Monday Morning Movie Review: Blood on the Stars (1975)

After last week’s review of a summer blockbuster, your portly is undertaking a complete reversal to an obscure horror film.  In fact, it’s an obscure Welsh horror film, in the incomprehensible Welsh language, and funded by the short-lived Welsh Film Board.  The Welsh Film Board, it seems, was a body dedicated to the revival and preservation of Welsh language—in other words, the preservation of cramming as many consonants together as possible (today, there exists Ffilm Cymru Wales; why is it that every nationalist movement and/or organization in the British Isles is inevitably just woke internationalist globohomo garbage in a language that pre-dates the Roman Empire?).

The film in question is Blood on the Stars (1975), which one reviewer on Letterboxd called “a fever dream.”  That is an apt description of this weird little relic of the glorious Welsh 1970s.

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My Musical Philosophy in Song: “Delilah”

On Sunday (my first day back playing piano in church!—everyone else was in their cars listening over a short-range broadcast)—I posted a video to my Facebook artist page of Iron Maiden vocalist Bruce Dickinson singing Tom Jones’s 1968 classic “Delilah”:

I’ve received a handful queries about my statement that “this video sums up my entire musical philosophy.”  Naturally, there’s a bit of cheek in that statement.  My short answer is similar to the jazz musician’s (Louis Armstrong? Dizzy Gillespie?) when a lady asked him how to swing:  “if you have to ask, you’ll never know.”  The video should speak for itself:

But I began digging into this video a bit more.  What is this bizarre game show?  When was it aired?  How did Bruce Dickinson end up singing “Delilah”?  It reminds me another video that “sums up my entire musical philosophy”—Jack Black’s appearance on American Idol singing Seal’s “Kiss from a Rose”:

Fortunately, there are some scant details out there.  The show was Last Chance Lotter with Patrick Kielty, an Irish game show that ran for ten episodes in 1997.  The gimmick was that the show took losers from other game shows, gave them a lottery ticket, and anyone who had a ticket worth ten pounds or more could compete in the main game.  Some of the money won would go into a pot for one random audience member to win.

I haven’t quite worked out how the musical numbers figured in, but the musical guest would essentially sing a song to add even more cash to the pot by spinning a wheel (that was transparently rigged—the audience knew the wheel was controlled, from what I can gather).  That’s why Bruce Dickinson was on the show, and his performance of “Delilah” is one of the most spectacular musical renditions I’ve ever heard:  mariachi horns, bouncing bassists, leopard-print suits, and Dickinson’s soaring vocals.

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