The koi pond at our new house has served as a source of immense inspiration for yours portly. I’ve spent many late nights researching various species of aquatic life that can thrive in our little pond ecosystem. I’m most excited about getting some Japanese Trapdoor Snails for our pond.
In the meantime, however, I’ve added some ramshorn snails to the pond already. They arrived in a bag from an eBayseller in Oklahoma, clinging to the walls of their watery shipping compartment. I drove them up one frosty night and gently plopped them into the pond, which inspired today’s new piece.
It’s a quick Lazy Sunday this week as Dr. Wife and I hunker down in the cold. I’m casting my gaze back to two posts from earlier this week, one based in the coolness of the watery depths, the other in the fiery crucible of the modern restaurant industry:
I’ve been working hard on this week’s piece, “Koi Dance,” for about two weeks now. It’s a chamber piece featuring two flutes, bassoon, and piano, and draws inspiration from Bedřich Smetana’s “The Moldau”; that piece also features a flowing theme that depicts the movement of water.
I plugged the finished piece into Audacity and applied some additional reverb and a master effect, both of which I think have allowed the sound to “pop.”
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Now that it’s 2026, it’s time to make a few changes to the blog. One of those overdue changes comes to the long-running weekly feature Open Mic Adventures.
According to a hasty review of my records, I ceased playing open mics—and, indeed, most live gigs outside of private bookings—in 2025. I simply lacked the time and energy—and interest. I much prefer rehearsing my students so they can play live.
That’s been one of the big changes in my life in recent years. I enjoy playing live, but as I get older, going to open mic nights and playing songs I wrote a decade (or more) ago lost its luster. It’s also amazing how once I got engaged (and now married), my desire to show off in coffee shops plummeted. If I’m going to play to impress anyone—always a dubious proposition—it’s going to be for Dr. Wife.
That’s all to say that I’m not ending Open Mic Adventures, per se—there’s always that chance I’ll get that itch to play and get some good video in the process—but that I’m shifting it into something more accurate: New Music Tuesday. The “Open Mic” appellation ceased to be accurate for most of 2025, as I featured more and more of my original electronic compositions.
Of course, good ol’ WordPress.com makes it easy to put together these weekly, multimedia posts. One thing I’ve come to love about WordPress.com is how intuitive it is to upload all sorts of media.
For example, here is today’s featured track, “Herald,” uploaded as a beautifully lossless WAV file using the “Audio” block:
I found this brief piece scribbled on a red tardy slip I had in my desk. I apparently wrote it down on 8 August 2023, and finally put it into my music composition software this morning. It’s a very simple, quick piece, indicative of the kinds of etudes I was composing at that time. As such, “Herald” is a brief piano fanfare, suitable for players at most levels.
It’s another sad casualty in the never-ending pogroms of Big Tech. I am not a regular Conservative Treehouse reader, but it’s fairly standard, non-controversial conservative commentary. CT was big on debunking the Russian conspiracy and Ukrainian hoaxes, and really delved deeply into the weeds of those baseless witch hunts. It’s also been going hard to illuminate the theft of the presidential election.
But that’s enough. In a world in which Twitter posts Orwellian “fact-check” tags to tweets about the election, any questioning of the orthodoxy is a thoughtcrime. CT itself points to the real reason for their deplatforming:
The WordPress company is not explaining the reason for deplatforming because there is no justifiable reason for it. At the same time, they are bold in their position. Perhaps this is the most alarming part; and everyone should pay attention. They don’t care.
Truthful assembly is now the risk. CTH is now too big; with a site reach of 500,000 to a million unique readers each day; and with well over 200,000 subscribers; our assembly is too large, too influential, and presents a risk… we guard the flickering flame.
That’s the key—Conservative Treehouse is effective; ergo, it must be eliminated. I’ve written far spicier posts on this blog, but I’m so small, WordPress doesn’t care (or, more likely, doesn’t notice).
In other words, there’s very little chance SubscribeStar is going to shut down a “star“—their term for their content providers—over groundless accusations. That’s one big reason I signed up for their service: I had confidence that they wouldn’t shutter my blog posts simply for thinking critically and questioning the prevailing orthodoxy.
The Portly Politico 