SubscribeStar Saturday: The Portly Politico Summer Reading List 2023

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It’s that time of year again:  summer!  That means we’re due for The Portly Politico Summer Reading List 2023!

For new readers, my criteria is pretty straightforward.  To quote myself from the 2016 list:

The books listed here are among some of my favorites.  I’m not necessarily reading them at the moment, but that doesn’t mean you shouldn’t!

Pretty vague, I know.  Additionally, I usually feature three books, plus an “Honorable Mention” that’s usually worth a read, too.

For those interested, here are the prior installments:

With that, here’s The Portly Politico Summer Reading List 2023:

1.) “The Legend of Sleepy Hollow” and Other Stories from The Sketch Book, Washington Irving – There are dozens of compilations of Washington Irving’s The Sketch Book of Geoffrey Crayon, Gent.  The book has been in continuous print since its first publication in 1819-1820, which is remarkable:  at the time, American literature was in its infancy, struggling to differentiate itself from the flood of European novels, poetry, and short stories coming out of the Old World at the time.  Irving, along with his contemporary James Fenimore Cooper, launched American literature beyond our own hardscrabble frontiers into the wider world, and both authors became the first Americans whose works were read widely in Europe.

I picked up this Signet Classics edition (ISBN: 0-451-5301-8) approximately fifteen years ago, largely on the strength of its two most famous short stories:  “The Legend of Sleepy Hollow” and “Rip Van Winkle.”  These tales account for the vast popularity of the collection, but aside from a few other essays on American life, the vast majority of the collection takes place in England.

One of the most memorable essays from my first reading was “Westminster Abbey,” about the impressive abbey near London.  Here’s the first very first paragraph:

On one of those sober and rather melancholy days in the latter part of autumn when the shadows of morning and evening almost mingle together, and throw a gloom over the decline of the year, I passed several hours in rambling about Westminster Abbey. There was something congenial to the season in the mournful magnificence of the old pile, and as I passed its threshold it seemed like stepping back into the regions of antiquity and losing myself among the shades of former ages.

How’s that for setting the scene and the mood?  There is something mystical about that period in late autumn that is “rather melancholy,” and everything seems to have a certain shadowy gloominess cast over it.  I’ve always thought that the best time to learn about colonial American history—especially the history of New England—is in late autumn, when that damp crispness enters the air.  It feels like Plymouth Rock, or Salem Town, or the backwoods of New Hampshire.

This summer, I hope to reread this collection for the first time in fifteen years.  The essays on Christmas—“Christmas Eve,” “Christmas Day,” and “Christmas Dinner“—are instantly charming, and explain much of the more ancient English traditions of celebrating Christmas, including ghost stories around the fire (which became more popular in the Victorian era).

Needless to say, The Sketch Book has had an immense influence on my own writing, particular my travel writing.  I’m no Washington Irving (or Geoffrey Crayon), but my second book Arizonan Sojourn, South Carolinian Dreams: And Other Adventures clearly illustrates Irving’s influence upon my writing style.

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TBT: On Ghost Stories

Today marks the first day of October, perhaps my favorite month of the year.  We’re already getting that first crisp coolness in the air here in South Carolina, and it’s feeling more and more like autumn every day.

So with Halloween just thirty days away, I thought it would be fun to look back at a post from last “All Hallowe’s Eve Eve,” as I wrote at the time:  one all about ghost stories.

I finally finished slogging my way through The Penguin Book of Ghost Stories, thanks in no small part to quarantine.  It’s an excellent collection, and I stand by my recommendation from last October, but there are a handful of stories that are way too long—or dense.

I’m now reading through a more accessible, far lighter read:  the classic Tar Heel Ghosts by John Harden.  It’s a collection of North Carolina-based ghost stories published in the 1950s, so it has that pleasing sense of implicit patriotism and love of place that is now so sadly missing from our cynical, cosmopolitan writing of today.  Like The Story of Yankee Whaling, it possesses a refreshing innocence about and love for its subject:  no hand-wringing over now-unfashionable ideas, no condemnation of a lack of diversity, no talk of “marginalized” groups being “unrepresented.”

