails and some work after getting back, I decided to see what schlock Hulu had to offer.  The quality of Hulu as a streaming service has really taken a dive, and it’s confoundingly difficult to find specific flicks on the service.  I’ve been on a huge Hammer Films kick lately, an Hulu has one or two of their films; it would be great if there was a way I could search for films by studio, rather than just trying to search the names of Hammer’s movies and hoping I get a hit.

Like all cut-rate services, Hulu is also putting more and more content behind additional paywalls and subscription services.  Sometimes I’ll see that Hulu has a movie I’m searching for in my browser, only to log into the app to find I have to add a $12 a month subscription to HBO or Showtime to view it.  No thanks.

I suppose I can’t complain too much when I’m paying $2.15 a month, and I will note one positive of Hulu:  it has dozens (maybe hundreds; I don’t know, because, again, the service is so difficult to search and navigate) of crummy horror movies.  That’s probably a negative for many users, but it’s a gold mine for someone like me, who genuinely enjoys watching bad horror movies.

Of course, there are occasionally gems—unpolished or otherwise—amid the dross.  So it was this evening that I stumbled upon one such precious stone, blemished though it may be:  2014’s Digging Up the Marrow.

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Lazy Sunday XCVIII: More Movies III: Movie Reviews, Part III

I’m trucking my way back from Universal Studios this morning, so why not do another round of movie reviews?  This weekend’s three reviews are all flicks from 2020—a bad year for movie theaters, not to mention everything else—but a good year for movies.

Well, at least I thought so.  These three movies were all movies I enjoyed, but I’m not exactly a tough critic.  I also tend to rent movies I’m likely to enjoy, and even likelier to write about films I enjoy, so my assessment of 2020 releases could be way off.

But I liked these three, at least.  Here are some solid 2020 picks for your enjoyment:

  • Midweek Movie Review: Fatman (2020)” – Man, I loved Fatman.  It’s a very fun premise and a great flick.  Kris Kringle may be jaded and burned out from his job delivering presents around the globe, but he’s unambiguously a good guy; the villains are unambiguously evil.  It makes for a great bit of cinema.  Highly recommended.
  • Monday Movie Review: Unhinged (2020)” – If you’re into tight psychological thrillers with a deadly chase, Unhinged fit the bill.  It also features Russell Crowe in a fat suit, which is humorous.  It’s not the greatest film, but I enjoyed it for what it was.
  • Monday Morning Movie Review: Love and Monsters (2020)” – I really enjoyed this sweet adventure/romance film.  A total screw-up who somehow has managed to survive the monster apocalypse sweeping the globe becomes a man as he crosses eighty-five miles of monster-infested territory to reach his high school girlfriend.  It hits many of the same notes as Zombieland (2009), but does so in a fresh way.  Another big recomendation.

Happy Sunday!

—TPP

Other Lazy Sunday Installments:

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SubscribeStar Saturday: Hammer Films IV: Hammer Films Collection, Volume II, Part I

Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

This weekend I’m continuing my series of reviews of various Hammer Studios films.  Last year I had the pleasure of reviewing (preview) of the Hammer Films Collection.  While writing that review I discovered that there is a second volume, which I immediately added to my Amazon Wishlist.

My family members came through (God forbid spend $9!), and I finally made it through this six-film collection.  I’ll say the real gems were on the first volume, but there are some good flicks on this collection, too.  Like the Hammer Films Collection, these are all Hammer Studios movies distributed through Columbia Pictures.  The collection includes the following films:  The Revenge of Frankenstein (1958), The Snorkel (1958), Never Take Candy from a Stranger (1960), Maniac (1963), Die! Die! My Darling! (1965), and Creatures the World Forgot (1971).  For this first part, I’ll be reviewing The Revenge of Frankenstein, The Snorkel, and Never Take Candy from a Stranger.

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