I picked up the book sometime in my childhood on a family trip, but I don’t think I ever finished the collection.  I’m rectifying that all these years later, and I’m thoroughly enjoying it.  I also plan to reread Ray Bradbury’s The Halloween Tree, one of my favorites to pull out this time of year.

Here’s hoping you find some spooky tales of your own to curl up with on these cold, October nights.  Here’s October 2019’s “On Ghost Stories“:

It’s Halloween!  Well, at least it’s All Hallow’s Eve Eve, but that’s close enough for some ghoulishly delicious ghost stories.

I love a good ghost story.  The Victorians did the genre best, but many writers since have honed it further, adding their own unique twists and scares.  Even Russell Kirk, the great conservative philosopher, was a fan of ghost stories.  Indeed, his bestselling book was a ghost story.

For the Victorians, ghost stories were told at Christmastime.  This timing, while peculiar to modern readers, makes sense intuitively—Christmas is a time for remembering the past, in part (perhaps especially) our honored dead (just ask Washington Irvingif he comes by to haunt you).  The “ghosts” of departed loved ones linger closely during those long, frosty nights.  The inherent nostalgia of Christmas and the winter season—and bundling up next to a crackling fire—sets the perfect mood for ghostly tales.

Nevertheless, what other time of year can beat Halloween for a good tale of witches and werewolves; of monsters and mummies; of ghouls, goblins, and ghosts?

As such, I’d encourage readers to check out “Nocturne of All Hallow’s Eve,” a deliciously frightening, blood-soaked tale of the supernatural and the macabre from Irish-American author Greg Patrick.  Alternative fiction website Terror House Magazine posted it back in September, and I’ve been saving it to share on the blog until now.

Patrick’s style conjures the dense verbiage of Edgar Allan Poe.  Indeed, he overdoes it a bit (see his more recently published “The Familiar“).  But his subject matter is pure Halloween—the tenuous space between the natural and the supernatural, the mysterious rituals, and on and on.

If you’re still in search of some ghostly reads, check out The Penguin Book of Ghost Stories.  It’s the collection I’ve been reading since my trip to New Jersey this summer.  It’s a truly spine-tingling collection that covers some of the great—and many of the undeservedly unsung—writers of the genre, the men and women who truly created and molded what makes a good ghost story.

So wherever you find yourself the next couple of nights, curl up with a good book, a warm fire, and a good ghost story (and maybe someone else, if you’re so inclined).  You and the ghosts will be glad you did!

Ghost

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On Ghost Stories

Yesterday’s post about Father Robert Morey’s courageous stand for the unborn really took off.  Thank you to readers for sharing the post, and thanks to those of you who left comments.  Please continue to keep Father Bob in your prayers.  —TPP

It’s Halloween!  Well, at least it’s All Hallow’s Eve Eve, but that’s close enough for some ghoulishly delicious ghost stories.

I love a good ghost story.  The Victorians did the genre best, but many writers since have honed it further, adding their own unique twists and scares.  Even Russell Kirk, the great conservative philosopher, was a fan of ghost stories.  Indeed, his bestselling book was a ghost story.

For the Victorians, ghost stories were told at Christmastime.  This timing, while peculiar to modern readers, makes sense intuitively—Christmas is a time for remembering the past, in part (perhaps especially) our honored dead (just ask Washington Irvingif he comes by to haunt you).  The “ghosts” of departed loved ones linger closely during those long, frosty nights.  The inherent nostalgia of Christmas and the winter season—and bundling up next to a crackling fire—sets the perfect mood for ghostly tales.

Nevertheless, what other time of year can beat Halloween for a good tale of witches and werewolves; of monsters and mummies; of ghouls, goblins, and ghosts?

Read More »